Wednesday, April 11, 2007

Art-O-Matic Update
artomatic
As everyone knows by now, AOM opens this coming weekend in Crystal City at 2121 Crystal City Drive, just a couple of blocks from the Crystal City Metro station and also boasting plenty of free parking after 4PM.

Herewith some updates:

- The Right Reverend Bailey challenges the WaPo's chief art critic to give AOM a fair critical eye (good luck with that!). Details here.

- If you see some naked painted people walking around, don't freak out as I am told that there's going to be some body painting going on around the 6th floor of AOM on Friday.

- After 4pm there is free underground parking in the Crystal City Shops across the street.

Artomatic will open to the public at 3pm, Friday, April 13, 2007. It is free and open to the public (donations accepted).

Busy week

This week (in fact all of April) is shaping up to be a very busy set of days for visual arts lovers along the Mid Atlantic. In addition to the mega opening of Artomatic this coming Friday, the following openings stand out (and I'm leaving out a ton of stuff that I hope to be able to mention later in the week):

In Philly, Nexus has two new exhibitions by member artist Matthew Pruden and a collaboration between member artist Yukie Kobayashi and artist Elasabé Dixon. The opening reception for both exhibitions is Thursday, April 12 from 6 to 9 PM. Matthew Pruden presents his 2nd solo exhibition at Nexus Gallery, titled "Magnetic Sleep." This exhibition of multi-media projects is the result of his research into 19th century spirit photography, parapsychology, and Spiritualism. Yukie Yobayashi has collaborated with artist Elsabé Dixon to create Kumo Cloud Wolk, an installation comprised of hand made paper and silk weavings. There's also a gallery talk on Sunday, April 15, at 2 PM, moderated by Elyse A. Gonzales, Assistant Curator, Institute of Contemporary Art. The exhibitions run through April 29, 2007.

In Baltimore, on Thursday, April 12, 2007, photographers Thomas Struth and Mitch Epstein will be discussing their work at the Baltimore Museum of Art as part of BMA's "Conversations with Contemporary Photographers" program. Free and open to the public and no registration is necessary. BMA Meyerhoff Auditorium, 7 pm. The Maryland Institute College of Art (MICA) highlights eight first-year students in MICA’s graphic design master of fine arts (M.F.A.) program in conjunction with the Graphic Design MFA Thesis Exhibition. First-Year Graphic Design MFA Exhibition provides a glimpse into the work of emerging artists and graduate students in the College’s graduate programs. The exhibition takes place in Bunting Center’s Pinkard Gallery at 1401 Mount Royal Avenue, with an opening reception on Friday, April 13, 5–7 p.m. and open studios on Friday, April 13, 7–9 p.m. Works by 11 students form the First-Year MFA III Exhibition from Friday, April 13 – Sunday, April 22, with an opening reception on Friday, April 13, 5–7 p.m. and open studios on Friday, April 13, 7–9 p.m. The students are Mount Royal School of Art students Lauren Boilini, Michael Burmeister, Andrea Chung, and Ben Steele; Rinehart School of Sculpture students Katie Cirasuolo, Jessie Lehson, and Elena Patino; Hoffberger School of Painting students Osvaldo Budet and Dominic Terlizzi; and photography and digital imaging program students Andrew Buckland and Anna DiCicco.

In Bethesda, MD, as this coming Friday is the second Friday of the month, it's time for the monthly Bethesda Art Walk, with 13 galleries and studios that open their doors from 6-9pm on the second Friday of every month. At Gallery Neptune, C'ville artist Warren Craghead has "How to be Everywhere," which is new work by Craghead based on the poetry of Guillaume Apollinaire. Work by David Wallace and sculptures by Mark Behme will also be on exhibition. Also available will be a book of the same title consisting of drawings based on Apollinaire's poetry. The opening reception and book launch will be Friday April 13, 6pm - 9pm. At Fraser Gallery, New York painter (and VCU graduate) David Gordon makes his DC area gallery debut. Opening reception from 6-9PM.

In Arlington, VA, the Arlington Arts Center has the opening receptions for their Spring Solos on Friday, April 13, from 6-9PM. Solos include Keith Sharp (MD), Katherine Kavanaugh (VA), Ephraim Russell (PA), Gail Gorlitzz (DC), Soomin Ham (VA), Dominie Nash (MD) plus an Eye on Arlington exhibition of John M. Adams (VA). Outside on the AAC grounds you can also check out "Disintegration," curated by Twylene Moyer, Managing Editor of Sculpture magazine with works by Margaret Boozer (MD), Michele Kong (PA), and Cory Wagner (MD).

