Wanna see some new artwork?
"Elegant Violence" (who picked that title?) runs until the 27th, and features the work of the BFA Senior Thesis artists exhibiting at the Hemicycle at the Corcoran and thus the shape of things to come (Fabian apologies to H.G. Wells).
This is one of the best venues to see and experience what the new crop of artists are creating... As I am in sunny (yep right!) California, I would love for someone to go and see this show and then email me a review or impression for publication in DC ART NEWS.
Thursday, February 24, 2005
"The principle which gives support to a work of art is not necessarily contemporary with it. It is quite capable of slipping back into the past or forward into the future. The artist inhabits a time which is by no means necessarily the history of his own time."I bet that Focillon is not in Oxford's art history curricullum.
Henri Focillon (1881-1943), French art historian.
Wednesday, February 23, 2005
Underwear
Life has a subtle way of putting one's arrogance back into place every once in a while. It's now almost 7AM Pacific Time and this "seasoned traveler" has just discovered that he forgot to pack all his undershirts and thus (at least today) will have to "freestyle" his dress shirts.
Oh well... everyone in Europe does it.
Oh God!
Raining in San Diego
Not an usual thing to happen here, but raining nonetheless when I arrived tonite. The flight here was a small miracle: a direct, non stop flight from DC to San Diego. Sweet! But when I checked in, I noticed that my seats had been changed, and instead of my usual aisle seat, I'm in the middle!
And since the plane was sold out, it was time to pour the charm to get the seating arrangement re-done. The trick? They usually leave the row with the emergency exits open to the last minute, so that the agent can eyeball the person and decide that he/she can physically take that small door off and allow the passangers to escape via that row (as if).
So I smiled, and said to the jaded airline lady: "I will gladly sit in the exit row, and can physically do the task, if needed." She eyeballed me carefully, realizing that she was dealing with a seasoned traveler. I blinded her with a smile and to make a long story short I ended in the sweet, extra space exit row.
Time permitting, I will try to keep up with the posting.
And I was able to re-discover Emily Dickinson on the flight here. I think that I last read her in college, and I had forgotten how sensually surprising she could be:
Wild nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!
Futile the winds
To a heart in port,—
Done with the compass,
Done with the chart.
Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!
Synergy Deadline Extended
Evolving Perceptions has extended the deadline for their Call for Art for SYNERGY until March 15, 2005.
Per the hardworking organizers: "SYNERGY is a new movement in creative energy. The artists of the Washington D.C. metropolitan area are engaging in a project that is bringing the artistic community together in a powerfully innovative way. Evolving Perceptions (EP) is making SYNERGY their gift to the aesthetic energy of our Nation’s Capital. Through the synergy of the artists, community, supporters and media, the SYNERGY project will empower, articulate and educate the communities of the Metropolitan Washington D.C. area about the arts with a totally new paradigm. We are forming 6 teams of 3-4 artists in collaboration to create works that will be exhibited, voted on by the public and auctioned. There is a $3,000 stipend per artist. Visit EP's website for details on the call and to download an entry form.
For more questions please email Marsha Stein, SYNERGY COORDINATOR, marshasart@aol.com or call at 301-564-0707.
Tuesday, February 22, 2005
Tuesday Arts Agenda
DCist's Tuesday Arts Agenda is packed full of great visual arts stuff going on this week in DC.The opening and show not to miss this week is Mexican Report: Contemporary Mexican Art, opening Thursday, Feb. 24 at the Cultural Institute of Mexico and two other local venues. The opening at the Cultural Institute of Mexico starts at 6:30PM.
If you haven't been to this beautiful building and gallery space, be prepared for one of DC's best-kept secrets: It is both a marvel of architecture and visual arts all rolled into one, and under Alejandro Negrin's leadership has really taken off as one of the key art venues in our city that truly adds a powerful international footprint to our art scene!
While there, visit Marta Maria Perez Bravo's huge digital photographs One Soul I and One Soul II.
Marta Maria is Cuban, but currently resides in Mexico, and we represent her work locally.
Exhibition details here. As I am heading to San Diego, I will miss the opening (bummer).
Airborne today
Last night's opening of Drawing II was very pleasant!
Today I am airborne and heading to the Left Coast again and returning on Friday. I am on a poetry reading mood, so on the way there I'm going to re-read The Complete Poems of Emily Dickinson and also mix it up with some Yeats.
Talking about Yeats, herewith my favorite Yeats' poem of all time:
"Her Triumph"
I did the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.