New gallerina

Ksenia Grishkova is the new director at DC's Touchstone Gallery, one of the DC area's oldest fine arts galleries, but one which has unfortunately been going through a lot of directors in the last few years. Hopefully the artist-members who run the gallery have found a long-lasting one in Ksenia.

The gallery is currently having a call for artists for their "Art on the Small Side," which is an all media holiday show (including fine craft) juried by Rosemary Luckett and Baltimore painter Jon Wassom.

Selection of work will be done from the actual pieces, and not by slide or digital images. All works must be brought to the gallery during gallery hours of 12 to 5 PM on Saturday, December 8 or 9 from 12-4 PM on Sunday, Dec. 9. No shipments will be accepted.

To get a copy of the full prospectus, go to www.touchstonegallery.com or e-mail Ksenia for more information at touchstonegallery@verizon.net.

Good read

The WCP's Jessica Gould marries a really interesting story with an intelligent artist profile in this article in the current issue of the CP.

Zoe coming to DC

More later, as we get closer to the date, but making a note that H&F Fine Arts upcoming exhibition Dig is not only being guest curated by Roberta Fallon and Libby Rosof, publishers of Fallon and Rosof's Artblog, which was selected by Art in America as one of the country's top art blogs, but also the exhibition will feature the work of eight Philadelphia based artists, including one of my Philly faves: Zoe Strauss.

I think this will be Zoe's first-ever DC area appearance. This talented photographer was one of the bright spots in the last Whitney Biennial.


Dig runs from October 18 to November 24. An opening reception will be held on Saturday, October 20, from 4–7 pm.

The eight artists chosen by Roberta and Libby range from major award winners to emerging talents. In addition to Whitney Biennial bright-spot Zoe Strauss, Barbara Bullock, and Candy Depew (and also Zoe) are each winners of Pew Fellowships in the Arts. Fleisher Challenge Award winners Depew and Kip Deeds have had prestigious solo shows at the Fleisher Art Memorial. The exhibition will also feature work by Nick Lenker, Jen Packer, Thom Lessner, and Jayson Scott Musson.

Job in the Arts

The Arlington Arts Center has created a new position and is looking for a part-time (20 hour/week) Program Assistant to support our Exhibitions and Education teams. Responsibilities will include ordering and maintaining supply inventories, coordinating registration for classes, communicating with students and artists, preparing materials for exhibitions and lectures, and assisting with installation and signage.

An ideal candidate will have a BA or BFA, strong computer skills (a knowledge of Photoshop and desktop publishing is desirable), and a knowledge of the proper handling and installation of art. Knowledge of Spanish is helpful but not required. Some weekends and evenings will be required. Candidate must have excellent people skills, a sense of adventure, and flexibility in a fast-paced work environment. This is an hourly position; rate based on experience.

Please send resume and cover letter to info@arlingtonartscenter.org with "program assistant" in the subject line or by fax to 703-248-6849.

Reasons

Why Alexandra loves DC.

Multiple Exposures

Upstairs at the Torpedo Factory in Old Town Alexandria, that forbidden part of the Greater Washington area where DC area art critics seldom venture, two talented photographers share the walls of Multiple Exposures Gallery (nee Factory Photoworks) this month: Grace Taylor and Colleen Spencer Henderson (who needs to modernize her website!).

Colleen explores the landscape by turning her sharp photographer’s eyes towards the ever-changing beauties of the land. In “Three Trees” she pops a range of whites that will astound any student of the genre, and the stone fence, trees and clouds deliver a beautiful image to boot.

Grace Taylor has been amazing me for years now. She is not only an innovator who continues to push the artistic limits of the genre’s craft and vision, but also an old hand who doesn’t sit around too long resting on her laurels. In “Stone Portraits,” Taylor presents a show of images of stones that she has collected over the years. Each one has a distinct personality as Mother Nature, time and weather all combine to deliver beautiful landscapes, images and paintings within the canvas of a stone. Using Epson Ultra Chrome pigment inks, Taylor has scanned the images onto a rich black background that gives the stones a three dimensional aspect that is seldom seen in “straight” photography.

Give Taylor another notch in her string of really, really good shows and inventive ideas over the last decades.

Tree Killers

The really beautiful town where I live in Pennsylvania (most of the time when I am not in DC) is called Media. It also America's first (and probably only) "fair trade town."

Media's nickname is "Tree City, USA."

The street where I live is deeply wooded, and I have recently been told by wandering bird watchers that it is actually on the migratory path for many North American birds, who fly overhead and settle and rest among the trees.

And thus my near stupefaction when one of my neighbors down the street recently cut down 31 mature trees.

Yes thirtyfuckinone, huge-assed trees, with massive trunks and 40, 50 feet tall each.

All this in order to make a large garden in front of his house. The tree killers, my other irate neighbors tell me, are both retired professors, and "master gardeners."

As if being a "master gardener," and killing 31 beautiful trees is not enough paradoxical irony, they've now begun "decorating" their newly opened space with those awful chainsaw sculptures made from trees.

Sculptures of birds.

Bastards had the real thing nesting among the beautiful trees, and now they have huge, fake ones made of dead trees.