New Maryland gallery reviewing portfolios

Red Studio is reviewing portfolios for their upcoming gallery space which will be in Antique Row, Old Town Kensington, Maryland. Open to all artists and genres such as interdisciplinary, traditional, experimental, and functional art are welcome.

For art submissions:
Shara Banisadr
Red Studio Gallery
Antique Village
3758 Howard Ave
Kensington MD 20895

Or email shara@redstudio.org

From the LAPD Wanted List

Do you recognize this man?

The Los Angeles Police Department’s (LAPD) Art Theft Detail is searching for art dealer Matthew Taylor, 41, who lives in Vero Beach, Florida. An arrest warrant has been issued for Taylor for grand theft and receiving stolen property in connection with the theft of a Granville Redmond painting. Bail has been set at $500,000.

Taylor has worked as an art dealer who would visit various art galleries, obtaining art on consignment. In October of 2006, Taylor visited the L.A. Fine Art Gallery in Los Angeles where he was known to the owner and staff. Detectives believe that Taylor took advantage of this trust to remove [an] available painting out of a storage room that is not accessible to the public. He then borrowed a car and went to an art show in Santa Monica where he offered the painting for sale to William Karges who owns art galleries in Beverly Hills and Carmel. Taylor offered the painting for sale out of the trunk of his car in the parking lot, stating he was selling it for his mother.

Karges bought the painting for $85,000 and sold it to a client for over $236,000. The painting was not discovered missing and reported to the police until after Karges sold it to a client. Detectives posted a crime alert on the LAPD website. Karges gallery personnel stumbled upon the alert in 2007 and contacted police.

In 2009, detectives finished their investigation and obtained an arrest warrant for Taylor. However, before Florida police could respond to Taylor’s residence to take him into custody, detectives learned that Karges’ attorney had inexplicably tipped off Taylor of the criminal charges filed against him. As a result, police have thus far been unable to locate Taylor. Taylor’s attorney, Harlan Braun, has tried to arrange for Taylor’s surrender on several occasions but Taylor has repeatedly failed to appear.

During the investigation, L.A. Fine Art Gallery recalled several other thefts of art that coincided with visits to the gallery by Taylor. In 2004, paintings by Johann Mertz and William Malherbe, valued at $40,000, were stolen from the front showroom. A $20,000 Lucien Frank painting similarly disappeared from the showroom in 2006. Taylor had visited the gallery during both time periods.

Detectives would like to speak to anyone who may have been victimized by Matthew Taylor, who has also used the name Matthew Taylor Nelson. Detectives are also searching for Taylor’s mother, Patricia Taylor, 76 years old, to determine if she is being exploited by her son. Patricia is believed to be in poor mental and physical condition.

Read the LAPD report here and see images of the stolen paintings here.

One Sunday when I was sitting the desk at my old gallery in Bethesda, I got a phone call from a lawyer who explained that he was looking for Mr. ___________, whose name I recognized as a former well-known former DC art dealer, whose tendrils still have offspring in the DC art world.

The lawyer wanted to know if I knew that dealer. I told him that I knew of him, but that he predated me by at least a decade, and that I had never met the man. He then explained that he was trying to track the art dealer in question, as he had been hired by a former client of said dealer, who had been burned in a somewhat interesting scheme.

I asked him for details.

Apparently the DC art dealer had sold a small Picasso watercolor (or was it a set of prints?) to a collector for (all $ figures are for example purposes) $100,000. A couple of years later, the dealer called the collector and said that he had someone interested in purchasing the Picasso for $200,000.

The collector declined, and the art dealer called a few days later and stated that the interested party was now offering $300,000.

And so the Picasso was returned to the DC gallery, where the dealer told the collector to wait for the sale to take place.

Apparently the sale did take place, but for around $75,000 to a second buyer; a damned good deal for a Picasso piece. The DC art dealer then closed up shop.

So essentially, at least according to this lawyer's telephone story, the Picasso painting was sold twice to two separate collectors and the dealer kept both payments.

The police recovered the painting from the second poor buyer and returned it to the original owner.

The second buyer was the one burned in this deal and the one who hired the lawyer to track down the art dealer; I'm not sure if/why the police were not the ones doing the tracking down.

Keep your eyes on your fries.

Art Censorship?

I'm hearing some rumblings about what seems to be an overt form of art censorship in a regional area art gallery. More details as I dig out more info.

Wanna go to an opening in Frederick, MD?


Opening Reception: Saturday, September 5, from 5 - 8 pm at the Artists' Gallery, at 4 East Church Street in Frederick, Maryland.

"Minimalist yet complex, this exhibit is a showcase of Robert Sibbison's sculptures characterized by the shifting relationships between regular and irregular forms and space. Patterns are established, evolve and mutate within the deceptively simple forms. The play of light and gravity on steel and wood create visual ambiguity, beauty and tension. The result is a synergy of simple parts adding up to a compelling whole.

Robert Sibbison's work has been honored with national grants, commissions and prizes including a National Endowment for the Arts individual grant, and a large outdoor sculpture commissioned by Dayton Art Institute in Dayton, Ohio as part of their permanent collection. He received a BFA from the University of Colorado and a Masters of Fine Art from Cranbrook Academy of Art and has taught at various private schools and public universities. Robert is currently an adjunct professor at Frederick Community College, Frederick MD."

ICAFair DC09 Canceled

Citing the economic climate, the third iteration of the International Caribbean Art Fair, scheduled to be in DC next month, has been cancelled.

Pink Linin'

If you haven't seen the new Pink Line Project website, then you're missing one of the best resources for the visual arts in the nation's capital region.

And if you're a gallery or art PR person and you're not sending Philippa P.B. Hughes all your art press releases for the site's most excellent calendar, then you're missing out on a great venue to spread the art word.

Visit it here.

Economist on the Torpedo Factory

The Economist visits Alexandria's Torpedo Factory.

Don't anticipate anything game-changing or jaw-dropping here. Expect plenty of cats and cows in different media, as well as watercolours of beach houses, ersatz Abstract Expressionist paintings, stained glass made for the walls of large suburban houses, baubles and knick-knacks and thingummies galore. All of it is skilfully done; most of it is pleasant.

The photography is an exception: the Multiple Exposures Gallery is first-rate, displaying not merely beautiful pictures but inventive techniques as well. On a recent visit the gallery showcased landscapes, including an especially arresting wide-angle aerial shot of a field in Fujian after a storm. Crops glinted in the rising sun like rows of wet sapphires, the scalloped grey clouds echoing the terraced farming beneath.

Read the whole article here.

The last paragraph of the Economist article:

The Torpedo Factory’s biggest draw, however (particularly for visitors with children), is not on what is sold but in the demystifying access visitors have to artists. While the galleries function traditionally, the artists work and sell out of the same studio; their raw materials and works in progress—the artistry behind the art—are all on display. Many of them are happy and eager to talk; one was soliciting the help of passers-by to complete a work (she wished to know how to say and write a certain phrase in Hebrew vernacular—a quest that might take time to complete in a yachty southern suburb). A metal sculptor sat on a stool patiently working a piece of metal back and forth in his hands. The centre of his studio was filled with a huge hollow sphere made from hundreds of cylinders of perhaps anodised aluminium. It seemed we were witnessing the first step in a thousand-mile march.