DC Mural Looking for a home

DC artist Rita Elsner writes:

I'm sending out this general inquiry to some of you in the DC arts community to see if anyone may have information as to where I might be able to relocate a mural. I hope to find an organization, school, library, marketplace, etc, or possibly a grant opportunity, if one exists.

A mural that I produced for a local WholeFoods (72'w x 3'h, on 18 consecutive masonite panels), was recently removed for renovation purposes and I was fortunate to be able to retrieve it. The subject matter is a landscape depicting the four seasons and includes a small reference to the DC skyline. You can see it on my website (Go to Murals --> WholeFoodsMarket, Georgetown).

I would deliver the mural and advise/take part in its installation. In looking for a spot to relocate this painting, my priority of concerns are:

1) To find a location, in DC or w/in the beltway, that offers a "safe environment" for the piece (an indoor setting with an average amount of temperature/humidity control, away from the elements/direct sunlight) with the need to physically alter the mural for fitting/placement kept to a minimum, preferably zero.

2) To find an existing call for public art or grant that this piece may be applied to.

3) To find a recipient to accept this piece as a donation. If a recipient is found, depending on their profit status, a cash donation may be negotiated to be made to a charity of my choice in return for the mural.

If you have any suggestions/insight as to where a new home for this might be found, please let Rita know at info@ritaelsner.com.

For this Saturday in DC

Go see Robert Mellor’s opening, New Scenarios, this coming Saturday at Irvine Contemporary in DC. I am told that this Chatham, Virginia-based, Claremont MFA’s new body of work is an amazing leap forward in his multi-layered figural abstraction painting approach. He was also an awardee in last year's Trawick Prize.

The opening reception is Saturday, May 26, from 6-8 PM and the show goes through June 27, 2007.

Bethesda Painting Award Finalists

The Bethesda Painting Award finalists have been announced. They are:

Heidi Fowler, Reston, VA
Matthew Klos, Baltimore, MD
David Krueger, Hyattsville, MD
Maggie Michael, Washington, D.C.
Cara Ober, Baltimore, MD
Phyllis Plattner, Bethesda, MD
Fiona Ross, Richmond, VA

The jurors are Dr. Brandon Brame Fortune, Associate Curator of Painting and Sculpture at the National Portrait Gallery; Professor W.C. Richardson, Professor of Painting and Drawing at the University of Maryland; Professor Tanja Softic’, Associate Professor of Art at the University of Richmond.

The finalists will be invited to display their work from June 6 - July 7, 2007 in downtown Bethesda at the Fraser Gallery. There will be an opening exhibition and announcement of the Bethesda Painting Awards winners on Friday, June 8 from 6-9pm at the gallery, held in conjunction with the Bethesda Art Walk.

Congratulations!

As far back as 2004 I have been telling you about this amazing young DC area artist named Jenny Davis, whom I consider to be wunderkind of an artist. When I first wrote about her, she was 15 years old, but already showing the signs of spectacular talent, and back then she was completely self-taught too.

Since then she has exhibited in several DC area art galleries, is now in college, and continues to grow as an artist at the ripe old age of 18.

And Jenny Davis just won first prize in the National Society of Arts and Letters Career Awards Competition May 19th in Tempe, Arizona.

Her watercolor painting titled Portrait of Tess was selected from a field of 19 finalists from across the country. The jurors were M. Stephen Doherty, Editor-in-Chief of American Artist Magazine; artists Robert and Louise McCall; and Dr. Mel Yoakum, Director of the F. Gilot Archives.

Before naming Jenny as the top national award winner, the NSAL presented Robert McCall with the 2007 National Gold Medallion Award for his lifetime achievements. Mr. McCall is well known for his six story tall mural in the National Air and Space Museum, among many other career highlights.

An exhibition featuring the work of the finalists is on display through June 8 in the City Hall Gallery in Tempe, Arizona.

Dawson on the Washington Body School

The WaPo's Jessica Dawson comes through with a really good review, in fact one of the better ones that she's ever delivered, of Meg Mitchell and Jeffry Cudlin's Ian and Jan: The Washington Body School at District of Columbia Arts Center.

Read Jessica's review here.

Wanna go to a DC opening tomorrow?

The Nevin Kelly Gallery, located at 1517 U Street, NW, Washington, DC, will host a solo exhibition of works by Chilean-born, Washington, DC artist Joan Belmar from May 23 until June 17, 2007. The exhibition, titled Color Transparencies presents Belmar's recent work in paint, acetate and Mylar.

The gallery will host an opening reception with the artist on Thursday, May 24, from 6 until 9 o'clock p.m. The public is invited. Show runs May 23 – June 17, 2007. Opening Reception Thursday, May 24 from 6 – 9 pm.

Eve and The Lilith

In this charcoal drawing (which I also sold last week at Reston) I have tried to use all of my technical skills and creative schemes to deliver a drawing full of clues and information.

I have also used many psychological clues to deliver the full meaning of this work, at least as I intend it to be viewed. Click on it if you wish to see a larger version.


We see Eve to the left of the composition, an apple in the middle, and the mythical Lilith to the right.

According to biblical legend, after God created Adam from the dust, in response to Adam’s request for a mate, he then created Lilith from the same dust, which by then had been trod and made dirty by both Adam and the animals of Eden.

Adam and Lilith never found peace together; for when Adam wished to lie with her, she took offence at the recumbent posture that the first man demanded.

"Why must I lie beneath you?" she asked. "I also was made from dust, and am therefore your equal."

Because Adam tried to compel her obedience by force, Lilith, in a rage, uttered the forbidden and magic name of God, rose into the air and left him.

God then creates Eve from Adam’s rib and the biblical mother of the human race is thus born.

In the drawing Eve is to the left, while Lilith is to the right. The left side is closest to the heart and thus the preferred position.

Eve is solid and present, while the mythical Lilith is ephemeral and almost vanishing, as if predicting her dismissal from not only Adam’s side but from Genesis as well.

She is also covered in forbidden tattoos, as Lilith, after leaving Eden, had been living near the Red Sea, a region abounding in lascivious demons, to whom she bore children known as “lilim,” as described by the angels Senoy, Sansenoy and Semangelof.

The drawing is full of light as evidenced by the minimalist composition, and the light sources are blinding to Lilith, almost erasing her from the composition.

The light is also strong but from a different source to Eve, but this light is defining her as if the shadows have come to her life. Yet another source of light illuminates the apple.

The apple lies between Eve and Lilith, a little closer to Eve than to Lilith. We see Eve agonizing over the temptation of biting the forbidden fruit, while Lilith, quiet but resourceful, awaits the first Sin.