In DC, Conner Contemporary Art has an exhibition of rarely seen paintings by Howard Mehring, who has been called the "sleeping giant" of Washington Color Painting and who was the first of the second generation of Color Field painters to explore the potentials of color through novel experiments with painting techniques including pouring, staining, stippling, and sectional painting. There will be an opening night reception, Friday, April 13th from 6 to 8pm. The reception is concurrent with Marsha Mateyka Gallery around the corner, who will be presenting "Gene Davis: Selected Works from the Estate of the Artist." The next night, Hemphill Fine Arts has an opening reception on Saturday, April 14 from 6:30 - 8:30 PM for three different artists: Leon Berkowitz for "The Cathedral Series," and ex-Fuseboxer now living in France Jason Gubbiotti for "Wrong Way To Paradise," and also Portia Munson's "Pink Project: Contained." The exhibitions go through May 26, 2007. Over at Irvine Contemporary, Martin and Lauren have "Oliver Vernon: Macro/Micro," featuring paintings and on-site sculpture by Vernon. Opening Reception with the Artist on Saturday, April 14, 6-8 PM and the exhibition runs through May 19, 2007.

Also in DC, 52 O Street Artist Studios will be hosting its annual Open Studios on Saturday, April 14 and Sunday, April 15 from 11am-5pm. Sixteen artists, in one building, working in a wide range of media and styles open their studios to the public. This free event provides the visitor the opportunity to purchase artwork and meet the artists in a relaxed, inviting atmosphere. Occupying 28,000 square feet, over four floors, 52 O Street Studios is one of the largest and oldest buildings dedicated to the practice of fine arts in Washington, DC.

Still in DC, the Capitol Hill Arts Workshop has "A Comedy of Errors," a collection of works in all media by Capitol Hill Art League members, opening on Saturday, April 14, 2007, from 5:00-7:00 p.m. and juried by my good friend J.W. Mahoney. "Not What You Think", an a cappella ensemble affiliated with the Gay and Lesbian Chorus of Washington, will present two brief sets of music during the opening. Through May 4, 2007. And the Randall Scott Gallery has the opening of "The Living Room" (a marriage of comtemporary art and modern furniture) with an opening reception on Saturday, April 14th from 6-9pm.

Finally, on Saturday April 14, 2007 a whole bunch of openings and lectures are happening in galleries and art spaces all over DC and the DC suburbs as part of the ColorField.remix celebration of painting. More than 30 Washington area museums, galleries, arts organizations and businesses are participating. The event honors the 1950s and 1960s Color Field visual art movement and the Washington Color School, which put Washington, DC on the art world map. Details and schedules here. More on this project later.

Tuesday, April 10, 2007

Ethereal Heist in Baltimore

This is an incredibly busy week for art in the region, but I wanted to make sure to highlight Ethereal Heist, which is part of the MFA Exhibition - MICA Graduate Thesis Show at the Maryland Institute College of Art Decker/Meyerhoff/Fox 3 Galleries in Baltimore.

The opening reception is Friday, April 13th, 5pm - 9pm and running through April 22, 2007.

As savvy collectors know, keeping an eye on graduate students' work is key to beginning or continuing an art collection. Details here. Work by Elizabeth Wade, Michael Sandstrom, Kelly Egan, Wonsun Shin, Nathaniel Rogers, Ramsay Barnes, Stuart Jackson, Jodi Lieburn, Jackson Martin, Lesly Deschler Canossi, and Michael Hurst.

Wanna go to a DC opening tomorrow?

The Mexican Cultural Institute, located in one of Washington's most beautiful buildings and boasting a really good exhibition space, as well as really good Mexican munchies for their openings, has an opening reception on Wednesday, April 11, 7pm for artist Beatriz Ezban titled "Unified Field: The Border" (Campo Unificado: La Frontera).

The exhibition is free, but you must R.S.V.P. to (202) 728-1675. In addition to the opening, George Washington University’s Ballet Folklorico and Los Quetzales Mexican Dance Ensemble will perform live music and will show you how to dance zapateado as they do in Veracruz. “Voces Veracruzanas,” which is a group of young musicians from Veracruz, will be performing Son Jarocho and Latin-American folkloric music

The exhibit will be held through April 29, 2007. The Institute is located on 2829 16th Street, NW, Washington, DC 20009.

