The Other Woman

Steven Earl Weber, the co-director of Kelly & Weber Fine Art in Philadelphia, will be guest curating a series of four shows in conjunction with the Coral Street Arts House.

The first of these exhibitions will be a duel site exhibit of the artist collective, The Other Woman.

The Other Woman consists of Darla Jackson, a sculptor, Laura Graham, a photographer, Laura McKinley, a painter, and Aubrie Costello, who works in various mediums. For this dual site exhibition Kelly & Weber Fine Art will be exhibiting the works of Darla Jackson and Aubrie Costello and the Coral Street Arts house will host the works of Laura McKinley and Laura Graham.

View a video interview with these artists filmed on a set built for one of Laura Graham's recent photographs and hear what they have to say for themselves and their artwork here.

Wanna go to some DC openings on Friday?

It's the third Friday of the month coming up and thus the extended nights and openings for the Canal Square Galleries at 31st Street, NW and M Street in Georgetown. While there check Rackie Diankha Diallo's work at Parish Gallery.

Danielle O'Steen on DC

Danielle O'Steen pens a really good over view of what's going on the DC area for artinfo.com.

Read it here.

Delaware Area Artists' Sale

Creative Wilmington has 115 Regional Artists on exhibition that want collectors to purchase artwork directly from them priced at $250 or less. Exhibition is Saturday, November 17 from 10AM - 5PM at Creative Wilmington.

Artwork by Lynette Ashby, Jennifer Marano, Kinga Baransky, Karen Mason, Larissa Baransky, Helen Miller, Jo Bellamy, Joe Miller, Frank Bielsky, Kelley Morris, Teresa Bland, Nick Mowers, Charles Bowden, Monique Mueller, Kim Bowman, Gaye Murphy, Mike Bryand, Nicolle Nicolle, Robert Bullock, Elizabeth Norton, Lauren Caddell, Christine O'Connell, Stephen Cai, Gail O'Neil, Todd Carignan, Maria Ortado, Kate Cathey, Karen Pait, Macon Cathey, Peter Patterson, Deborah Cavenaugh, Lori Payne, Robyn Chapman, Brooks Pearce, Sarah Collier, Candy Pegram, Francisca Dekker, Brian Peterson, Lois DeWitt, Deborah Petoskey, Timothy Dols,Courtney Pickett, Karen Domaney, Nancy Ping-Robbins, Jamie Dorfman, Wendy Pittillo Rae, Jude Eden, Michael Polomik, Jay Edge, JG Priestly, Jennifer Elder, George Rabito, Daisy Faith, Dennis Reifsnider, Paula Fitzpatrick, Kay Robbins, Gina Gambony, Loraine Scalamoni, Kit Garfield, Lara Schuhmann, Wade Giddens, Mick Scott, Cape Fear Camera Club, Donna Simpson, Pamela Kim Hartman, Florence Simpson, Lisa Haskins, Stephanie Smith, Barton Hatcher, Lee Spivey, Steven Heiner, Dixon Stetler, Deborah Hendricks, Polly Tait, Geoffrey Henshall, Sarah Tector, Jack Hernon, Sue Thompson, William Hubbard, Nii Narku, Rebecca Huntzinger, Nia Thurber, Julia Jensen, Clay Trotter, Angela Johnson, Laura Venters, Mitzy Jonkheer, Sandra Vigneri, Jennifer Joyner, Maike Walbrecht, MZ Julee, Gail Beavers Walls, Sharon Kane, Cindy Weaver, Michelle Kaskovich, Tracy Weaver, Rachel Kastner, Travis Weller, Doug Kazantzis, Sarah Westermark, Mary Kate Kennish, Kee Wilde-Ramsing, Aiden Kenny, Rhonda Willett, Gloria Madill, Mike Williams, Beth Maisonpierre, Amy Winston, and Mossy Wynn.

Wanna go to some Baltimore openings on Saturday?

Not only famous for its diverse art, but also for its sushi and good wines at their openings, Baltimore's Light Street Gallery opens its "Small Works Exhibit" on Saturday, November 17 from 6-9PM.

Also on Saturday, from 6-9 p.m. there's an opening reception at Gallery 211 for Washington, DC landscape artist Freya Grand. A catalogue of the show will be available at Gallery 211, with an introductory essay by Jack Rasmussen, Director of the Katzen Art Museum at American University in Washington, DC. For details phone 410-244-1340 or visit www.gallery211.net.

Wanna go to a Bethesda opening this Saturday?

Osuna Art Gallery in not-Brooklyn Bethesda opens The Washington Women Show with an opening reception from 5-8PM on Saturday, Nov. 17. The exhibition includes work by:

Nan Montgomery (painting)
Carol Brown Goldberg(painting)
Renee Butler(video installation)
Joan Danzinger (sculpture)
Dalya Luttwak (sculpture)
Nizette Brennan (sculpture)
Francie Hester (multi media)
Bernis von zur Muehlen (photography)
Dale Loy (painting)
Jean Meisell (painting)
Manon Cleary (painting)
Wendy Ross (sculpture)
Polly Kraft (sculpture)
Patricia Forrester (painting)
Lisa Brotman (painting)
Yuriko Yamaguchi (sculpture)
Andrea Way (painting)
Deborah Kahn (painting)
Sharon Fishel (painting)
Sherry Sanabria (painting)
Judy Jashinsky (painting)
Brece Honeycutt (painting)
Lisa Marie Thalhammer (drawing, mixed media)
Claudia Smigrod (photography)
Janet Fries (photography)
Jae Ko (sculpture)
Annette Polan (painting)
Emilie Brzezinski (sculpture)
Linn Meyers (drawing)

Ford Bell Responds

A few days ago I was puzzled by the answer given by Ford Bell, the new president of the American Association of Museums, to a question posed to him during an interview. Read all that here.

In response to my question, Mr. Bell emailed me a clarification:

Lenny:

Here is the context for my answer. Perhaps I wasn't clear enough.

Museum attendees, boards, staff, and volunteers do not reflect the diversity of our society. In Minneapolis, where I am from, we have the largest population of Somalis in the United States, the second largest population of Hmong, the largest population of Tibetans, and substantial populations of Hispanics and Native Americans. However, these ethnic and racial groups are substantially (almost completely) underrepresented on museum boards, and are not users of museums. I think it is incumbent on museums in this country to "demystify" museums, to make them less "white", both physically and programmatically, and to reach out to minority communities with creative, and relevant, educational, social and cultural programming. In the increasingly pluralistic society in which we are fortunate to live, museums will struggle if they are unable to reach out to different communities in meaningful ways.

In regard to the question, "Why would someone who has been elected to Congress in 2037 or 2047 have less 'experience' than someone elected in 2007 simply because they are from a different ethnic group?" I would submit that the vast majority of people now serving in Congress have experiences with museums, in fact, have visited museums since childhood. Today, school districts don't have the money for field trips, and school children don't go to museums in many states they way they did when I was a child. Will childhood trips to museums depend now on parents? And if the parents don't speak English, and/or are illegal immigrants and/or work three jobs and/or don't know what a museum is, are they likely to take their child to a museum?

AAM is committed to conveying - to funders, legislators, policymakers - the importance of museums to communities large and small, across the United States. We are committed to carrying the message that museum experiences are important for school children of all ages, and that these experiences contribute significantly to their educational progress and intellectual development. And, we hope to work with museums, our fellow museum service organizations, and museum professionals and educators to help insure that museums are welcoming and relevant to everyone in the community and that they resemble the community at every level - boards, staff and volunteers.

I hope that helps. Thanks for giving me the opportunity to clarify my answer.

Best wishes.

Cordially,

Ford