Panorama DC is an arts activist organization whose goals and mission is to ensure that:
- All residents have consistent opportunities to participate in and appreciate the arts.
-To increase awareness and visibility of art and activism in the District of Columbia.
-To bring people together through community arts.
-To preserve & celebrate our cultural diversity.

This coming Saturday January 31, 2004 they will be hosting the "Panorama Art-In" which consists of affordable workshops in visual, performing and teambuilding arts.

Location: Jelleff Boys and Girls Club, 3265 S St., NW, DC
Time: 10am-5pm
Donation: $25-55, sliding scale and no one turned away due to lack of funds. Light lunch included.

1. Visual Art Workshops include Ceramics, Collage Painting and Woodworking.
2. Performing Art Workshops in Drumming, Traditional West African Dancing, Spoken Word and Acting/Improv.
3. Teambuilding Workshops in Mural/Banner Painting

To Register email panoramadc@yahoo.com or call (202) 431-4840.

Artists' Opportunities...
Deadline: February 2, 3004.
NATIONAL CERAMIC COMPETITION - February 2, 2004. Exhibition runs April 15-June 20, 2004. Over $5,000 in cash awards. Open to artists living in the US, Canada and Mexico. Original clay work "from functional to sculptural." Completed in the last 2 years. Entry fee. 20% commission. SASE to:

Karen Zimmerly
San Angelo Museum of Fine Arts
One Love St
San Angelo TX 76903
325-653-3333
www.samfa.org

For women photographers:
Secondsight will be having their bi-monthly meeting tomorrow!

Secondsight is an organization dedicated to the advancement of women photographers through support, communication and sharing of ideas and opportunities. Secondsight is committed to supporting photographers at every stage of their careers, from students to professionals. Each bi-monthly meeting includes an introductory session, a guest speaker, portfolio sharing and discussion groups. Each photographer will have the opportunity to present their work within a small group of other photographers, ask for constructive criticism, gain knowledge or simply share their artistic vision and techniques.

For info, directions and details call Catriona Fraser tomorrow from 12-6 PM at 301/718-9651.

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Some mini reviews...

This year the Art League celebrates its 50th birthday. The Art League is one of the cultural jewels in the brilliant cultural tapestry of our area and I know that their impact and presence will be around for many more years to come. Happy 50th!

Their most recent show was juried by Walter Kravitz, and for the first time in my many visits and reviews of The Art League’s many wonderful group shows, which consistently are solid, good shows, I was disappointed.

Kravitz selected a mediocre show – not just because some of the artwork is mediocre – after all, those pieces were mediocre to me – just me, but also the show suffered from the clear fact that he obviously tried to have an all-inclusive show, with a little of everything, and instead ended with a mish-mash of too many disparate pieces and genres that looked like a student show rather than a professional, powerful and tight group show – as I have grown accustomed to see at The Art League.

By the way, I’d love to jury a show there and put my money (I mean selections) where my mouth (I mean words) is/are.

Anyway, from Kravitz’s jumbled show, I particularly liked some old proven names. In the show, the superb watercolors by Chris Krupinsky stood out as usual, as did the giant drag queen painting by Ardath Hill (which I’d seen before at Hill’s Studio Gallery solo), Glenn Friedel’s spectacular photograph titled “High Contrast Nude II,” and Sara Poly’s “Clouds Ascending.”

At the League’s solo show gallery, Caroline Emmet Heald gives us a painting landscape tour in a show titled “Wetlands” which as the title describes, are landscapes depicting various wetlands. Heald is a talented painter who skillfully avoids the trap of trying to create the illusion of perfect realism and instead uses the ability of color to deliver representational ideas to bring forth her landscapes. Yes, they are paintings of wetlands, but a closer inspection reveals the tenacity of a good painter who is also interested in exploring vigorous brushwork and the interactions of colors.

