"First Annual Selected Figure Drawing Exhibition" call for entries.
Deadline: April 30, 2004
The New England Realist Art Center announces a call for entries for their "First Annual Selected Figure Drawing Exhibition". This International open exhibition will be held online. Open to all artists who work in a representational style in any graphic media (wet or dry). Up to $1,000 in awards. Juror will be renowned artist and portraitist Ted Seth Jacobs. Entry deadline is April 30, 2004. Entry fee: Up to 3 slides $25, $5 each additional. For more information contact Dennis Cheaney at info@newenglandrealistartcenter.com or visit their website.

---

"Bold Expressions" call for entries.
Deadline: August 2, 2004.
Northern California Arts, Inc. invites you to enter their 49th Annual Open International Exhibition, "Bold Expressions," September 28 - October 17, 2004, at the Sacramento Fine Arts Center Galleries. Open to creators of original art. Mixed media, no photography, film or crafts. Best of Show $750, awards totaling $3500. Juror: Cynthia Hurley, well-known Northern California and international artist. Judged by slides. Fee: $30 for 1, 2 or 3 artworks, non refundable. Slide deadline is August 2, 2004. For information call Deb Johansen-Cook, Show Chair at 916-988-9417. Prospectus available from this website.

---

"Alcyone" call for entries.
Deadline: May 15, 2004.
Pleiades Gallery of Contemporary Art in New York announces Alcyone, a juried competition being curated by Tracey Bashkoff of the Guggenheim Museum. All Media is eligible and fees are: $40 up to 3 slides, $5 each additional slide - no commission on sales. For info call the gallery at (646) 230-0056 or visit their website.

There's a very good article in Art Business News magazine about Cuban art and once again I am being quoted discussing our strong program promoting Cuban art and artists in our area.

Among the many artists discussed, Sandra Ramos, who will be making her DC debut next May in our Georgetown gallery, is highlighted.

Ramos' art deal with migration, exile, sex, and racism - all taboo subjects in Cuban society. She's in the permanent collection of MOMA, MFA Boston and a dozen other museums worldwide - and yet has never exhibited in DC.

I received a really nice note from Harrison Arnett, of the Tinwood Alliance about my review of the "Quilts of Gee's Bend." It was nice of him, as I was a little iffy as how the review would be received.

Please read this: Michelle Marder Kamhi on Rescuing Art from "Visual Culture Studies" at Aristos. Link thanks to ArtsJournal.

Art Chat is a quarterly informal gathering of arts groups and arts administrators, sponsored by the Alexandria Arts Forum (an arts advocacy group) and the Alexandria Commission for the Arts. The public is invited to the March Art Chat, to be held Thursday, March 11 at 7 p.m., a joint gathering of the Arlington and Alexandria Arts Commissions and arts groups. It will be held at the Torpedo Factory Art Center at 105 N. Union Street, Alexandria.

The Artist Help Network has launched a "Bulletin Board" to announce items of interest related to artist career development - including new publications, services, and resources. Go to their homepage and click "News of Interest" located at the top left-hand corner.

I really believe that if one is to write and discuss DC area artists, galleries and our "scene," then one must get out and go to openings, see show, talk to artists, visit museums, etc. As many and as varied as possible.

One of my pet peeves is a well-known writer from a weekly alternative free newspaper who for the last several years just continues to write about the same two or three museums or the same two or three galleries... over and over and over. Get your ass out and see some other shows, visit as many galleries as you can and expose yourself to DC artists and art - then write about it.

Tonite was the first Friday of the month, which of course means that the Dupont Circle Galleries had their extended hours from 6-8 PM and thus I trekked to a few and then had dinner (I had Veal Marsala, which was magnificent) at Anna Maria's on Connecticut, one of the best Italian restaurants in DC.

From the gallery crawl, what best sticks on my mind as memorable were the truly unusal, not even sure how to describe it, work by Dean Kessman at Conner Contemporary. Elegant, thin, and super minimalist perhaps? Or maybe a 21st century rebirth of the Washington Color School on Intel Steroids?

A few doors down, in the small space now shared by Troyer and Irvine Fine Arts there were some watercolors and gouaches by Roberto Matta never before seen in the United States.