Let the Corcoran Be

Sandy Kaye of Newton, Mass. on Blake Gopnik's Corcoran's idea.

Back from the Festival

In spite of rain late Saturday (preceded by a brilliantly sunny day which of course resulted in a sunburn) and in spite of sprinkles throughout Sunday, the second annual Bethesda Fine Arts Festival was a spectacular success for the second year in a row. I managed to sell quite a few drawings, including a very large portrait of Frida Kahlo from my 2003 exhibition.

And loads of collectors were out and about: Pennsylvania sculptor Lorann Jacobs managed to sell every single one of her large, whimsical bronze sculptures on the first day of the festival, and New York painter David Gordon sold over $15,000 worth of his paintings plus gathered a $5,000 commission.

And many of DC Art News readers came by and said hello; it's very nice to put faces to the online hits. Also J.T. Kirkland, his mom, and the fair Brenn came by the say hello and chat for a while.

And I'm doing it all over again next weekend at the Northern Virginia Fine Arts Festival.

Together with around 130 artists from all over the country, Mexico and Canada, I'll be at the Bethesda Fine Arts Festival all day today and tomorrow.

The Weekend Art Primer

This is one visual arts intensive weekend! No excuses allowed: go out and see a show or two.

For starts, tonight is the second Friday of the month, and thus the Bethesda Art Walk, from 6-9PM with fifteen participating art spaces. The artwalk also features free guided tours. Tours will begin at 6:30pm. Attendees can meet their guide at the Bethesda Metro Center, located at the corner of Old Georgetown Road and Wisconsin Avenue. Attendees do not have to participate in tours to visit Art Walk galleries.

We will open Compelled by Content, perhaps our most important exhibition ever, and one that's causing intense debate already in the online fine arts glass community. Opening reception to meet all the artists is from 6-9PM.

Tonight is also J.T. Kirkland's opening from 6-9PM at the University of Phoenix Northern Virginia Campus. Directions here.

In Alexandria, Principle Gallery has an opening tonight from 6:30-9:00PM for Lynn Boggess. Also tonight in Adams Morgan, Studio One Eight, a new space in town, has an opening of works by Steve Griffin.

On Saturday from 10AM-6PM and Sunday from 10AM-5PM is the massive Bethesda Fine Arts Festival, with over 130 artists from all over the nation showcasing original artwork and fine crafts. I will be there as well, in booth 23. This is an excellent opportunity to see a lot of original artwork all in one place. The festival is free and open to the public and takes place on Auburn and Norfolk Avenues in the Woodmont Triange of Bethesda and directions are here. The event is located six blocks from the Bethesda Metro station and is near several public parking garages where visitors can park for free on Saturdays and Sundays.

And Saturday evening is the Light Up the Warehouse party and fundraiser for the Warehouse Theatre and Galleries. It starts at 7PM and there are over 100 artists who have donated original work for this event. More details, including a list of artists, here.

Also on Saturday night, Evolving Perceptions is throwing a multi-genre and performance party at the Ratner Museum. It all starts at 8PM; see details here. At 11PM they will announce the Synergy finalists!

And on Sunday at 7:30PM, DCAC hosts Chris Lee's The Chelsea Manifesto: A three part discussion series about major trends and ideas in contemporary art and culture. Inspired by the current state of the London and New York art scenes - from which the title is derived - it is a mock "manifesto" of the modern revolutionary aesthete. Part III is this Sunday and it is titled "I Once was a Black Artist, Gay but not Stonewall, and All man/Almost." Race, alternative sexuality and feminist issues are all discussed in the context of mainstream culture. More details here.

That's a weekend full of art to satisfy any visual art cravings!

The Weekly Reviews

In the City Paper, Louis Jacobson reviews our current Viktor Koen show in Georgetown. Jacobson also reviews Tom Barill at the Ralls Collection. Barill, of course, is the magician who did all the beautiful printing and darkroom work for Mapplethorpe.

In the WaPo, Michael O'Sullivan reviews Sensacional! Mexican Street Graphics, at the Cultural Institute of Mexico.

And Jonathan Padget discusses 12-year-old Hannah Rose at Hemphill Fine Arts, where Rose (who is the daughter of well-known artist Robin Rose) is exhibiting her artwork: "Gallery owner George Hemphill took note of Hannah's art, and he approached her parents last year about exhibiting what he considers a "prodigious" talent. The exhibition opening next week also features works by Lisa Bertnick and Tanya Marcuse."

Compelled by Content

Following two sold out solo shows (one in Georgetown and one in Bethesda), we asked Tim Tate to curate a group show for us.

We discussed having a show that would fit in with our galleries' focus and goals, and thus the show would have to avoid the highly decorative vision most often associated with fine art glass: the vessel.

Because Tate's own work is driven by his experiences, such as being HIV positive, his mother's death, etc., he has been able (and very successfully I might add) to cross an interesting juncture in the world of fine art: away from the decorative vessel and well within the context-driven camps of fine art.

And this is what we asked of Tim to do for us.

