One of the things that still amuses me, is how terrified most people are of actually entering a gallery.

As those of you who have been to our Bethesda gallery know, the gallery is encased in glass. In other words, the entire inside space is exposed to the square of Bethesda Place because all the exterior walls are made of glass.

This is bad for heating and/or cooling costs ($400 a month), but good because the entire exhibition is always visible from the outside.

Therein lies the problem!

99.9% of all people will circumnavigate the outside walls, cupping their hands and peering in... sometimes they go around several times, like sharks, and often point and discuss the artwork. And yet they never come in!

Every once in a while, when our former neighbor in the square (Discovery Channel) and now our new neighbor (Comcast) holds a fire drill, the square is filled with several hundred people at once. The drills last maybe 45 minutes.

And the masses walk around the gallery, looking in through the glass, discussing the art, and out of hundreds of people, maybe two or three brave souls dare to come in, but not before asking "is it OK to come in?"

And on Sundays, our other neighbor, the Original Pancake House has a hour waiting list, which means that 40-50 people are always hanging around the square. And yet, despite the fact that they circle around and peer in, only a precious few ever come in (although our biggest sales ever have been to some of those Sunday pancake eaters!).

Often, in the spring, we have the two front doors propped open. And this also causes some interesting situations. Every once in a while, someone will stand on the outside of the opened doors, and stretch (as if as the end of a precipice) and look inside for a few minutes. It is as if one of those Star Trek force fields is between the door line and the gallery.

Even a smile and a "you can come in" often just gets a silent smile back... not even a response.

My conclusion: there's something about an art gallery that terrifies most people. I call it galleryphobia and have defined it as:

Galleryphobia (Gall-e-ree-pho-bya) – The unjustified, deeply rooted fear of actually entering an art gallery. Usually exhibited by attempting to see the entire exhibition through the glass windows from the outside, rather than stepping into the welcoming, temperature-controlled space.

This coming Sunday is the Bethesda Artist Market and I will be there along with 30-35 area artists selling artwork. Goes from 10-5:30 PM at Bethesda Plaza.

More info here.

Not often that a new masterpiece is "discovered."

A small but anatomically correct wood carving statute of Christ on the cross is set to "cause a stir in the art world this weekend as it appears in Florence for the first time, billed as a hitherto unknown masterpiece by the city's most famous artist, Michelangelo Buonarroti."

Regular DCARTNEWS reader Darin Boville makes a good point about my posting below and that we shouldn't snicker at Shreveport's awful sculptures when we have atrocious sculptures like the unfortunate Korean War Memorial - a magnificent design by the way - but awfully executed by sculptor Frank Gaylord.

Some of the figures are way out of any human proportion that I know of... also some of the hardware is as if the sculptor had taked toy guns and made molds from them....

In fact, the more I think about it, the more I convince myself that our Korean War sculptures are worse than the MLK memorial statutes in Shreveport!

This is so funny! DCARTNEWS reader and area artist James W. Bailey sent me this great link announcing that the city of Shreveport had won "bad art poll" and not only that, but it also received over 40% of the vote!

It seems appropriate that Picasso, perhaps the world's greatest artist ever, is the first one to smash the $100 million dollar auction price. Read the Sotheby's story here.

Norman Rockwell's Four Freedoms: Paintings That Inspired a Nation opens on May 15 and runs to my birthday on September 6th! at the Corcoran Gallery of Art.

Co-organized by the Corcoran Gallery of Art and the Norman Rockwell Museum and presented in conjunction with the dedication of the new National World War II Memorial, Norman Rockwell's Four Freedoms: Paintings That Inspired a Nation celebrates four of the artist's most well-known paintings.

Rockwell created Freedom of Speech, Freedom from Want, Freedom of Worship and Freedom from Fear after President Franklin D. Roosevelt's speech addressing these four fundamental freedoms of all Americans in 1943 (except of course, for Americans of Japanese ancestry).

Rockwell's unexpected rise to the upper crust of the fine arts world, after being maligned for so many decades, and in spite of the dislike of his work by many elistist curators, has been a pleasant surprise of the modern art scene.

Only Nixon could go to China and only Rockwell could paint stuff like this back in the 60s.