Wednesday, September 24, 2008

Opportunity for Artists

Deadline: October 1, 2008.

No fee!

Carroll Community College and the Innovators Combating Substance Abuse Program at the Johns Hopkins University School of Medicine are pleased to issue a Call to Artists whose work will be selected to appear in the nation’s first regional Art and Addiction exhibition (November 2 – December 12, 2008).

The purpose of this exhibition is to provide a stimulus to change the way America views addiction by using the visual arts to put a human face on addiction and recovery. Creativity and artistic expression play a significant role both in recovery and in raising awareness of the personal toll caused by substance abuse and addiction. Organizers of this event believe that art can help bridge the gap between addiction science and the human experience of addiction; providing insights that will complement the science of understanding and treating addiction.

Artists are invited to submit original artwork on the theme of drug addiction and recovery (drugs include alcohol, tobacco, illegal or prescription drugs). Please note that eligible artists (within 75 miles of Carroll) who entered the Innovators’ National Art and Addiction Book and Exhibition Call in March of 2008 will automatically have their art considered for this show. Deadline for submission is October 1, 2008.

Show information and submission forms may be downloaded from the Carroll Community College website: www.carrollcc.edu or by mailing a self addressed, stamped envelope to:

Maggie Ball
Visual Art Department Chairperson
(Attention: Art and Addiction Exhibition)
Carroll Community College
1601 Washington Road
Westminster, MD 21157

For more information contact Maggie Ball at mball@carrollcc.edu or (410)386-8256.

Studios available at VisArts at Rockville

In the new Rockville Town Center... 188 square feet, about $400 per month. They are searching for painters, ceramic artists and fiber artists at this time.

See their application on line: www.visartscenter.org or call 301-315- 8200 for additional information.

New at the Carnegie

Carnegie Museum of Art Chief Curator and Curator of Fine Arts Louise Lippincott and Deputy Director Maureen Rolla have been appointed acting co-directors of Carnegie Museum of Art, effective November 3, 2008. The pair will fill the leadership role after the departure of Richard Armstrong, The Henry J. Heinz II Director for Carnegie Museum of Art, who was recently named director for the Solomon R. Guggenheim Foundation.

Campello Reviewed

Elise Campello as BeautyAhh... not me but my daughter Elise again.

Read it here.

Tuesday, September 23, 2008

Symposium: Painting in the 21st Century

On Saturday, September 27, 2008, from 10 am - 5 pm The Phillips Collection in DC will host a Symposium titled Painting in the 21st Century.

Participants:

Yve-Alain Bois
Institute for Advanced Study, Princeton

Spencer Finch
Artist, Brooklyn, New York

Jonathan Fineberg
University of Illinois, Urbana-Champaign

Blake Gopnik
The Washington Post

Suzanne Hudson
University of Illinois, Urbana-Champaign

Dorothy M. Kosinski
The Phillips Collection and Center for the Study of Modern Art

Leng Lin
Pace - Beijing

Joseph Marioni
Artist, New York City

Stephen W. Melville
Ohio State University

Laura Owens
Artist, Los Angeles

Andrea Pollan
Curator's Office, Washington, DC

Richard Shiff
University of Texas

Elisabeth Sussman
Whitney Museum of American Art

Gordon VeneKlasen
Michael Werner Gallery

I find it curious that Blake Gopnik, a well-known acolyte for the "painting is dead" mafia is part of the panel(s). Of course, Gopnik's erudite words could be the Hannity to the Colmes of the panel's central idea. Details here.

Artists Websites: Claire Watkins

Claire Watkins, Flock of Needles


"Flock of Needles" (Needles, thread, magnet and rotating motor), in a private collection in Great Falls, Virginia

VCU graduate Claire Watkins, now living and working in NYC, made some brief appearances in the Greater DC area a few years ago on her way to NYC and all of her work was snapped by savvy collectors and her prices have skyrocketed since then and later this year will make her London solo debut.
“The digestive system turns food into eyelashes. I am in awe of the minutiae and delicate actions that make up everyday life. The machines I build reflect this awe and wonder.

My work is intimate, curious and mesmerizing in its gestures. The translation of energy is both a functional and conceptual part of my work. The circular motion of a motor is translated into a gesture that turns peacock feathers into entomological creatures. With movement, I make machines that become creatures.”

- Claire Watkins
And what enviable art creatures they are! Watkins has Parasites by Claire Watkinsbecome a sculptural master of barely discernible movement and fluid energy. Not just the energy caused by the mystery of magnetism, but the new visual discoveries that happen when she marries her assemblies, installations and machines to the magnetic dance of the rotation of the planet as it travels through the Universe.

This fascinating artist's work deliver iron filings that move and dance both to the rhythm of the magnetic poles as well as the flight of our planet through the cosmos; two unepected forces to find driving a piece of art.

The effects of electricity have been curious since its discovery and capture, and electricity also has a powerful visual presence in Claire Watkins work, traveling through metal, lights, wires, motors, lights, microcontrollers and those fascinating city drawings that are today’s circuit boards. Electricity becomes a foundation for her art as she exposes its invisibility and dual citizenship in various incarnations.

Electricity drives her rotating magnet as it in turn commands a harem of needles to dance to the tune of magnetism choreographed by the movement of the Earth. Electricity rearranges her iron filings as they torture us with their minute steps across the metal boards of her acid surfaces. Electricity lights up her filaments as she captures light to create sculpture from photons.

The digestive system turns food into eyelashes and Claire Watkins turns hidden forces into visible art.

Visit her website here.

Monday, September 22, 2008

Black Artists of DC and Obama

Ascension by Rosetta de Berardinis“Legacy of Hope Open Studio Exhibitions” is the title of the event that BADC will be hosting with proceeds to support the Obama campaign.

To the left is "Ascension" by DCAN contributor Rosetta DeBerardinis; this piece is in the massive Krensky Collection.

BADC will host a one day “open studios” show and sale of their members’ work in order to raise funds to support Democratic Presidential nominee, Barack Obama and forty DC/Baltimore area artists (with original work that ranges in style, includes all media, and showcases techniques extending from the ancient to the innovative) will open their studios to the public on Sunday September 28, 2008 from 11:00 am -- 5:00 pm to help raise money for the Obama campaign.

The public will be able to purchase original paintings, prints, wearable art, textiles, jewelry, ceramics, photography, sculpture and much more while supporting the campaign. Twenty percent of sales proceeds will be donated to the Obama campaign in the name of the art purchaser.

Details here and to learn about each artist and locate their studio on a map, go here.