Monday, April 09, 2007

The arts and Real Estate connection

It is a well known phenomenom of the real estate business, that the fine arts are kind of an antihistiamine or antibiotic for neighborhoods that are infected with crime and empty, vacant buildings.

Because crime ridden or boarded-up neighborhoods usually get very low rents, they become a magnet for artists looking for cheap studios and small, unique restaurants looking for affordable spaces.

So picture Old Town Alexandria a few decades ago, with an abandoned old shell of a building where torpedoes were manufactured during WWII, and many empty boarded up buildings up and down King Street. Or perhaps imagine, just a few years ago, the 14th Street area in Washington, DC, pretty much in the same malignant state.

And thus after quite a few truckloads of trash were removed from the Torpedo Factory in Old Town Alexandria, and a few brave artists and then art galleries opened up around the 14th Street, these areas began to attract people - both to the arts and to the restaurants.

And this in turn, began the vicious cycle of real estate, because now the national chains begin to become interested in the once dying neighborhoods, and rents begin to rise, and soon the artists and the galleries, and the small unique restaurants, have to start looking for a new place to go to, unable to pay the same rent scales as the chain restaurants and the national stores.

And so they begin migrating to yet another desperate neighborhood, like a revitalizing force of art and food.

This is apparently what is happening now in the area along West Broad Street in downtown Richmond, VA.

A First Fridays gallery walk was institutionalized there in 2001, soon after galleries and artists began to occupy the once vacant (and cheap) buildings in the area.

As Joe Macenka and Olympia Meola report in the Richmond Times Dispatch:

The event started in 2001 with about 17,000 visitors on a schedule that began in the fall and ended in the spring. Last year, attendance swelled to about 50,000. This year, First Fridays has expanded to a 12-month schedule.

It has become a linchpin for a renaissance along the West Broad corridor. What began with a few artists taking over vacant buildings along the stretch has blossomed into a movement with new restaurants, galleries, shops and apartments.
This is great news!

But now a word of warning: As I mentioned earlier, there will be soon a point where the same folks who braved the early days and set up galleries, shops and restaurants in this area, and made it blossom with its own unique character, will face escalating rents, and come to the attention of the trade giants of the food and retail industry. And when the rents go up, the artists and small restaurants will leave.

And unless the Richmond city fathers understand the vicious real estate cycle and make special accommodations for the original brave new gallerists and artists and chefs, etc., with them will leave the people, who after all, came to the area attracted by its own uniqueness, rather than a cookie-cutter downtown area full of Mickydees, Banana Republics and even chain pubs and chain galleries. And when the people stop coming, the chains' profits decrease and before you know it, they're gone, and buildings get boarded up, crime rises, and the whole cycle starts again, as a new generation of artists and chefs begin to move in.

Note: That's our own Rosetta DeBeradinis in the photograph illustrating the article!

Art-O-Matic Countdown
artomatic
AOM opens this coming weekend in Crystal City at 2121 Crystal City Drive, and the exciment to one of the nation's most energizing artist-driven events is already building up as artists design, paint and create their spaces, and artneocon critics sharpen their journalistic fangs in their galvanized minds, and gallerists open their eyes to try to find the emerging star in this year's version of AOM.

Held regularly since 1999, Artomatic is the region’s one-of-a-kind multimedia art extravaganza, featuring more than 600 regional artists and performers. The free five-week event, to be held April 13–May 20, will feature nearly 90,000 square feet of paintings, sculptures, photography and cutting edge videos, computer and even self-creating artworks. And as AOM veterans know, a ton of parties and fun.

As DC ubercollector Philip Barlow eloquently pointed out in this letter to the WCP, many of today's top DC artists have Art-O-Matic in their resume: Manon Cleary, Dan Steinhilber, the Dumbacher brothers, Renee Stout, Tim Tate, Michael Clark, Richard Dana, Graham Caldwell, Judy Jashinsky, Richard Chartier, and many, many others, including online superstar and multi best-selling author: Frank Warren of Postsecret.

During the last AOM, I asked a variety of curators, gallerists, collectors and other artsy folks to email me their top 10 lists of their favorite ten AOM artists. The lists were then published here, and eventually they generated a variety of separate art shows in several DC, VA and MD commercial galleries and even catapulted some artists into solo shows.

So this year we're going to do it again, and if you sent me a Top 10 List during the last AOM, consider yourself invited and please email me your Top 10 once you visit AOM this year.

Artomatic will open to the public at 3pm, Friday, April 13, 2007.

Wanna be a DC art critic?

DCist is looking for a visual arts writer. Details here.