Come On Irene Eileen

Yesterday at the Kojo Nnamdi show, someone named Irene called in with a question or comment, but by the time Kojo got to her phone call, she had hung up (we had tons of calls by the way, most of which Kojo could not get to because of time).

There was a second or two of dead radio silence, and then (trying to be funny) I sang into the mike: "Come On Irene," a-la-Dexys Midnight Runners style from their famous song.

For all you music geeks emailing me, yes, yes, I know it's Eileen and not Irene. I was trying to be funny!

Come On Eileen by the Dexys Midnight Runners.

(Come on Eileen!)
(Come on Eileen!)

Poor old Johnny Ray
Sounded sad upon the radio
He moved a million hearts in mono
Our mothers cried and sang along and who'd blame them?
Now you're grown, so grown, now I must say more than ever
Go toora loora toora loo rye aye
And we can sing just like our fathers ....

Come on Eileen! Well, I swear (what he means)
At this moment, you mean everything
With you in that dress, my thoughts I confess
Verge on dirty ......
Ah, come on Eileen!

(Come on Eileen!)
(Come on Eileen!)

These people round here wear beaten down eyes
Sunk in smoke dried faces
They're so resigned to what their fate is
But not us, no not us
We are far too young and clever
Go toora loora toora loo rye aye
Eileen, I'll sing this tune forever

Come on, Eileen! Well, I swear (what he means)
Ah come on, let's take off everything
That pretty red dress .... Eileen (tell him yes)
Ah, come on! Come on Eileen!!!

Come on Eileen! Well, I swear (what he means)
At this moment, you mean everything

Come on, Eileen, taloora aye
Come on, Eileen, taloora aye
Come on, Eileen, taloora aye
Come on, Eileen, taloora aye
Come on, Eileen, taloora aye
Come on, Eileen, taloora aye

Go toora loora toora loo rye aye

Come on Eileen! Well, I swear (what he means)
At this moment, you mean everything
With you in that dress, my thoughts I confess
Verge on dirty ......
Ah, come on Eileen!

Come on, Eileen! Well, I swear (what he means)
Ah come on, let's take off everything
That pretty red dress .... Eileen (tell him yes)
Ah, come on! Come on Eileen!!!

Come on Eileen! Well, I swear (what he means)
At this moment, you mean everything

Come on Eileen! Well, I swear (what he means)
At this moment, you mean everything

The video is one of the great armpit videos of all time. See it below

Bethesda Art Walk

Today, Friday, July the 13th, is the second Friday of the month and thus it's the Bethesda Art Walk with 13 participating art venues and with free guided tours.

From 6-9PM - go see some artwork!

Wanna go to nude body painting and drawing party in DC this Sunday?

July marks the 4th annual A Celebration of the Figure exhibition at MOCA DC and the 5th anniversary of the Figure Models Guild.

In addition to the regular figure drawing sessions at MOCA, there will be bodies painted several times during the show.

And there will be a body painting event on on Sunday, July 15 at 1PM led by DC's body painting goddess Adrianne Mills.

Bring your camera because an open photo session follows each painting.

Call them for details and times at 202.342.6230 or 202.361.3810. The event is free and open to the public.

Wanna go sketching on the Mall tomorrow?

"Quick Sketching People and Places on the Mall" is a four-session drawing instruction series presented by the Smithsonian Associates where students work with the media and subjects of their choice under the supervision of an experienced artist who is himself an avid sketcher. Dates are Sat., July 14—Aug. 4, 10 a.m., so hurry!

Details here.

Call for Art

The Third Annual Metamorphosis Art Show has a call for artists.

Details here.

Baltimore Studio Spaces

The Baltimore Sun tells us that

Artists seeking studio space in Baltimore will have a new option to consider this fall when the Bromo Seltzer Arts Tower opens for its first tenants.

Renovation work is nearing completion on a $1.25 million conversion of the landmark tower at 15 S. Eutaw St. from municipal offices to studios for painters, sculptors, photographers, graphic designers, writers and other artists. The first two floors will have a cafe and gallery space.

Read the article here. More information about the studios and the application process is available from the Office of Promotion & the Arts at 410-752-8632.

Trawick and Sondheim

Tomorrow the Washington Post's Michael O'Sullivan will have this excellent piece on the Sondheim Prize in Baltimore. And O'Sullivan makes a couple of key observations about the two major art prizes in the Mid Atlantic region:

The Trawick Prize better watch out. There's an upstart contemporary art award in town, and it stands to give the Bethesda-born competition -- which has been handing out $14,000 in prize money to artists from Maryland, Virginia and Washington since 2003 -- a run for its money.

Okay, so maybe the Baltimore-based Janet and Walter Sondheim Prize isn't exactly "in town." Now in its second year, the art contest, named for the late Baltimore public servant and civic leader and his late wife, is open to visual artists working in the Baltimore region. (This year that includes two D.C. artists.) Examples of work by the 2007 finalists are on view at the Baltimore Museum of Art. The winner of the Sondheim Prize's $25,000 purse, which unlike the Trawick does not get divided among first-, second- and third-place finishers, will be announced Friday at the museum.

There's another critical difference between the contests, beyond the disparity in the cash value of the prizes. It doesn't have to do with the caliber of the entrants either. (Baltimore sculptor Richard Cleaver, whose painted and bejeweled ceramic-and-wood figures are part of the BMA show of Sondheim finalists, took home the Trawick's $10,000 first prize in 2003. So there's a lot of cross-fertilization of the talent pools, which is good.) Rather, the edge that this year's Sondheim Prize exhibition has over any version of the Trawick competition I've ever seen is in the choice of venue. The art just looks better in the BMA's spacious galleries than anything ever will at the Creative Partners Gallery, the cramped storefront on the ground floor of a downtown Bethesda office building that has been the Trawick's unfortunate exhibition space of choice since its inception.

I agree with O'Sullivan about the Trawick's exhibition location, and in fact I have some strong indications that next year's Trawick may "upgrade" and move to a better location, mostly because (I am told) Creative Partners no longer wants to host the show. But it will probably be to one of Bethesda's top galleries (that leaves 2-3 choices).

But O'Sullivan's article says also something about the difference between the way Baltimore museums looks at Baltimore artists and events and the way the DC area museums do.

Bethesda doesn't have a museum. So the Trawick will just move to another gallery.

But DC has more museum space per person than any other city in the world. That is a mathematical fact.

And yet, while Baltimore's main museum is part of that area's main art prize, no DC area art museum is involved in exhibiting the Trawick Prize exhibition.

Let this be a call for the Hirshhorn or the Corcoran or the Phillips to work out a deal with the Trawick Prize to host the finalists of the DC area's main art prize in one of those museum's galleries.

If Baltimore can do it, so can DC. And I am also making a call to my fellow DC area art bloggers and writers to join me in this call - let's see if we can make something like this happen.

If you think that this is a bad idea, then ignore it; otherwise, please join me in calling for a museum venue for next year's Trawick Prize.