Printmaker Wanted

Deadline for applications: January 15, 2008

The Yale School of Art's Painting/Printmaking program seeks an artist to teach undergraduate - and graduate - level printmaking. Salary approximately 65,000 dollars. To begin July 1, 2008. Applicants must have a record of creative accomplishment and teaching expertise in traditional techniques (linocut, woodcut, etching, lithography, silkscreen) as well as digital and hybrid media.

The appointee will teach undergraduate and graduate printmaking courses, teach drawing courses, help shape the printmaking curriculum, participate in undergraduate and graduate reviews and critiques, mentor students, and serve on academic committees. Administration and management of a very active print studio is a major component of this position. Applicants should have a minimum of 2 years teaching experience. Expertise in an area outside of printmaking is desirable. The appointee will be expected to continue creative and professional activities while teaching in a demanding academic environment. Applications should include: 20 images on a CD, in JPEG, GIF or PNG format. Along with that should be five paper documents: a one-page index of each image submitted, a letter of application, a current resume, a description of the ideas that inform your work and a summary of teaching experience. Provide us with the names of three people from whom letters of reference may be obtained and a self addressed, stamped envelope for return of materials.

Peter Halley and Rochelle Feinstein
Co-chairs, Painting/Printmaking Search
Yale University School of Art
PO Box 208339
New Haven, CT 06520-8339

Wanna go to a DMV opening tonite?

At the Arts Club of Washington (2017 I Street, NW and please kill the music in your website!), 6.30 - 9 pm, with a gallery talk at 7 pm.

Featuring Susana Raab's superb photographic series, "A Sense of Place" (photographs of Southern writers William Faulkner's, Eudora Welty's, and Flannery O'Connor's abodes), and landscape paintings by the very talented Caroline Danforth, and abstract paintings by Thomas Walsh.

Fun with the Arts in Howard County, MD

The Howard County Center for the Arts will host the Howard County Arts Council’s annual Open House & Holiday Sale on Friday, November 30, 2007, from 6-8pm. Local artists and groups will sell unique and affordable art and handcrafted items. Refreshments and entertainment will be provided.

This year’s free event will feature the reception for two exhibits: Art HoCo 2007, juried by Susan Williamson, Visual Arts Coordinator for the Carroll County Arts Council; and Fashion Statement featuring the unique fashion-inspired artwork by Donna McCullough and Althea Murphy-Price. HCCA resident artists and art organizations will open their studios to the public from 7-8pm. The many art groups who meet at the center will have display tables during the evening.

Open House and Sale participating artists and art organizations include: James Adkins, Pat Baker, Joan Bevelaqua, Carolyn Cates, Chesapeake Shakespeare Company, The Columbia Orchestra, Nichole Hickey, Howard County Ballet, Art Landerman, Diana Marta, Ginger Peloquin, Leora Smith, Thomasine Spore, Andrei Trach, Jamie Travers, Mary Jo Tydlacka, David Zuccarini, and more TBA!

The Open House & Holiday Sale are free and open to the public. For more information, visit the website www.hocoarts.org or call 410-313-ARTS (2787).

Dawson on the Black Panthers

The WaPo's Jessica Dawson does a really good job in reviewing "Black Panther Rank and File" at the Decker and Meyerhoff galleries at the Maryland Institute College of Art in Baltimore.

She also makes a good point when she writes:

"The exhibition was organized by San Francisco's Yerba Buena Center for the Arts in conjunction with Claude Simard, a curator associated with New York City's Jack Shainman Gallery. Shainman represents many of the contemporary artists on view; the gallery also supplied a number of historical pieces.

Though Shainman is a well-known source for African American artists and ephemera, Yerba Buena's association with a commercial gallery raises questions about conflict of interest. The show favors Shainman artists, who gain exposure on this small museum tour -- "Black Panther Rank and File" originated at nonprofit Yerba Buena, traveled to nonprofit Southeastern Center for Contemporary Art and now hangs in a university gallery. That kind of exposure can translate into higher earnings for Shainman artists, casting a shadow over this otherwise strong show."

And Dawson also hits the mark dead on when she questions:

"But what of the Panthers' critics, of which there were many? For the most part, this is a pro-Panther project. Yerba Buena worked closely with former Panther Bill Jennings to construct the show; he's even credited for suggesting the project."

When I was a kid in Brooklyn, one of my first jobs was in a store on Belmont Avenue that used to have a sidewalk stand outside its doors. My job was to stand outside, freezing my buns in winter, broiling in the summer, and watch the stand and either send people into the store when they bought something and needed change, or to take their money if it was an exact amount. I was also the "chaser," when someone grabbed something from the stand and ran away with it.

Usually, if the gonif was being chased, he'd drop the merchandise and keep running, and I would return it to the stand.

But back to the Panthers.

During that time the Black Panthers were big in Brooklyn, and about once a month they'd come by Belmont and Pitkin Avenue hitting all the stores for "contributions" to their various programs. They were one of three such groups that demanded, not asked for, but demanded, some sort of cash flow in order to assure some degree of safety.

In addition to the Panthers, my employer (a Cuban Jew named Simon, who was fluent in Spanish, Yiddish, Polish and German and who used to smoke huge cigars all day long) had to grease the hands of the local Brooklyn cops and the local Mafioso. Of the three, the cops came by most often.

