One of the paradoxes of the Washington, DC art scene is the fact that our area has the second highest concentration of millionaires in the world (after Silicone Valley area), and yet an almost invisible local collector base to help support our area galleries, artists and cultural tapestry.

From my tunnel vision perspective, this phenomenom only seems to apply to the visual arts: The money is here, the galleries are here, the artists are here, and yet the collectors are not here - at least not in the same scale as in Miami, LA or SF. No one can challenge NYC, but one would think that Washington could certainly develop a collector base on the par with those other cities.

Why is that? I have several theories, which I will be mulling and blogging over the next few days. I also have the actual data (from our perspective) of where our sales go to, and interestingly enough, over half of our gallery sales go to collectors outside of Washington!

When we were working with Sotheby's to sell Washington artists' artwork, of nearly 1,000 lots that we sold in the last few years, all but two were bought by collectors from all over the US, Europe and Asia - only two to Washington area collectors out of nearly 1,000 sales! Worldwide collectors were buying Washington artists' art and Washingtonians were ignoring them.

Two out of 1,000.

Where do Washington area collectors go to buy art?

There are some local collectors and they do exist. We started our first gallery without a single name on our invitation list and had not stolen the collectors database from another gallery, so over the years we had to develop our "own."

And we have certainly developed several good collectors over the last few years - not just in Washington, but also other cities and countries, and in DC there are a handful of legendary art collectors (none of which are "rich" by the way), that we (and nearly every gallery in DC sells to) whose vast art collections are so large that nearly every Washington artist of note is hanging (wall-to-wall) in their homes. In one case, the collector has so many works that even his entire ceiling is covered with paintings!

But DC area art collectors do not exist in the numbers that a demographic like Washington's can and should deliver. We should have a collectors base of thousands, not dozens.

Why?

Part of the answer will be coming up soon here, but a hint is in the fact that while this goes on in DC, Miami struggles with dilemmas like this one. I wish we had their "problems."

The much maligned art of portraiture painting seems to move along forward even in the lost art nation of Great Britain, where even portrait painters (sigh) become art stars.

For a truly descriptive and eloquent piece on the art of creating a portrait painting (in this case the portrait of London's National Portrait Gallery's director Charles Saumarez Smith by artist Tom Phillips and filmed by Bruno Wollheim), read this cool piece in The Guardian.

"Nobody ever likes the work in the Turner Prize. Conceptual installation art is worthless and people don't want it. Galleries are desperately trying to find young artists who can draw..."

Above quote by well-known British artist Sir Kyffin Williams, who also accuses modern artists of being more interested in fame than art and describes teaching in art schools as "disgraceful."

Read The BBC story here.

One of my favorite painters, Eric Fischl (who one day we hope to bring to a show here in DC) will be in town Thursday, March 11 at 7pm at the Hirshhorn's Ring Auditorium.

Fischl, whose painting The Funeral: A Band of Men (Two Women) Abandonment! was acquired by The Hirshhorn in 1990 and is one of my favorite pieces in the Hirshhorn permanent collection (it is currently on view by the way), will discuss his work and the current direction of figurative art, which according to a couple of our local art critics is dead and "has been done."

The Russian Cultural Centre of the Embassy of Russia has a showing of the same show by the International Artists Support Group Art Exhibition that took place in St. Petersburg, Russia.

The Cultural Centre is located at 1825 Phelps Place, NW, Washington, DC, Mon-Sat, 10am-6pm. Call for directions: 202-265-3840. The show comes down on January 30, 2004.

---

Eve Hennessa opens this Friday, January 16 at Parish Gallery in Georgetown's Canal Square. All four Canal Square galleries (MOCA, Fraser, Parish and Alla Rogers) will have their January openings and have opening receptions from 6-9 PM.

My Pictish Nation drawings are on exhibit at Fraser. I usually do the January or December show because everything is dead, especially if the "S" word (snow) is mentioned. The show received a nice review by John Blee in The Georgetowner and a very nice review by Joanna Shaw-Eagle in The Washington Times. To learn more about Pictish culture, click here.

Deadline: January 30, 2004.
Pandamania 2004, DC Panda Sculpture Design
The DC Commission on the Arts and Humanities is looking for Artists to submit designs for 150 Panda sculptures that are 5½ feet tall. Like the elephants and pandas that enlivened the city's streets nearly two years ago,these whimsical characters will be placed on the streets of Washington during the spring, summer, and fall of 2004. The deadline for artwork is January 30, 2004. Artist Stipend per Panda is: $1,500.00 To participate in Pandamania's Call to Artists obtain an application here or email alex.macmaster@dc.gov or call 202.724.5613.

Artists must mail or deliver all original art submissions no later than Friday, January 30, 2004 to the DC Commission on the Arts and Humanities, Fifth Floor 410 8th Street, NW, Washington, DC 20004.

---

Spring 2004: Entries for Bethesda Arts Festival
The Bethesda Arts and Entertainment District is accepting applications for the 2004 Bethesda Fine Arts Festival, an outdoor Fine Art and Fine Craft festival that will take place in the Woodmont Triangle area of Bethesda, Maryland. The festival will take place, rain or shine, on Saturday, May 15 and Sunday, May 16. 150 booth spaces are available, $275 for a 10' x 10' booth, $25 application fee. All original fine art and fine crafts are eligible, no mass produced or commercially manufactured products are allowed. $2,500 in prize money. Deadline for applications is March 1, 2004. To download an application form, visit here or send a SASE to Bethesda Urban Partnership, Bethesda Fine Arts Festival, 7700 Old Georgetown Road, Bethesda, MD 20814.

For more information contact the festival Director, Catriona Fraser, at (301) 718-9651.

Faith Flanagan organizes MUSE, which is a monthly art salon at DCAC. Each session is an opportunity to talk about contemporary art at a monthly get-together. Each salon features a discussion with a member(s) of the local arts community, followed by a chance for audience members to show slides or samples of their work.

The next MUSE is Sunday, February 1, 7:30pm when the guests are Robert Lehrman, gallery owner George Hemphill, and Washington Post art critic Blake Gopnik. They will be joining MUSE this month to discuss collecting art, museum trusteeship and stewardship. For more info email Faith at salon@dcartscenter.org.