Saturday, February 21, 2004

Terry Parmelee's paintings and prints will be exhibited at Jane Haslem Gallery through mid-April. Opening reception is today, February 21st, noon to five, and by appointment. The show is held in conjunction with the publication of Parmelee's Catalogue Raisonne, "Terry Parmelee Prints, 1966-1999". The gallery is located at 2025 Hillyer Place NW, phone: (202) 232-4644.



Kelly Towles will be featured in Taking Over the Art Store: A Group Show. Opening reception: tonite February 21 at 10pm. Location: the Art Store in Georgetown. 3019 M St, NW (Between 30th & 31st Street). 202/342-7030.


"Black: A Celebration of a Culture", presents the vibrant panorama of 20th-century black culture in America and around the world in more than 500 photographs from the turn of the last century to the present day. Each photograph, hand-picked by Deborah Willis, one of America's leading historians of African-American photography, celebrates the world of music, art, fashion, sports, family, worship or play.

Willis is a MacArthur Fellow and author of The Black Female Bodyand Reflections in Black. Her latest book is A Small Nation of People.

At Vertigo Books, 7346 Baltimore Ave. College Park MD 20740 Tel: 301-779-9300

Friday, February 20, 2004

Gordon as Monroe, Cobain, et al... Lee Stalsworth/Museum of Contemporary Art, Los AngelesNew York Times' art critic Roberta Smith is absolutely giddy about the Douglas Gordon show at the Hirshhorn.

I haven't seen the show yet (but will) and I will be honest enough to admit that I am already predisposed to dislike it, or rather to be bored by it, which is what happens to me with a large percentage of video "art."

The reason (I think) is that often the concept of the video artist's "art" is a lot more interesting than the final product. Add to that that "video art" is more often than not a combination of video and still photography - really a traditional mish mash of genres, and by the second or third video in a row by the same guy, I find myself just reading the wall text and looking at the still photographs and just barely glancing at the actual home movie... oops! I mean "video art."

But not Ms. Smith, who finds that Gordon's work "can trigger an almost giddy optimism about the general state of contemporary art and refresh your confidence in the possibility of artistic progress, even in these postmodern times."

Gordon's most famous and acclaimed work — famous indeed, but I wonder how many people have actually seen it in its entirety — is "24 Hour Psycho," an installation in which Alfred Hitchcock's famous movie thriller is extended to 24 hours, instead of proceeding at the usual speed of 24 frames per second. You can see it at the Hirshhorn - pop corn prohibited.

Progress is progress...

photo by Perez Bravo Today is the third Friday of the month and thus the Canal Square Galleries (31st Street NW and M Street in Georgetown) will have their monthly openings. We will have what I consider our key photography show of the year.

It is work by three of Cuba's most gifted female photographers: Elsa Mora, Marta Maria Perez Bravo and Cirenaica Moreira.

The openings go from 6-9 PM and are catered by the Sea Catch Restaurant. They are free and open to the public. Also tonight, instead of our usual Sangria, we will be serving Cuba Libres (Rum & Coke), and playing Benny More music to get in the Cuban mood.

See ya there!

Thursday, February 19, 2004

Sometime tomorrow morning this site will receive its 5,000th visitor!

Today's Washington City Paper has a great profile article by Matt Sommers on legendary 83-year-old photographer Lida Moser, who now lives in Rockville.

Two of Moser's vintage photographs sold at Christie's auctions two days ago for $1,000 and $3,000 respectively. Her vintage work has gone as high as $4,000 in 2002.

As far as I know, Moser is the only Washington area photographer whose work shows up regularly in most major international photography auctions and yet she's never had a Washington museum show - but she's had solo shows in museums in Canada and the Scottish National Portrait Gallery, and locally her work is in the permanent collection of the Library of Congress and also the National Portrait Gallery and her photographs are in the permanent collections of dozens of museums around the world.

Yet not one single Washington area museum seems interested in organizing a Washington show of this 83-year-old dynamo, whose life is currently being filmed by Canadian television.

Suggestion to the National Museum of Women in the Arts: Wake up!

In case you missed the Kojo Nmandi show earlier today - here's the audio of the show. I'm towards the last 20 minutes of the show.

Don't forget to tune in today from 1:30 to 2:00 to WAMU 88.5 FM, where I will once again be a guest at the Kojo Nmandi Show.

I will be discussing the area's art scene and gallery and museum shows coming down the next few weeks, as well as mentioning some of my favorite area artists.

I believe that they will be taking phone calls from listeners, so if anyone has a question or comment for me, I should be able to take it on the air.