National Gallery of Art Returns a Non-Holocaust Painting

Chaim Soutine’s iconic painting entitled Piece de Boeuf (Piece of Beef c. 1923) is being returned to the Shefner Family in resolution of litigation commenced against the National Gallery of Art in Washington, DC. From the news release:

A unique and unusual settlement regarding Chaim Soutine’s iconic painting entitled Piece de Boeuf (Piece of Beef c. 1923) was approved last week by Judge Laura Taylor Swain of the Southern District of New York. Pursuant to the settlement, the painting is being returned to the Shefner Family in resolution of litigation commenced against the National Gallery of Art in Washington, D.C., Maurice Tuchman and Esti Dunow, the authors of the Soutine Catalogue Raisonné.

The settlement is believed to be the first time that the National Gallery of Art has deaccessioned a non-Holocaust work of art from its permanent collection. The stated policy of the National Gallery of Art is not to deaccession any of its permanent collection. In consideration of the unique nature of the settlement agreement and the circumstances surrounding the painting’s return, the parties have agreed that the painting shall remain on loan to the National Gallery of Art for the benefit of the American public for the near future.

“The Shefner Family is pleased to be welcoming this iconic Soutine back to their family,” said Karl Geercken, of Alston & Bird LLP, lead attorney for the plaintiff. “We believe this is a positive outcome for all parties involved.”

Chaim Soutine, a Russian-born French expressionist painter, lived from 1893 until 1943. His series of ten beef carcass paintings are considered to be among his most notorious and controversial works. The majority of the beef paintings are currently in prominent museums. This painting is one of the last in the series to be privately owned.

As noted by the National Gallery of Art, Piece of Beef (accession 2004.126.1) is an outstanding example of 20th century expressionist art that makes “deliberate reference to a long tradition of the subjects of butchers, market-stalls, and game in paintings by Rembrandt, Chardin, and Goya, whose works Soutine studied in his visits to the Louvre.” Soutine’s work has also been described as being especially significant during the 1950s to painters such as Willem de Kooning.

Armed Robbery at Dutch Museum

From the Art Loss Register:

In the first of two robberies at Dutch museums this month, two important 20th century artworks were stolen by a group of masked and armed thieves from the Scheringa Museum for Realism, located about 30 miles north of Amsterdam. The robbery occurred around noon on May 1. The artworks, a surrealist gouache by Salvador Dali and an art deco portrait by Tamara de Lempicka, were among the most valuable pictures in the museum's collection.

The theft coincides with a recent interest in Lempicka's work. Days after the heist, a similar painting by Lempicka sold at auction in the US for $6 million, setting the record for the artist. According to the Art Loss Register's database, Salvador Dali is the fourth-most stolen artist, with over 400 artworks currently missing.

From Top: Salvador Dali, Adolescence, 1941, gouache, 17.5 x 12 in., signed and dated lower right; Tamara de Lempicka, The Musician, 1929, oil on canvas, 51 x 28.75 in., signed and dated lower right. ALR Ref # L09.335.

Frida Kahlo on Ebay

Wanna own an original Campello vintage 1979?

This drawing of Frida Kahlo by yours truly just made an appearance on Ebay and is going for $40 - certainly a steal on a 20 year-old Campello original.

It is being sold by Americana Illustration Art. I did that drawing while I was a student at the University of Washington School of Art.

Bid on it here. Hurry, the auction ends May 25.

MAP has new director

Cathy Byrd is the new Executive Director of the Maryland Art Place.

After an expansive national search, MAP’s Board of Trustees has selected Cathy Byrd to lead the organization in efforts to maximize its engagement with the Baltimore cultural community. “Cathy's background has prepared her for all of the opportunities available to MAP today. I have confidence that she will lead and strengthen the organization in significant ways,” says Suzi Cordish, Board chairperson.

Ms. Byrd comes to Baltimore after eight years as Director of the Ernest G. Welch School of Art & Design Gallery at Georgia State University in Atlanta. In that position, she conceived and produced a series of contemporary art exhibitions and events that involved extensive local, national and international collaboration and outreach. Among her signature projects are Book Unbound; PG-13: Male Adolescence in a Video Culture; Strange Planet; Potentially Harmful: The Art of American Censorship; Re\constructing Atlanta: a contemporary continuum ; and New Wave Atlanta: When Urban Intervention Speaks French . Ms. Byrd is one of three curators currently organizing the exhibition Losing Yourself in the 21st Century through the blog site .

During her tenure in Atlanta, Ms. Byrd co-organized public talks and performances by renowned artists including Ann Hamilton, Janine Antoni, Liliana Porter, Meschac Gaba and Karen Finley. A public art advocate, Ms. Byrd was a member of Atlanta’s Metropolitan Public Art Coalition. She served on review panels for city and county public art projects and for the Hartsfield Jackson International Airport’s newest international terminal. At GSU, she initiated and directed an annual Student Sculpture Garden Project, as well as a sustainable native garden in downtown Hurt Park, a temporary truck fountain in Cleopas R. Johnson Park, and Le Flash, a one-night performance art and installation event in Castleberry Hill District .

Her engaging conceptual projects have been awarded significant funding through local, regional, national and international institutions, including the Andy Warhol Foundation for the Visual Arts, Etant donnés: The French American Fund for Contemporary Art, and the Cultural Services of the French, Belgian and Dutch Consulates.

Ms. Byrd has produced books for Potentially Harmful and Re\constructing Atlanta and is currently completing a DVD box set to document New Wave Atlanta. She is a widely published art writer whose reviews and features on artists including Pierre Huyghe, Janet Biggs, Dan Graham, Carrie Mae Weems and Antoni Muntadas have appeared in contemporary magazine, London, Art in America, Sculpture, Art Papers, Beaux Arts and Public Art Review, among other publications.

We all wish her the best of luck in her new endeavor!

Call to Artists: In the Spirit of Frida Kahlo

Deadline: June 6, 2009

Frida Kahlo remains one of the most influential artists of the 20th century, but her spectacular life experiences, her writing and her views on life and art have also influenced many artists throughout the years.

From July 1 - August 29, 2009 The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.

This exhibition hopes to showcase the work in all mediums of artists influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this remarkable artist who can be interpreted through artwork.

This will be the third Kahlo show that I have juried in the last decade and we are seeking works of art that evoke the prolific range of expression, style and media like that which Frida Kahlo used as an outlet for her life’s experiences.

Get a copy of the prospectus by calling (202) 483-8600 or email gallery@smithfarm.com or download it at www.smithfarm.com/gallery/FINALProspectus.pdf

Artomatic opens in 9 days!

Artomatic (or AOM) opens in nine days!

The Pittman WPA Scam

Some asshole is using the WPA Online Artfile to try to scam artists. If you get an email from ssgpittman115@yahoo.com, claiming to be from a soldier in Iraq, delete it and send the originator a mental curse in the name of some ancient god.