Changes

As some of you know, I've had some significant changes, both professional and personal, since I sort of moved from the DC area... sort of.

Because of the move and other things, I no longer own a gallery, and for the first time in ten years, I have a little more time in my hands to do other things.

Like... looking for a gallery space in Philadelphia!

Now that I finally sold my house in Potomac, which was costing me around $5,000 a month in mortgage and utilities for an empty house, I've been slowly but surely exploring the city little by little, although the recent tundra like weather has certainly put an end to that. Nonetheless I will continue to look at areas of the city where art galleries have already establish a presence, and continue to chat with gallery owners and local art bloggers so as to learn more and more about Philly's art scene and locations, etc.

So far I am leaning towards the area around North Second Street where Pentimenti Gallery and others are located. In fact there's a really nice space almost next to Pentimenti that's looking real good.

Another interesting development that has happened to me professionally since I moved, is the fact that I have been retained (initially by one and now by a second) ubercollector to "acquire" work for their collections.

This sounds like a lot of fun, having a five figure budget a month to acquire artwork for others, and in a way it is. However, as I settle down to the nuts and bolts of doing this properly, I'm finding out that I am being a helluva lot more careful with other people's money than I would be with my own.

I think that as I settle down and do this more and more, it may be easier, and certainly all of my acquitisions for them have so far been met with great enthusiasm and acceptance, but nonetheless I am still "involving" them a lot in the decision(s), which I think that (in at least one case) is the rigth thing to do, but in the other case, the collector may really want me to go solo in the decision process, which is a lot more pressurized for me.

Then there's the whole issue of "my artists," as I intend to soon re-surface as a private dealer (website coming soon!) while I continue to search for a gallery space. There's a fine ethical line there, as one of my predecessors was in fact "fired" for pushing too many of the artists that the dealer represented. The trick is to balance ethics and business, which a reputable art dealer needs to do anyway.

Enough for now; heading to the Poconos this weekend for a little fun in the snow.

Around the Mid-A Reviewsphere

DC

Jeffry Cudlin in the WCP reviews "Seen" at Transformer Gallery.

Also in the WCP, Anne Marston has an interesting profile of photographer Susie J. Horgan and her show at Govinda Gallery.

And lastly for the WCP, Kriston Capps does Jenna McCracken’s carving up cuts of preserved pottery at Dupont Circle’s Meat Market Gallery.

In the WaPo, Michael O'Sullivan also reviews "Punk Love" at Govinda Gallery. Susie J. Horgan, the photographer, was also online yesterday at the WaPo answering questions - read the transcripts here and has a nice photo gallery of her photographs here; score one for the WaPo... more please!

Baltimore

Deborah McLeod in the Baltimore City Paper checks in with an intelligent review of Winter: Jarrett Min Davis / Courtney Jordan at the Creative Alliance.

The Sun's Glenn McNatt (himself a photographer) reviews the DC area's Amy Lamb's exhibition at the Steven Scott Gallery in Owings Mills.

DC's Thiking About Art visits Baltimore and reviews "Between the Lines" at Maryland Art Place.

Philadelphia

In the Philadelphia City Paper, Mary Wilson reviews "Emerging Artists Series: Christopher Hartshorne and Hiro Sakaguchi," at the Woodmere Art Museum.

In the Philadelphia Inquirer, Edward J. Sozanski reviews Daniel Garber at the Pennsylvania Academy of the Fine Arts.

Also in the Inquirer, Edith Newhall reviews "Rocks-n-Glocks" by Ron Ribant and Veleta Vancza at Bambi, and she also reviews the photographs of Serge J-F Levy at at Gallery 339.

In the Philadelphia Weekly, uberblogger Roberta Fallon reviews "Locally Localized Gravity" at the ICA.

In artblog, Libby Rosof reviews Amy S. Kauffman's installation at the Painted Bride.

Who Knew?

Grandma's painting was expected to fetch a few thousand bucks at auction. Instead it sold for $600,000 dollhairs. Read the story here.

Congrats!

To Mid Atlantic Art News DC area contributor Shauna Turnbull, whose marriage now gives her the cool new name of Shauna Lee Lange.

Congratulations

To Transformer Gallery in DC and DC artist Kelly Towles, who just received a joint $20,000 grant from Greater Washington Creative Communities Initiative and The Community Foundation for the National Capital Region.

The $20K is to support "The Grate Project," which is "a series of murals painted on roll-down security gates. Towles will hold block parties to engage community residents in painting each piece."

New Grant Programs for Women Artists in the Philadelphia Region

Deadline: February 19, 2007

The Leeway Foundation, which supports individual women artists, arts programs, and arts organizations in the Greater Philadelphia region, has announced the Leeway Transformation Award and the Art and ChangeGrant, two new funding programs designed to celebrate the power and vision of women artists creating change in the Philadelphia area.

Details here.

Mid Atlantic Artists at Arlington

This Friday, Feb. 9, from 6-9 PM, the Arlington Arts Center in Virginia presents "Equinox: A Juried All-Media Exhibition" that features the work of 22 Mid-Atlantic artists. Works were selected by Lorie Mertes, Independent Curator, formerly of the Fabric Workshop and Museum in Philadelphia and the Miami Art Museum. Equinox includes large scale sculpture, video, and installation and the human figure.

The Center also has the “Eye on Arlington” exhibition (that’s their series featuring local artists) by Ellipse Gallery Director (and blogger!) Cynthia Connolly. Her photography show is called "See All 15 At Once!" and studies roadside signs across Alabama. Connolly’s constructed an indoor “front porch” with rocking chairs and fans, so that viewers can relax and watch the world go by.

BosmaDance will perform at 6:30—inspired by works in Equinox.