Saturday, June 23, 2007

Glass Onion

I told you about strawberry fields
You know the place where nothing is real
Well here's another place you can go
Where everything flows.

Looking through the bent backed tulips
To see how the other half live
Looking through a glass onion.

I told you about the walrus and me-man
You know that we're as close as can be-man
Well here's another clue for you all
The walrus was Paul.

Standing on the cast iron shore-yeah
Lady Madonna trying to make ends meet-yeah
Looking through a glass onion.

I told you about the fool on the hill
I tell you man he living there still
Well here's another place you can be
Listen to me.

Fixing a hole in the ocean
Trying to make a dove-tail joint-yeah
Looking through a glass onion.

- Lennon & McCartney

Friday, June 22, 2007

Cane on CBS

I guess because I am an American of Cuban ancestry someone sent me an advance (I guess) preview copy of the new CBS show Cane. This new TV series is about a Cuban-American family running a sugar empire from Florida.

Think "Sopranos" without all the cussing and better haircuts.

Thank you... I am honored.

And now some very pedantic and jingoist hits... The lead character is played by Jimmy Smits... great actor, but not what your typical Cuban sugar magnate would have looked liked in the racist Cuban society of the late 1950s and the Cuban-American refugee wave of the early 1960s.

CBS picked Smits, a brilliant actor, I guess based on their perception of what a Cuban looks like (Smits is not of Cuban ancestry... his father, Cornelis Smits, was a Surinamese immigrant from Dutch Guiana, and his mother, Emilina, is Puerto Rican).

Pepe and Emilia Fanjul via Panache MagThis is what the person that Smits' character is loosely based upon really looks like...

That is him and his also Cuban wife to the left...but because, like a lot of Cubans, he looks too "Caucasian" and not enough of what Hollywood (and CBS) thinks that Latinos should look like, they hired a terrific Emmy-winning Surinamese actor who fits the sterotypical image of what Hollywood thinks Cubans should look like, to play the lead part.

HBO hired (for the most part), excellent Italian-American actors to play Italian-Americans for the Sopranos; it worked (awright, awright, so Jamie-Lynn DiScala, who played Meadow Soprano was actually a Cuban-American actress... ironic, uh?).

CBS has not only hired Smits to play the lead role, but also Puerto Rican actors Hector Elizondo, Eddie Matos, and Rita Moreno, Miss Colombia 1991 Paola Turbay, etc. to play other assorted Cubans.

And now for CBS: My list of actor candidates who are actually of Cuban ancestry and thus a shoe-in for the part and who actually fucking speak Spanish with a Cuban accent:

Andy Garcia (duh!!!! perfect for the part!... but probably too classy and too expensive to do TV).

Nestor Carbonell. OK, OK, he plays the nasty brother.

Mel Ferrer... ah!... I think he's dead.

Desi Arnaz... fine, fine... he's definately dead; but how about Desi Jr.?????

Jorge Perrugorria

Cesar Romero ... fine! I know that The Joker is definately dead.

George Alvarez...




OK, I'm off my pedantic box; it looks like a decent show - it's no "Sopranos" but let's give it a chance.

Opportunity for Artists

Deadline: July 31, 2007

Carol Lukisch, the former Director of Exhibitions/Curator at the Arlington Arts Center now plans to do some independent curatorial projects, the first of which will be "Fear and Hope" which will take place December 4, 2007 - January 19, 2008 at the Arlington Arts Center.

Mid-Atlantic artists who are doing interesting work in any media that deals with the subjects of Fear and or Hope, send some materials no later than July 31 to:

Carol Lukitsch
P.O. Box 4211
Alexandria, VA 22303 or online at caroluk2@aol.com.

Wednesday, June 20, 2007

Corcoran Curator Leaving

(Via RE) - Dr. Jonathan Binstock, whose thesis work in Philly was about DC artist Sam Gilliam, will be leaving his post as the Curator for Contemporary Art at the Corcoran in Washington, DC in order to join the corporate world at the Art Advisory Service at Citi (nee Citibank), where he will work as a senior vice president.

For almost 30 years, Citi has helped some of the Citigroup's customers find and collect art (since it's investment and banks and Samolians... I guess for investment goals) and a whole lot of other art services.

Their website implies "access" as a mean to penetrate the inside and outs of collecting artwork for fun and profit.

As a sideline, I advise and then buy artwork for two collectors, and have a $20,000 monthly budget to buy artwork for those two folks. This is not as easy as one would have imagined, and actually quite an arduous (but still fun) process.

What Citi does is a billion times harder, because they are somewhat promising investors a payoff and payback and return on their purchase price on artwork.

Jonathan Binstock is a sharp, hardworking and savvy dude, and DC and the Corcoran will miss him, but he's got a tough job in front of him, and I wish him the best of luck.

It will be fun to see if Jonathan pushes any DC artists. This will be somewhat difficult, as I suspect that this level of collecting seldom concerns itself with discovering artists who have not yet made it to the ranks of the secondary art market (only about 5-6 DC area artists (as far as I know) have done so... of those only 2-3 are alive.

Tuesday, June 19, 2007

Looking for a Curator

The Arlington Arts Center, a leading contemporary visual arts venue in the metropolitan Washington D.C. area, seeks a full-time Director of Exhibitions.

The ideal candidate will have extensive experience curating and coordinating exhibitions, communicating with artists, and developing creative collaborative initiatives. Strong knowledge of contemporary art, particularly in the Mid-Atlantic region, is essential.

Candidate will also have experience drafting contracts and exhibition agreements, coordinating installation and catalogue production, writing exhibition materials, and using contemporary marketing tools. Technical knowledge of new media and software applications are key assets. This person works closely with the Exhibitions Committee, and experience working with Boards will be helpful. Superior grant-writing skills are also extremely desirable.

BA required, MA or MFA preferred. The AAC is a fast-paced environment with a small staff that values flexibility, a team approach, and a sense of adventure. This position includes benefits. Competitive salary.

APPLICATION DEADLINE: Friday, July 13.

Please send resume, cover letter, and salary requirements to:

info@arlingtonartscenter.org, with “Director of Exhibitions” in the subject line, or by mail to:

Search Committee
Arlington Arts Center
3550 Wilson Blvd.
Arlington VA 22201

Bailey Flushes Gopnik


Monday, June 18, 2007

Nude Removed from Pennsylvania show

Now it's time for Pittsburgh to be embarrassed.

From the AP:

An artist's nude depiction of bathing with milk and honey has been removed from a popular Pittsburgh arts festival due to complaints by one of the city's largest businesses.

The video installation by Chilean artist Carolina Loyola-Garcia, titled "The need to wash the self with milk and honey," was covered up and unplugged over the weekend by PPG, which owns the plaza where the multimedia display was exhibited.

The controversial footage portrayed the naked artist bathing with milk and honey in the forest. It was part of the "Best of Pittsburgh 2007" exhibit. PPG found the display inappropriate.

This is within its "rights as a corporate partner to ask us to abide by guidelines they have," said Elizabeth Reiss, executive director of the Three Rivers Arts Festival, currently on display in downtown Pittsburgh.

Reiss told the Pittsburgh Post-Gazette she had not seen the video herself, but was told the display included full frontal nudity.

"Nudity doesn't belong in street-front windows. For several years now, Three Rivers has worked hard to put important good work in galleries and responsible pieces on streets," Reiss said.

Art shown in street booths should have a "more family friendly value," she added.
And Mary Thomas writing in the Pittsburgh Post-Gazette details a few other interesting issues with nudity by the festival (which I did a few years ago). Read her excellent article here.

Shame on you Pittsbugh.