And thus tomorrow evening we will open Compelled by Content, an exhibition curated by Tate and featuring 13 artists who use glass as the vehicle to express ideas, narratives, issues and thoughts, rather than to decorate. They are: Diane Cabe, Brent Coles, Michael Janis, Allegra Marquart, Syl Mathis, Elizabeth Mears, Turi McKinley, Marc Petrovic, Ross Richmond, Alison Sigethy, Tim Tate, Erwin Timmers and Lea Topping.

The premise behind this exhibition has already caused some stir (and every single one of Tate's pieces have already sold - all of them to a very influential local art collector - before the exhibition even opened).

Even more surprising to me, there is a tremendously heated debate in the fine art glass online community.

This is the original classified announcement listing about the exhibition and subsequent comments: Original Posting, which then jumped to main board listing for 9 pages: Main Board Comments, then spawned a parody of the main board listing for two pages: Parody Listing, and the current listing on the topic:Current Listing.

It is surprising and good to see such debate in the artists who feed the genre; it has already, in a sense, proven the focus and theme of this show. In the preface for a book just published on this exhibition I wrote:

"Alfred Stieglitz has often been credited with dragging photography into the realm of the fine arts, and I think that now the time is ripe for courageous contemporary artists to once and for all bring glass out of the realm of craft and into the rarified world of fine art.

And like the many other genres of art that we automatically accept as "fine art," without questions of craft or segregation to "glass only galleries," content is one of the ideal concepts that empower art beyond technical skill and visual beauty. It is through content that today's artists working this demanding media are dragging glass into the realm of the fine arts.

About time."

The opening reception to meet all the artists is tomorrow, Friday the 13th, from 6-9PM as part of the Bethesda Art Walk. We're also working to have this exhibition travel to a Baltimore, MD venue and to a Miami, Florida venue.

See ya there!

Kirklandism

Since we have our own opening tomorrow (more on that later), I went to see J.T. Kirkland's first solo show the other day.

It's always very difficult to put down objective words when writing art criticism; critics will lie (to themselves mostly) and tell how how objective they are when they pen a review. Bull! As Diane Keaton or Woody Allen would say: "Objectivity is Subjective..."

And it is especially difficult when writing about a fellow blogger and fellow artist. But let me try anyway...

I've been privvy (as have all of Kirkland's readers at Thinking About Art) to see JT develop, not only as a writer, but also as an artist, right before our PC screens. That alone, merits some thought when thinking about his art.

In addition to witnessing his art develop before our eyes, I've also exhibited in a show that included work by Kirkland, and was in that manner also privvy to his fussyness about how his work is displayed (good for him!).

There are some artists, and JT is one of them, whose work defies verbal description, just imagine the phone ringing in a gallery somewhere:

Riiiiing, Riiiing!

Bored Gallerist: "Hello, Snobby Gallery"

JT: "Good afternoon, my name is JT Kirkland and I'd like to discuss my artwork to see if your gallery would have some interest in seeing some slides and reviewing the work?"

Bored Gallerist: "Tell me about it..."

JT: "Well... it's very minimalist"

Bored Gallerist (slightly interested): "Good... we like minimalism"

JT (a little excited): "I know, I researched that and thought that my work would fit in with your gallery's focus. So anyway, my artwork is on wood where I then drill patterns so that the finished piece is simply a piece of wood with a series of holes in it."

Bored Gallerist (back to being aloof): "Oh... holes in wood?"

And that, I suspect, would be the reaction that a lot of us would have in simply hearing about Kirkland's work.

And that is why it is so important to actually see, and as many people seem to do (although I am alarmed by this), touch the work.

Kirkland's work in his debut solo show at the League of Reston Artists and the University of Phoenix Northern Virginia Campus is without a doubt one of the strongest and most elegant shows that a first-time-solo artist has had around here in a long time.

I use the word "elegant" forcefully, as the entire exhibition delivers elegance with that subtle tone that only minimalism can achieve when properly executed. A subtle tone that grows as one looks at what can best be described as beautiful wood transformed into art by a simple, but intelligent action.

And like many young artists who achieve a degree of success early, now Kirkland has limited time to explore the avenues open to him by this approach to minimalism before he gets dangerously tempted by Mondrianism.

But for now let us applaud a superbly strong debut of an area artist with many years ahead of him to push his artwork even further. It is refreshing to see an artist develop before the public eye and even more refreshing seeing an exhibition that forcefully plants him and his artwork as a new presence in our area's cultural tapestry.

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What: J.T. Kirkland: "Studies in Organic Minimalism"

Who: Presented by the League of Reston Artists and the University of Phoenix Northern Virginia Campus

When: May 2 – June 25, 2005 - Special Reception for the artist: Friday, May 13, 2005 – 6:00 – 9:00pm

Where: University of Phoenix Northern Virginia Campus
11730 Plaza America Drive, Suite 200
Reston, Virginia
For directions, see the LRA's web site at www.leagueofrestonartists.org

Viewing: Exhibition is free and open to the public during regular business hours
Monday - Thursday 9:00am - 10:00pm, Friday 9:00am - 5:00pm, Saturday 9:00am - 1:00pm