National Defense

"National Defense Test" Watercolor on Paper, c. 1999, 3 x 8 inches
By F. Lennox Campello

This preparatory painting was done in preparation for a painting exhibited in 2000 at the "Strictly Painting III" Exhibition at the McLean Project for the Arts in McLean, Virginia. The exhibition was curated by Terrie Sultan, then Curator of Contemporary Art, Corcoran Gallery of Art, Washington, DC.

This original watercolor is available at Color Invitations currently on exhibition at the R Street Gallery. Call (202) 588-1701 if you want to purchase this painting ahead of the opening, which will be on January 16 from 6-8PM.

Blogger Show Reviews

The Blogger Show in Pittsburgh and New York has been getting quite a few reviews both in the printed press and the artblogsphere. The show closes today.

In the spirit of me, I wanted to point out the nice things that the Pittsburgh City Paper's Lissa Brennan wrote about this blog.

Annapolis and the Trouble with Resort Galleries

I'll have a few words to say about "art auctions" on cruise ships when I return to serious blogging, but meanwhile the below piece by Shauna Lee Lange seems to be in the same touristy vein...

Annapolis and the Trouble with Resort Galleries
By Shauna Lee Lange

If you've been around art for any length of time, then you know that the commercial availability of art can become regionalized. Meaning, that what sells in Paducah may not sell in Santa Monica, and that artists who like working locally usually sell locally.

Art regionalism also means that people in St. Thomas are generally buying works featuring marine life, sunny skies, and bright and happy colors (for the most part) while people in Vail are buying snowscapes, tree lines, and other cold weather art.

There's a whole theory and science to how people live geographically and how vacation homes (second and third homes) in resort communities have a very different art purchasing base.

So it is very important to get out to these resort and rural areas and look around to see what's new in different parts of the country - and this is why some of the larger art shows are so popular. One can see what's hot in New York, Florida, and London all in one venue without having to travel. In large metropolitan areas, inventory tends to change fairly rapidly, but in smaller, rural towns, art inventory can have a longer wall life - and this is one way that an arts advisory, or the general public, can learn which artists have staying power in which communities and why.

Recently I decided to visit Annapolis, and although Annapolis, Maryland is not very far from my desk (over 25 miles - less than 50), Annapolis has the benefit of being both a resort community and a seaside community with a big boom in summer and a huge focus on marine art.

Now, as many of you may know, I'm originally from Rhode Island and spent a great deal of time in Newport, Rhode Island - arguably a comparable community. The trouble with resort galleries, particularly right after Christmas on a very slow Monday, is that they're closed. Or they're closing. Or they have relocated, or they're only open on a Tuesday when the moon is blue, or the gallery attendant is a bored college student on winter break.

It's frustrating to hear gallery owners lament about the difficulties of managing gallery overhead (and all the associated costs of insurance, shipping, contracts, etc.) when they have store hours of 10 - 2 or when they're only open on the weekends.

As an arts advisory service firm, Shauna Lee Lange and Company work far more than we should - developing leads, answering questions, helping people connect, exploring calls for submissions, researching art purchases - the list goes on. This is not a good thing, always to be pushing and working, but it is difficult from our perspective to understand how an art gallery can close its doors to the public it serves or the artists it represents.

And frustrating too, is that some of these spaces and curators and owners are very high quality. Certainly, January is a far cry from June, but when did it happen that art buyers only bought in June? The day that we visited was a glorious sunshiny, warm, spring-like day and Main Street Annapolis seemed dismal in comparison. Many spaces were for lease or rent - alarming so - even shops that have been in business for some time. Is this a condition of the economy? Is it normal turn-around for post-season stores? Or does the unavailability of art galleries speak to a larger causality, the growth of Internet galleries, the reduction of pedestrian traffic due to technology, or the cavalier approach some long-term gallery owners may have adopted along the way?

Most of the gallery owners we know do it because they love it and they're good at it. They live, eat, and breathe art. And we have to wonder in Annapolis, where is everyone?

It'll take a few months to see how Annapolis fares through changes it is facing with Main Street development along with many other communities in similar situations. We wanted to share some first hand impressions, a few photos of sights we saw along the way today, and a heart-felt plea to open your doors.

