Tiny coffin

I just got a tiny coffin in the mail... will investigate.

Hirst versus the world

And nu... there's an ongoing fight between once poor artist-who-got-famous-real-quick and is now a multimillionaire marketeer Damien Hirst and a 16-year old teenager named Cartrain that he had arrested in a feud that started because the the kid had created some collages, and some of them included an image of the by now famous jewel-encrusted skull that Hirst had made and then sold (for what has been reported as £50 million British pounds which is a fucking lot of US Samolians)), and then Cartrain walked away with some Hirstonian artsy pencils.

Breathe deeply...

Hirst, who is apparently super sensitive about the "issue" (pronounced in BBC British as "easy-uh") that (like the Disney copyright police), he threatened to sue Cartrain and then forced the kiddie to hand over the artwork and to pay £200 British pounds (the British refuse to use Euros because, as explained to me by a drunk Brit in the high seas, they think of "Europeans" as WOGs) to Hirst.

But then a lot of artists got pissed off at Hirst and started creating more artwork using the Hirstonian skull as the subject matter in protest.

And now the whole "issue" gets more more bizarre lately, as Cartrain, probably seeing an Warholian moment, drops by a Hirst exhibition and walks away with a box of pencils that were in one of Hirst's works and leaves a ransom note (is this the DC Collector?) demanding his own artwork be returned.

Has Hirst been "played"?

How much is a box of pencils worth? Fifty pence? £3.99 if the pencils have rubbers on the ends? Well, if they're part of a Damien Hirst art installation, the value is £500,000. That is what 17-year-old graffiti artist Cartrain discovered when he pilfered some pencils from Hirst's sculpture Pharmacy. And that wasn't all – he was arrested, released on bail, and is waiting to find out if he will be formally charged with causing damage to an iconic artwork worth £10m.

And so... the constables now have valued that artsy box of pencils at £500,000 and then arrested the kid.

As the artworld turns...

Think Small 5

THINKSMALL5 the fifth biennial International Miniature Invitational Exhibition at art6 and artspace galleries located in Richmond, Virginia.

500 local, national, and international artists who have been invited to consider this challenge by the co-curators, Shann Palmer, Gallery Coordinator, art6 Gallery and Jessica L. Sims, Vice-President, artspace Gallery.

Exhibition Dates: Friday, November 6 through Saturday, December 20, 2009
Preview Reception: Thursday, November 5, 2009, from 7 to 10 pm
Exhibition Opening: Friday, November 6, 2009, from 7 to 10 pm

Some of the Participating Artists include Alan Entin, Anne Savedge, Annette Norman, Beth Beaven, Burton Tysinger, Cary Loving, Catherine Johnson, Chuck Scalin, Debbie and Andrew Campbell, Diego Sanchez, Emma Lou Martin, Foust, Gloria Blades, Hazel Buys, James Miller, Jane Vaught, Jessica Sims, Judy Anderson, Kathleen Westkaemper, Margaret Buchanan, Marian Hollowell, Martin McFadden, LRPS, Matthew Lively, Mim Gulob Scalin, Nancy Smith, Noah Scalin, Page Moran, Paul Kehrer, Rob Tarbell, Robin Ryder, Santa Sergio De Haven, Shelia Gray, Susanne Arnold, Tricia Pearsall, Virginia Tyack, Yvonne Cook and yours truly.

What I got for my birthday

And it is amazing from the world's greatest ever rock band! Get yours here.

New Acquisitions at Testudo U

From the University of Maryland:

In the spring of 2008, five gifted students were selected to be part of a committee that was taught the intricacies of contemporary art and sent on trips to New York City and Washington D.C, where they visited multiple galleries and artists ’ studios. The program concluded with the committee of students purchasing a number of pieces of contemporary art to be added to the collection of The Adele H. Stamp Student Union, Center for Campus Life.

The committee’s selections are currently on exhibition in The Stamp Gallery, located on the 1 st floor of the Stamp. The exhibition runs from August 31st-October 1st, 2009 with an opening reception on September 17th from 5-8pm .

This sounds like a really cool program and an art program that puts its money where its mouth is! I am already curious which galleries in DC they visited and if they also visited any other spaces in the Greater DC area.

For more information about the exhibition and the program contact the gallery at 301-314-8493 or stampgallery@umd.edu.

Lida Moser

I'm glad to report that photography legend Lida Moser was able to make it to her opening. This in spite of just being released from the hospital where she was as a result of a fall and associated bone fractures.


That's one tough New Yorker and in the background that's curator Erik Denker, the Senior Lecturer, Education Division at the National Gallery of Art, who is also an authority on all things Moser.

The end of a blog?

"I'm still not 100% sure that this post is the end of the road for Thinking About Art. There are several unfinished projects that have stalled and there is certainly more to say. There is more to learn as well, but the thing I have found is that the blog can really put pressure on some relationships. There are art dealers who were once friends of mine who now ignore me. It has been suggested that some of my reviews from 5 years ago might have played a role in me not getting into some MFA programs. I know for a fact that I've been excluded from shows and other opportunities because of the blog. Knowing this, has the past 5 years been worth it? Absolutely, yes. I've learned so much writing this blog and interacting with you, the reader, that I feel I have grown astronomically as an artist. The relationships I have formed because of this blog have been enriching and I value them immensely."

Read Kirkland's post here. In reading JT's post, I readily understand his points, and it doesn't take much to visit a few once super-active and interesting blogs, both local and national, to see that most art bloggers seem to have reached blogexhaustion with content and posts declining in most of them while others have translated their writing skills, honed through blogging, into paid gigs with magazines and newspapers. And in some cases, the sensationalist ingredient of political blogging has so poisoned some blogs' wells, that now they are nothing but harbingers of the art world's bad news and dirty laundry.

I'll be here while I am still having fun.