The Evolution of Beauty

Watch this video is you want to know (in part) why our perception of a woman's beauty is so fucked up.

Why Blake is Wrong (Again)

When an art critic hangs his or her entire reputation on joining in early on his writing career with a traditional anchoring art criticism agenda, and for years and years pounds this agenda forth as the true (and only) Gospel for contemporary art, it takes either:

(a) A huge amount of professional courage to realize that the times have left your founding ideas (and the foundation of your agenda) behind as a quaint, and once revolutionary concept, or

(b) Ignore the present, and continue to pound your dated agenda and discredited, once collective ideas and communal concepts as if they're still new, and novel and applicable.

Blake Gopnik, the intelligent and erudite chief art critic of the Washington Post, has told his readers time and time again that:

- Painting is Dead

- Video, Installation Art and Photography are the only contemporary genres worth exploring

- There's something "icky" about nudes

- The holy grail of the art market is a non-existing "new" painting art movement

- Being "up to date" and "new" are key things in contemporary art (nevermind that Video, Installation Art and Photography are quite aged in years now and not the "new kids on the art block" that maybe they once were when Gopnik started writing).

- There's nothing "new" that painting can offer that would have looked much out of place over the past five or ten years in any high-end New York gallery.

- Skill is "banal"

- There's something "icky" about nudes (did I mention that already? Well... he harps on this aversion over and over).

See how many of these Gopnikisms you can find in this traditional Gopnik review of a painting show, in this case his review of "Life After Death: New Leipzig Paintings From the Rubell Family Collection" at the American University Museum at the Katzen Arts Center.

2006 DC Gallery Tally

The capital area's gallery sky is not falling!

As far as I know:

DC Area Galleries that have closed (or will close) so far in 2006:

Robert Brown
Fusebox
Fraser Georgetown (moved to Bethesda)
JET Gallery (moved to Chicago)
Numark
Ozmosis

DC Area Art Galleries that have opened (or will open) in 2006:

Galerie Myrtis
Heineman-Myers
Hillyer Art Space
Long View Gallery
Ninth Street Gallery
Nowuno
Project 4
Randall Scott Gallery
Elizabeth Stone
Woman's Story Gallery

If I've missed anyone, please let me know.

Update: See updated info about Nowuno at ArtDC.org

New Alexandria Gallery

After 15 years in Michigan, Elizabeth Stone has recently relocated her art gallery to King Street in Old Town Alexandria.

The Elizabeth Stone Gallery focuses on children's art, and (as far as I know) is the only art gallery in the Greater DC area, maybe even the whole Mid Atlantic to do so. The gallery specializes in original art, signed limited editions, prints, and children's books by more than one hundred internationally known children's book illustrators.

We'll have a review of the current show later today.

The Most Popular Contemporary Political Art in the World

Came from a DC area artist in 2004!

A handful of readers emailed me commenting on yesterday's post on the issue of political art by DC area art venues and artists, reminding me that the most popular (measured by the spectacular and record-setting number of times the image was downloaded from the Internet and from the worldwide news deluge that it received) political artwork from recent times was this painting by the fair Kayti Didriksen:

I wonder who ended up with this wildly popular work? Kayti: Email me!

Sandberg at Conner

Alexandra has a very good visit to Erik Sandberg's show at Conner Contemporary in DC.

Read it here.

Peace Show

For many years now, the Warehouse Galleries on 7th Street in Washington, DC, have been the capital region's bastion for political, activist and progressive art exhibitions focused on themes such as war, peace and how artists view the world around them.

Over in nearby Arlington, John Aaron's Museum of Modern ARF has been pounding out one political show after another (and has been apparently also been in the past the subject of vandalism because of it), and many DC area artists have for many years focused a lot (if not all) of their creativity on political art, people such as Stephen Lewis, Tom Nakashima, Jefferson Pinder, Nekisha Durrett and let's not forget that Lebanese-born artist Chawky Frenn (who teaches at GMU) seldom paints anything that doesn't have a sharp political comment to it (he had a solo scheduled in late 2001 that was cancelled when his then Boston gallerist allegedly told Frenn that he couldn't show his work after 9/11).

But getting back to Warehouse...

Opening on Election Day at 8pm, Molly Ruppert brings us her Fifth Annual Peace Show, and this year's show will offer a worldview of disturbance and destruction and will feature the work of many artists spread throughout the Warehouse's eight distinct galleries.

The exhibition includes Gabriela Bulisova's photographs of the ongoing clusterbomb devastation in Lebanon, paintings by Tom Drymon, a DC artist who moved to New Orleans before Katrina, a house wrap installation for peace by Laura Elkins, and the other artistic peace efforts of many artists.