Wednesday, November 30, 2016

Artomatic is coming back on 2017!

 
Building on a partnership that started in 2007, Artomatic will return to Crystal City
to host a signature event in the spring of 2017. They anticipate attracting a large and diverse crowd showcasing a variety of creative work, including visual art, music, film, live performance, fashion, and more.
 
Look for more information about the next Artomatic in January when they kick off the New Year with a spring event in Crystal City!

The curious case of the Miami Art fair week, Wynwood, and traffic

There is a certain connection that exists between the success and survival of big events, the hosting city, people, businesses and traffic.

Make it hard for people to get to a concert venue, and they won't go. Make it difficult for people to get to a sporting event, and they'll stay home and watch it on TV.

Make it impossible for people to drive to art fairs during ABMB and they will not go to the fairs.

The cities of Miami and Miami Beach have a cash cow going on with the explosion of the Art Basel week of art fairs. By my unofficial count, there are no less than 26 art fairs going on around the Greater Miami area, plus countless side art events, plus museum parties, etc. They generate a lot of business for the local area, a lot of tax revenue for the cities and a lot of good stuff for Miamians.

And all that is in extremis if the cities (and the fairs) do not do a better job of traffic management.

"All they need is some police presence guiding and directing traffic!" noted the exasperated Uber driver. "Just like they do for concerts or football games; you never see this kind of traffic nightmare in those cases... why?... because the friggin' cops are on the corners directing traffic!"

I suspect that in those cases, the events/venues have a contract with the local police force, so that they pay a fee to get the traffic coverage. For the last two nights in Wynwood, traffic has been a nightmare, often taking over an hour to move one traffic light. I hear that in Miami Beach it is even worse.

Unless resolved, this is going to kill the fairs in Miami and Miami Beach. We've already heard complaints over the last years - this year has been the worst. "You can't get an Uber or a Lyft," noted an exasperated collector via text last night. "They can't get in the area!"

This has to be fixed.

All the Wynwood art fairs, and all the Miami Beach art fairs needs to get together and arrange for police support during the art fairs - there hasn't been any for the first day or two...this is not just advice, but a must do unless they see the traffic jams kill attendance and thus infect the subsequent death of the fairs. You never want to hear: "I used to go to the fairs, but now it's impossible to even get in... so..."

Art fairs are run by business entities; not artists - if this issue is this clear to most attendees and most exhibitors (who also have to get to the fairs in and out), then they must also be clear to the most casual observer.

Miami/Miami Beach: Fix the traffic jams, or the fairs will die off. 

Update: On Wednesday and Thursday night cops magically appeared (at least in Wynwood) and traffic improved significantly - it's still packed, but at least moving a little!

Tuesday, November 29, 2016

Context Day One

Today was the VIP opening at Context Art Miami in Wynwood... we got there a little early, in order to get some time to walk the fair before the opening.

After parking I got me a cortadito on the walk from the parking lot to the fair. I am convinced that Cuban coffee is the real reason that crack never took hold in Miami. The cortadito was $1.87 in Wynwood... In most places in Hialeah you can get one for a quarter.


Booth 326 looked really good - there was Dulce Pinzon, Audrey Wilson, Jodi Walsh, Georgia Nassikas, Tim Vermeulen, Elissa Farrow-Savos and Alma Selimovic - and my art - rocking the booth!


Meanwhile, over in Miami Beach's SCOPE Art Fair, Tim Tate was manning our booth at that fair showcasing his new work... but more on that later.

Opening night was the usual stroll of impossibly slim women in impossibly high heels, and handsome young dudes in tight pants and sockless long shoes. There was also a lot of very good tasting food and plenty of Prosecco flowing.

My family started arriving in waves, and I spent much of the night speaking to them... collectors also came by, most notably Texas ubercollector Ardis Bartle.

Audrey Wilson, Ardis Bartle and Jodi Walsh

With most of my family members in one place together, I brought out a folder with around 100 lithographs and etchings that I had done 1977-1981 while a student at the University of Washington School of Art... I wanted to give them a choice of some of them as gifts.

Soon my familial peeps were spreading out the prints on the table and selecting them as a group. A few minutes later I noticed that several other people were also gathering around the table and selecting work. When I say "other people" I mean strangers.

Before my mind got this fact clear, I realized that people were helping themselves to the artwork - just anyone... not just my family.

By the time that I reached the folder, about 20 prints remained - I say maybe a third of those were in my family's new art collection; the rest now belong to perfect strangers who never bothered to ask a question, but just angled in, got some prints and left.

I guess that my artistic collectors' base just got expanded! cough... cough...

The big ABMB Week Art Dance starts tonight!




Alida Anderson Art Projects invites you to the

VIP Opening Receptions of

CONTEXT ART MIAMI

Tuesday, November 29th @ 5:30-10pm


Alida Anderson Art Projects is proud to participate for the fifth year in a row, in this year's CONTEXT ArtMiami fair, taking place November 29 - December 4 in the Wynwood Design District of Miami.



The gallery will feature work by Dulce Pinzón (Mexico), Jodi Walsh (Canada), Alma Selimovic (Bosnia), Elissa Farrow-Savos (US), Tim Vermeulen (US), Georgia Nassikas (US), Audrey Wilson (US) and F. Lennox Campello (US via Cuba).  We are located in booth 326, near the fair’s center collectors’ lounge.

Intemperance Detox Simulation... by Audrey Wilson - Context Booth 326 (Photo by @peted301)
The gallery is also proud to sponsor a gorgeous public art spaces installation by New York City artist Matthew Langley in space SP10. On display are 35 of his small artworks – the largest presentation ever!

Detail from Matthew Langley installation
We are also at the SCOPE ArtFair in Miami Beach, where we’re showcasing a solo booth by Washington, DC artist Tim Tate. His work is in booth D29 at SCOPE. Their VIP opening is also Tuesday, November 29 from 4-8PM.

Tim Tate at SCOPE Art Fair
The gallery has a few complimentary passes for the art fairs left, please contact us at info@alidaanderson.com for more information.

Monday, November 28, 2016

Let me count the ways...

How Do I Love Thee? (Sonnets to The Portuguese) Charcoal on Paper by F. Lennox Campello
How Do I Love Thee? (Sonnets to The Portuguese)
36x36 inches, circa 2016
Charcoal on Paper by F. Lennox Campello

How Do I Love Thee? (Sonnets to The Portuguese) Charcoal on Paper by F. Lennox Campello
How Do I Love Thee? (Sonnets to The Portuguese) - Detail
36x36 inches, circa 2016
Charcoal on Paper by F. Lennox Campello
Come see it at the CONTEXT ART MIAMI fair in Wynwood - booth 326!

Sunday, November 27, 2016

Context Art Miami... booth 326

We are wild, beautiful things II by Elissa Farrow-Savos