Back on Land

Back safe and sound, with the cleanest hands on Earth after one terrific vacation at sea... have almost 1,000 emails to catch up on, so posting will be fast and furious over the next few days, but today I've got to watch the Seahawks beat the odds against the Packers.

Back later with tons of pics and movies and loads of announcements and discussions...

Haze Gray and Underway

I'm outta here until 12 January... I'll be out at sea on a Caribbean cruise, sans computer and sans cell phone. Tomorrow is Three King's Day, which is the "actual" gift-giving day in most of the Christian world... and I scored a GIANT self-gift for my book collection of modern first editions as I've just got a super sweetheart of a deal on over 200 books, most of them signed, from an area book dealer going out of business after many years! One knows it is a great deal when a confidentiality agreement is part of the deal!

If I get the blogging DT's, I may slip into the dollar-per-minute Internet cafe at sea and blog something here and there, but until then, blogging will be sparse, email checking will be non-existent, the house is being guarded by a really mean house-sitter, and I'll be back on January 12 with a ton of stuff to catch up on, so y'all come back now!

Earlier tonight I dropped by the Rodger LaPelle Gallery in Philly to visit Andrew Wodzianski's second solo at that space in as many years. On view he must have had around 80 new mixed media works from his oddly mesmerizing (and radical departure) new series. I think these new works will go a long way for AW.

Meanwhile I leave you with this image of the Multinational Peacekeeping Force Medal for Service in Cuba.



Multinational Peacekeeping Force Medal for Service in Cuba
Oil on Gessoed Paper. 12 x 36 inches. 2007
By F. Lennox Campello
A ribbon for the future envisioned medal which will be awarded to the service men and women of various nations for participation in the future peacekeeping operations that will be required in Cuba once Castro dies and the prison island begins to descend into chaos.

Original oil available starting January 10, 2008 at Color Invitations. Call (202) 588-1701 if you want to purchase the painting ahead of the opening. I am still designing the medal itself.

And, Who Are You?

Part One


Part Two


Part Three


Part Four

Where did they look?

"they couldn't find a Native artist who did formal portrait sittings like this."

James V. Grimaldi reports in the WaPo that W. Richard West Jr., the founding director of the Smithsonian's National Museum of the American Indian, spent $48,500 in museum funds to commission a portrait of himself. Asides from the sensationalistic issue being made about the cost of the portrait - always try to minimize the value of the visual arts - what caught my eyes was this statement:

The portrait of West by New York artist Burton Silverman hangs in the patrons' lounge on the fourth floor of the flagship museum, which is dedicated to the arts and culture of American Indians. Silverman said West picked him after he saw a portrait Silverman had done of former Smithsonian secretary Robert McCormick Adams. The Adams portrait, completed about a decade earlier, was smaller and cost about half as much.

Silverman, of Polish descent, was chosen, said Smithsonian spokeswoman Linda St. Thomas, after "they couldn't find a Native artist who did formal portrait sittings like this."

What!

What!

What!

Are you fucking pulling my leg?

I'm not even remotely a fucking expert on Native American artists, but off the top of my head I can think of a couple of DC area and former DC area Native American artists who are (among other things) excellent portrait artists. One of them, Michael Clark has made a worlwide reputation for his obsessive portraiture of George Washington, and he has also done dozens and dozens of portraits of JFK, Jefferson, Jackie O and many, many portraits. He's in the collection of a couple of DC area museums I believe.

His brother Mark (who I think used to work for the Smithsonian for God's sakes) is also a superb artist, a brilliant trompe l'oeil painter and has done many hyper-realistic portraits as well!

They're both of Native American descent.

But we all know by now that most DC area museum curators ignore their own backyard. But couldn't one just pick up a phone and call some art galleries in Santa Fe or Sedona?

Or use the web? So just for fun let's see if we can Google some Native American portrait painters:

Mike Larsen.

Johnny Lee.

Mary Anne Caibaiosai.

Karen Clarkson

Reno Moreno.

OK... some are better than others, but if in less that five minutes I can come up with half a dozen Native American artists who appear to be portrait artists, including one - Mike Larsen - a Chickasaw portrait artist who was named the 2006 Oklahoman of the Year!

Note to Kevin Gover, who took over as the Indian Museum's director early last month: when it's time for your portrait and you're looking for a Native American portrait painter: call me!

Or learn to use Google.