Upstairs, I visited the group show at Multiple Exposures Gallery (formerly Factory Photoworks) curated by Annie Gawlak of G Fine Art. I also found this show, titled “Multiples,” a little thin, and this was also surprising, as this cooperative is without a doubt one of the powerhouses of local photographic talent. Gawlak selected 17 pieces, most of which didn’t really appeal to me, with the exception of a beautiful selenium-toned photo by James Steele titled “Ecola Forest.” If I may fall on that old art criticism crutch of comparison, it reminded me of one of those Wayne Bullock photos sans the nude. It is a gorgeous, sensual and mystical photo of a moist, wet forest that showcases Steele's superb photographic eye.

I'll be jurying Multiple Exposures Gallery's next show in February, so let's see how I do when placed in the juror's place - although I juried a show for this gallery a few years ago as well and I am quite familiar with most of the phoptographers in the gallery.

I'll be traveling today - but later tonite I'll be posting some reviews from some gallery hopping around the Torpedo Factory yesterday. Will look at shows at The Art League and Factory Photoworks.

News via Artsjournal.com: Don't miss this interesting Miami Herald article on the evolution and origin of art which discusses the issue of the 30,000-year-old ivory figurines found in Germany (see my earlier posting) now add to a growing body of evidence suggesting that modern humans have always displayed sophisticated artistic ability throughout their existence and questioning the "need" to go to art school to learn to be an "artist."

Opportunities for artists:
Deadline: February 1, 2004.
The Rijksakademie in Holland offers sixty artists (resident artists) from around the world the possibility to work for a period of time (maximum of two years) on research, projects and production. Every artist has their own studio, a stipend and the opportunity for dialogue with visiting artists, art critics, curators and other advisors. In addition to extensive technical workshops and advice, the facilities include a library, artists’ documentation and art collection. The Rijksakademie offers a unique blend of the features of artists’ residencies, research centers and postgraduate programs at the highest international level. The Rijksakademie also organizes the Prix de Rome, the oldest and most prestigious "state prize" of the Netherlands.

Applications for the residency 2005 can be obtained through their website or contact them at:
Rijksakademie van beeldende kunsten
Sarphatistraat 470
NL 1018 GW
Amsterdam
Netherlands

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Opportunities for Miniature Artists
Deadline: February 2, 2004.
The 7th Annual International Biennale of Miniature Art in Quebec, Canada has a call for miniature artists to be invited to participate. Jury will select artists. Every artist may present a maximum of two works. Entry fees: $20 for the first work $10 for an additional work. The fees are payable in Canadian funds with international drafts or money orders. Visit their website for details.

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For Printmakers...
Deadline: February 28, 2004.
The Sumei Multidisciplinary Art Center in New Jersey hosts the Sumei National and International Juried Print Exhibition 2004 . This biennial exhibition is dedicated to the memory of Cuban artist Belkis Ayon, who committed suicide a few years ago. Juror is David Kiehl, Curator of Prints at The Whitney Museum of American Art. Open to all artists, original works created within the last three years, any print media. Giclee prints accepted in separate category. For prospectus you can download the form from their website or send SASE to:
Sumei Juried Print
19 Liberty Street
Newark, NJ 07102

Opportunity for artists and curators:
Deadline: Ongoing.
P.S.1 Contemporary Art Center's Clocktower/P.S.1 Projects provides free, non-residential space for the creation and/or exhibition of specific projects. Studios are located on the 13th floor of the Clocktower Gallery in Lower Manhattan and at P.S.1 Contemporary Art Center in Long Island City. Artists are invited to submit proposals for projects which can be created within three months or less. P.S.1's curatorial team will select projects based on quality of work, the probability of its execution, its relevance to other P.S.1 programming, and other curatorial considerations. Applications will be accepted throughout the year.

Download the application and read further info here.

Submit completed application to:
P.S.1 Contemporary Art Center
Attn: Clocktower/P.S.1 Projects
22-25 Jackson Avenue at 46th Ave.
Long Island City, New York, NY 11101-5324