Tuesday, July 31, 2007

Picture New York

Sign this.

It is a petition to defeat a new NYC regulation introduced quietly just before Memorial Day weekend. The regulations could severely impede the ability of even casual photographers and filmmakers to operate in New York City.

More details here.

Pyramid Atlantic Art Center Seeks Executive Director

Deadline: August 17, 2007

Pyramid Atlantic Art Center, a contemporary visual arts center and gallery in Silver Spring, MD, dedicated to creation, exhibition and appreciation of paper, prints and book art, seeks a new Executive Director to succeed founder, Helen Frederick, who has been running the joint for over 26 years.

“We have been working with Helen to ensure that Pyramid Atlantic will continue to flourish in our Silver Spring home,” said Board Chair Sally Sternbach. “For the board, our members and patrons, this is a time to celebrate Helen’s remarkable artistic and administrative achievements in building this organization over the past 27 years. It’s also a time of great excitement with the advent of new leadership, which will continue the tradition of excellence that Helen has established and assure a bright future for Pyramid Atlantic.”

The new person will direct, inspire and oversee art programs through collaboration with external artistic leaders for the organization's programming and artistic activity. Reporting to the Board, they will work closely with local, regional and broader philanthropic community, including state and local agencies, to cultivate financial and other support.

Experience should include: arts background, proven leader with entrepreneurial flair, experience with diverse fundraising of $500k annually, experience leading a management team and staff through change process, Master's or Bachelor's degree in Art, Arts Management or related field.

Click here for a full job description. To apply send (by August 17) an email with your cover letter, resume and salary requirements to: info@successionusa.com.

Monday, July 30, 2007

Che Che Kole

If you have kids, then you know that "Che Che Kole" is a Ghanian children's chant that's usually taught in the US to kids in pre-school or the early years of school as part of having them learn children music from other nations.

It goes on like this:

Chekere, kalimba

Che che kole, che che kole
Che che kafisa, che che kafisa
Kafisa langa, kafisa langa,
Co co shi langa, co shi langa,
Koom ma dye day, koom ma dye day,
Ya!
Great artists have the ability to take anything, including a Ghanian children's chant and re-invent it as another song, such as Willie Colon and Hector Lavoe did with Che Che Kole as a 70s super mega dance floor salsa hit. Listen and see them below as they perform the hit and then hear the Ghanian words in the song.




From something with a long history and tradition, something new and exciting, but aligned with the past and with tradition without any issues or baggage.

Introductions3 at Irvine

Irvine Contemporary has Introductions3 coming up next month. This exhibition is a selection of recent graduates from leading national and international art schools.

This third year of Introductions at Irvine Contemporary is the first gallery exhibition of its kind. Over 250 artists from 60 different art colleges were reviewed for Introductions3, and final selections were made with the advice of a panel of art collectors, rather than curators or gallerists. Introductions3 has grown to an inclusive “MFA annual” that brings the best rising artists to Washington, D.C. Participating artists are listed below with their most recent college or institute affiliation. Opening reception with artists, Saturday, August 11, 6-8 PM.

Look for the work of Akemi Maegawa (Cranbrook Institute, Sculptures and Installation) and Sarah Mizer (Virginia Commonwealth University, Sculpture and Installation) to stand out.

Wanna do something this Wednesday in DC?

ALEATORIC is going on this coming Wednesday!

Several local artists fill up two floors with installation art and emerging bands will be performing to keep up a lively atmosphere.

Sponsored by the new Artcade Magazine, and by Civilian Art Projects and by Panache, with Marissa Botelho, Curator, Reuben Breslar, Music Coordinator and work by local arts students, artists, musicians, and creative writers.

Bands involved include "Pontiak," "The Show is the Rainbow," and "Black and Tan Fantasy Band."

This night of Music and Installation Art is Wednesday, August 1, 2007 from 7:45pm – 12am and donations for the bands are encouraged. It takes place at:

Bobby Fisher Memorial Building (aka Borf Building)
1644 North Capitol St, NW,
Washington, D.C., 20002
*3 blocks north west of New York Ave. Metro Station

Another art fair coming to DC

It will be August 10-12, 2007 at the Washington Convention Center.

click for a larger image
Click on the image for a larger image of the card or visit this website.

Sunday, July 29, 2007

Johnny Cash

Like many people my age, when I was a kid in Brooklyn, I grew up knowing who Johnny Cash was and who Ray Charles was, but I was not at all interested in their music.

I find it peculiar that now, after the two hit biographical movies came out about these two music giants (and both Jamie Fox and Joaquin Phoenix did such great jobs in recreating Charles and Cash's music), my interest -- along that of millions of new fans -- has been kindled for their music.

My house backs to up to a large park in Media, PA, and they have a stage there which is set-up for outdoor concerts, sort of a mini Wolf Trap. I can walk there from my house, so once in a while we walk and sit in for whoever is playing.

Last night Johnny Cash was playing. Well, actually David Stone and the Johnny Cash Experience, but let me tell you, this man was amazing!

He is not a Johnny Cash impersonator, but clearly a highly talented artist and someone who has studied Cash's life, music, mannerisms, voice and style for many, many years, and now delivers a nearly scary ability to assume the role of the man in black.




He was really good.

Stone did not try to impersonate Cash, but rather walked the audience through Cash's life and music, while at the same time sounding, looking and playing exactly like the real man in black.

The few thousand people in the audience -- which covered the whole range of ages, although oddly enough I noticed a lot of tattooed women, not just one or two tattoos either, but whole arms and chests covered in them -- really enjoyed Stone's performance and were on their feet several times.

He was really good.