Wanna go to an Opening Tonite?

DC area artist Diane Bugash's work is one of the sort of art that can be spotted in a group show right away. And not only because Diane is an exceptional painter, but also because she will not paint on a "normal" or ordinary canvas.

Bugash shapes her canvas until they become an integral and intelligent part of her painting. All shapes and sizes...

And Bugash has an opening tonight in Baltimore's Light Street Gallery, located at 1448 Light Street, Baltimore, MD 21230, 410-234-0047 and website here. The opening is from 5-9PM, and the show runs until October 15.

See ya there!

Warehouse Peace Weekend

Warehouse Gallery has six gallery spaces devoted to the peace effort though the exhibition Where's the Peace? Details here.

They will be open all weekend, and the exhibit feautures 45 artists examining war and peace in our world through painting, sculpture, photography, installation, and video.

Additionally, the Warehouse Screening Room has a free film all weekend: Trail of Feathers: The Missile Dick Chicks.

Meet the Missile Dick Chicks in person tonight (open till midnight).

Wanna go to an opening on Sunday?

The Sandy Spring Museum presents Photography is Dead; Long Live Photography.

Opening reception, Sunday, Sept 25, 2-4 pm. Organized and curated by Bert GF Shankman, an expressionist flower photographer and master printer, this exhibition focuses on Gyclee-printed photography and includes the work of the always innovative Danny Conant, Libby Cullen, Min Enghauser, Judith Goodman, Colleen Henderson, Allan Hockett, Barbara Southworth, Barbara Tyroler, and Frank Van Riper.

Most of the artists will be available to discuss their work. Rt. 108 and Bentley Rd, Sandy Spring. 301-774-0022.

Can Bloggers be sued over comments?

Apparently yes... read it and weep.

[Tks TAA]

Secondsight Meeting

Secondsight is an organization dedicated to the advancement of women photographers through support, communication and sharing of ideas and opportunities.

The next Secondsight meeting will be held on Friday, September 23, 2005.

All meetings are held at the Bethesda-Chevy Chase Services Center, (just accross the street from the Fraser Gallery Bethesda) located at 4805 Edgemoor Lane, Bethesda, MD 20814. If you are catching the Metro, exit on Wisconsin Avenue, take a left on Old Georgetown Road and walk for one block. The entrance to the services center is next to Chipotle. There is a public parking garage on Old Georgetown Road. The meetings start at 6.30pm and end at approximately 9pm.

The presentation by the guest speaker will be followed by portfolio sharing. The group will split up into smaller groups of about ten and each member will have the opportunity to discuss their work. For those who brought their portfolio to the last meeting, please feel free to bring it again as you will be sharing your work with an entirely new group of photographers.

Meetings are free for members of Secondsight and $10 (cash or checks only) for non-members.

Please RSVP to secondsight@hotmail.com if you would like to attend the meeting.

The Art Bloggers of the World

Zeke has put together an amazing list of over 400 Art Bloggers from around the world. [thanks Alexandra].

WOW! What a lot of work that must have been! Kudos to Zeke for the first ever, all-comprehensive listing of art blogs from the planet, where we're number 121! (so far).

Gilliam at the Corcoran

I can't wait to see what Jonathan Binstock has done with the Sam Gilliam Retrospective at the Corcoran.

Mark your calendars, as that exhibit opens Oct. 15 and runs through Jan. 22 of 2006, and it is (incredibly enough) Gilliam's first retrospective.

As Binstock wrote his doctoral dissertation on Gilliam, if anyone is qualified to organize a retrospective for Sam, it is Jonathan.

And kudos to the Corcoran for looking in its own backyard.

Other area residents who are worthy of a show and/or a retrospective (in my opinion) include Manon Cleary, Joe Shannon and our own John Winslow.

Like Gilliam, they have created great, lasting art in the District for decades and decades, and (like Gilliam) have been generally ignored by our "national" museums.