Dawson finishes with "...the only overtly critical work comes from the painter John Bankston, who points out Panther homophobia in his 2005 canvas 'The Sermon.' In it, two latter-day Panthers have seemingly strong words for a transvestite and his companion."

A really good review for what sounds like a very interesting exhibition. The show is up through Dec. 16. Read Dawson's review here.

PS - Museums, non profits and commercial art dealers have been dancing together for a long time and will continue to do so. Here's something I wrote in 1995 (do forgive the 1990s style website) about the Gene Davis legacy to the museum where he was a Commissioner. When that piece was published in the WaPo back then, I actually received a couple of hate phone calls.

Postcards from the Edge

The Preview Party for this year's Postcards from the Edge benefit is Friday, November 30 from 6:00 - 8:00 PM at the James Cohan Gallery in NYC. $75 admission includes one raffle ticket and one lucky winner will select any postcard that evening!

Participating artists attend free (names held at door). Sneak peek only -- No postcard sales. Benefit Sale is on Saturday, December 1 on World AIDS Day from 12:00 - 6:00 PM & Sunday, December 2 from 12:00 - 4:00 PM.

Over 1,000 original postcard-sized works of art. Only $75 each. First-come, first served. $5 Suggested Admission - Works are signed on the back and displayed anonymously and the artists’ names are revealed only after purchase.

Close Calls

That pretty young lady to the right is my daughter Elise, a highly talented ballerina, an A+ student, an award-winning actress and singer, and quite the existentialist workaholic.

Elise lives in gorgeous Gig Harbor, in Washington state, one of the prettiest, and most charming, and priciest, and safest villages in the Pacific Northwest, about 45 minutes from Seattle.

A couple of months ago Elise and a friend were shopping in one of those huge chic stores that manage to present a tony appearance while being enormous in size. And suddenly, just like in the movies, a masked robber grabs my baby daughter, and throws her to the ground, points a gun to her head and begins screaming about a "hold up and everyone hit the ground."

And people do.

And the robber lets go of Elise and walks towards the counter to grab the cash. And when he does so, Elise crawls into a fitting room, locks the door and using her cell phone calls the police.

And the police have no idea where the store is and ask Elise for an address.

Yeah...

Eventually the robber gets away with his cash (probably not a lot... who the hell uses cash these days anyway?) Why are robbers still robbing stores? If you're so desperate, or such as idiot as to use a gun to rob for cash, then why go after a place with little cash?

So he gets away and although she's pretty freaked out by the whole sequence of events (and as someone who's had a gun pointed to his head not once but twice, and as someone who's been shot at - once in Brooklyn and once in Beirut - I know), she moves on.

Elise also works as a teller in a local Gig Harbor bank while being a full time student - she graduated from High School in three years and already has her Associate Degree and next year will be a junior at the University of Washington.

A couple of weeks ago, an older man approaches her and hands her a note informing my daughter that the bank is being robbed.

Elise hits the silent alarm and (as she's been trained) hands the bank robber the money. Yep... my supercool daughter does not panic and does as ordered, delaying as much as possible.

The bank robber runs away - bummer for the asswipe that Elise had just cleared her drawer of cash a few minutes earlier.

The cops eventually arrive...

The bank (and her dad) decide that Gig Harbor is now part of the 21st century and from now on the bank will have a guard on duty.

Meanwhile, here's the bank robber:
This surveillance photo shows the man who robbed the Key Bank in Gig Harbor on Friday, Nov. 9, 2007.

The suspect is described as a white male, 55-years-old, 6 feet tall with a slender build and long brown hair. He wore glasses, a gray stocking cap, blue jeans and a black pullover jacket with white stripes and cuffs on the collar.

Pierce County Crime Stoppers is offering a $1,000 reward for information leading to the arrest and charges filed in the case. Call (253) 591-5959 if you have information. You can remain anonymous.

Here's a bigger pic of the robber:

Update: A reader points out that the bank robber looks a lot like Ward Churchill! Now that's funny!

Job Well Done!

This is what I call an art profile article!

"Sharp LaPelle, Checkered Environment - Rodger LaPelle Hangs Art, Not Artists" a 2004 article by Mike DelVecchia is thoroughly entertaining, superbly informative and very much paints a detailed impression of Philadelphia gallerist Rodger LaPelle and is the kind of profile writing that the arts world could use more of: full of savvy history, eye-brow raising quotes and a sense of someone with a lot of knowledge and opinions.

Read it here.

I've visited the LaPelle gallery several times and have always come away impressed with the work. The gallery itself is certainly not a pristine white cube, which is a plus for me, and the artists represented (as far as I have seen) are quite good. Three years later, the gallery website still sucks and could really use a revamping from any $10 bucks an hour art student who knows his or her HTML. But then again, a lot of really good art galleries have crappy web presences.

But I like this gallery and this gallerist (who I should meet one of these days); in fact, during my last Philly gallery crawl, I picked this gallery as my top pick for the evening.

And last year, DC's talented painter Andrew Wodzianski had a really good solo at LaPelle, selling about 15 paintings.

And I hear that Andrew will have another solo show there soon!

The gallery is the one that is in the below video, with about a minute to go...