Artomatic's last week

As AOM winds down and closes on May 20, I've been thinking about how each AOM seems to serve not only to re-charge the artistic energy of the region, but also manages to pop out an art superstar or two from amongst the masses of artists. I will also finally answer JT Kirkland's question from three years ago.

Artomatic began in 1999 in the historic Manhattan Laundry building in Washington, DC. Around three hundred and fifty artists had cleaned, set up lights, painted and took over the 100,000 square feet space. Over 20,000 visitors attended the first Artomatic over a period of 6 weeks. The uberartist(s) emerging from this first AOM were the Dumbacher Brothers, who went on to showing at Fusebox Gallery and others around the country, as well as exhibiting at the Corcoran.

In 2000, 665 artists exhibited and 200 others performed at the old Hechinger’s building as AOM returned bigger and attracted more visitors. The name that emerged from that second Artomatic was Tim Tate, who went on to show many times at Fraser Gallery, open the Washington Glass School (now the nation's second largest warm glass school), start a whole new movement in glass, and place his work in a multitude of museums.

In 2002 more than 1000 artists and performers took part at the 3rd AOM at the Southwest Waterfront Building. M. Jordan Tierney's gorgeous installation began to propel her towards her current success, including exhibitions at the NMWA and many galleries

Even more artists participated in 2004 at the old Capitol Children’s Museum in Northeast DC. Both Kelly Towles and Kathryn Cornelius jumped out of that AOM, but the true superstar artist from that show was Frank Warren of Postsecret. By then, around 40,000 visitors were checking out AOM.

So who will be the emerging artstar from the current Artomatic?

My money is on Laurel Lukaszewski, already represented in the DC area by Project 4 Gallery.

Only time will tell, but buy her work now.

Make the time

To swing by the Distric of Columbia Arts Center in DC and see Ian and Jan: The Undiscovered Duo, A Secret History of the Washington Body School, featuring Jeffry Cudlin and Meg Mitchell.

In the video, Cudlin and Mitchell stage an art historical intervention, weaving an alternative history for Washington art. Cudlin and Mitchell mount a retrospective for their alter egos, Ian and Jan — a fictitious husband-and-wife performance art duo.

According to the exhibition’s premise, "Ian and Jan led the Washington Body School , a group that, in the late ‘60s and ‘70s, exhibited their body art alongside the work of prominent Washington abstract painters.

Ian and Jan: The Washington Body School provides humorous commentary on Washington ’s cultural legacy, on revisionist art historical agendas, and on gender bias and power politics in the arts. The show includes photographs, drawings, props, and videos of the couple in action."

Through June 3, 2007.

New addition

I swung by the IV Annual Bethesda Fine Arts Festival yesterday for a little bit and picked up two works of art - one is a gift and one will be a new addition to the collection.

There are some suberb artists out there as well as some really high end crafts. The festival goes through 5PM today.

Consultants

Why some art collectors hire consultants... read it here.

A Lesson?

There's a lesson to be learned here.

Wanna go to an opening in DC tomorrow?

Opening this Saturday, May 12, 2007 in a couple of DC art venues: "Big in Japan," a cross-town collaborative exhibition between Transformer and Shigeko Bork Mu Project.

Opening Receptions: Transformer - Saturday, May 12, 7 to 9 pm and Shigeko Bork Mu Project - Saturday, May 12, 5 to 8 pm.

Exploring the duality in Japanese art today, Transformer is partnering with Shigeko Bork Mu Project to present "Big in Japan" a cross-town collaborative exhibition featuring a diverse array of contemporary Japanese artists who interpret and respond to the tradition and popular culture of Japan.

Transformer has Not Only A, But Also B - featuring work by Aki Goto, Misaki Kawai, Chikara Matsumoto, Kazuyuki Takezaki, and Soju Tao, each channeling the tensions affecting a new generation of contemporary artists in Japan. Not only A, But Also B is guest-curated by Atsuko Ninagawa.

Shigeko Bork Mu ProjectMeditation Rooms featuring Yumi Kori and Shinji Turner-Yamamoto, whose works uniquely incorporate ancient Japanese tradition and contemporary culture.