Congrats

To my good friend Alec Simpson, who has just been appointed as the new (and the first) director of the MNCPPC Main gallery and programming space at the Gateway Art Center in Brentwood, MD just outside the District line on Rhode Island Avenue.

That is one beautiful new visual arts space for the DC region.

Virginians: Get involved!

In view of the huge deficits, the state legislatures in Pennsylvania, Maryland and Virginia are devastating their funding for the arts and for education. Here's something that you can do to help in Virginia (via Virginians for the Arts):

"The greatest threat to public support for arts and cultural institutions in Virginia in the past two decades is pending before the House of Delegates and will be voted on this Thursday, February 25.

On Sunday, the House Appropriations Committee recommended elimination of the Virginia Commission for Arts and all arts grants funding as part of the House's proposed 2011-2012 budget. The full House will vote on this budget on Thursday. We believe that legislative supporters of the arts will mount an effort to delete this provision from the House budget package and thus to restore funding for the Commission and its grants to arts and cultural institutions across Virginia, large and small.

Please call your legislators immediately and ask them to take action to eliminate this provision from the House budget. And please forward this E-mail to your board members, donors, artistic staffs and all other friends of the arts and ask them to join this urgent effort. Information regarding how to determine who is your legislator and how to contact him or her is set out at the end of this E-mail.

If this devastating proposal is to be reversed, we need nothing less than an unprecedented outpouring of public outcry over this action. Only you can make that happen. Please don't assume that "somebody else" will make these calls. We need every supporter of the arts to stand up and be counted in the next two days.

What exactly are we asking for? We ask the House to delete, from the proposed House amendments to the Budget Bill (House Bill 30), the elimination of all funding for arts grants through the Virginia Commission for the Arts. The proposal to eliminate this funding is part of Item 0.9 #2h, paragraph L., reductions to Items 233 and 234. This item begins on page 7 of the House Amendments and the actual elimination of arts grants appears on page 10)."

Legislator contact info here.

What is fair use on the Internet?

Maryland Art Place will be presenting an "Internet Copyright Workshop" and it will be presented with the Maryland Lawyers for the Arts.

When: Saturday, March 6, 2-5PM

Who: Artist Stacia Yeapanis shares her experience and Attorney Cynthia Blake Sanders offers advice: "Internet Fair Use Do’s and Don’ts + Problem-Solving Work Session"

The Internet is a vast networking system for artists to deliver images of their work to the public. Internet regulations are meant to protect everyone. However, the law can be an obstacle to contemporary art production. Join us to find out why. Artists welcome to bring examples of your digital appropriations!

Free and Open to the Public - Space Limited

Registration is required and can be done by sending an email to: map.submissions@gmail.com

This week: Cream at the Katzen

The Washington Project for the Arts' (WPA) Cream exhibition is now at (through March 6, 2010) at the American University Museum at the Katzen Arts Center.

This annual exhibition features works by more than 110 local and national artists selected by an esteemed group of eight top curators including scholars, museum directors, practitioners and collectors. All works are on view until the WPA Annual Art Auction Gala, which will take place March 6, 2010, during which the exhibited works are available to the highest bidders.

An opening reception will be held on Saturday, January 30, 2010 from 6-9pm, along with a talk by the curators on Thursday, February 25, 2010, 6:30-9:30pm, both at the Katzen Arts Center, 4400 Massachusetts Ave. NW, WDC.

The 29th iteration of this exhibition highlights some of the region's most talented artists, presenting a broad range of media and styles of both new and emerging artists as well as more established career artists. As an annual WPA presentation, the auction exhibition has gained new stature and recognition, evolving from a brief 'showing' of artists' works as a preview for the WPA's auction event, to one of the most prestigious and recognizable art showcases of its kind, with a high caliber of notable curators selecting the works. Cream is a notable survey of contemporary art in the region and beyond, with selected works representing the cream of the crop and the talent of the artists included that rose above thousands of others viewed during the curatorial process.

"We are tremendously pleased with the participating curators and their art selections - the work is fresh and exciting, and there are artists with long-standing ties to WPA as well as new names that the curators are introducing to the public," said Lisa Gold, WPA's Executive Director. "It was particularly rewarding to have a window into the curatorial process this year," she added, referring to 36 Studios- Part I, a 36-hour tour with collector Mera Rubell, during which she visited with 36 artists to inform her exhibition artwork selections.

Curator View and Presentation of Alice Denney Award
Thursday, February 25, 2010, 6:30-9pm

Curator and former WPA Executive Director Jock Reynolds will present the Alice Denney Award for Support of Contemporary Art to James F. Fitzpatrick, followed by a slide show and short talk by Cream curators about their exhibition selections and a preview of the exhibition.

Admission to the exhibition and curator talk is free and open to the public. Seating for the curator talk is limited; attendees are encouraged to RSVP by February 19 to info@wpadc.org.

Cream exhibition curators and their selected artists include:

KEN ASHTON, Visual Artist and Museum Technician for Works on Paper, Corcoran Gallery of Art, Washington, DC

Margaret Adams, Chan Chao, Natalie W. Cheung, Billy Colbert, Frank Hallam Day, Matthew Girard, Avi Gupta, James Huckenpahler, Michael Dax Iacovone, Hatnim Lee, Marissa Long, Kate MacDonnell, Beatrice Valdes Paz, Ding Ren, E. Brady Robinson

KRISTEN HILEMAN, Curator of Contemporary Art, The Baltimore Museum of Art, Baltimore, MD

Ken Ashton, Clarke Bedford, iona brown, Renee Butler, David Carlson, Zoë Charlton, Mary Coble, Jennifer Dorsey, Susan Eder & Craig Dennis, Bernhard Hildebrandt, Ryan Hill, Brece Honeycutt, Dean Kessmann, Cara Ober, Erik Sandberg, Joe White

CAROL K. HUH, Assistant Curator of Contemporary Asian Art, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC

Jon Bobby Benjamin, Howard Carr, Neil Greentree, Max Hirshfeld, Tim Hyde, Franz Jantzen, Courtney Jordan, Martin J. Kotler, Jeffrey Smith, Stanley Staniski, Oliver Vernon

JOANNA MARSH, The James Dicke Curator of Contemporary Art, Smithsonian American Art Museum, Washington, DC

Mark Dion, Michelle Elzay, Kota Ezawa, Devon Johnson, Mark Newport, James Prosek, Jean Shin, Joseph Smolinski, Alison Elizabeth Taylor, René Treviño

JOCK REYNOLDS, The Henry J. Heinz II Director and Visual Artist, Yale University Art Gallery, New Haven, CT

William Christenberry, Tom Green, Jacob Kainen, Betsy Packard, Lisa Scheer, Jeff Spaulding, Alan Stone, William Willis, Yuriko Yamaguchi

CHARLES RITCHIE, Visual Artist and Associate Curator of Modern Prints and Drawings, National Gallery of Art

Jay Bolotin, Astrid Bowlby, Georgia Deal, Douglas Florian, Cassandra Kabler, Mark E. Karnes, Karey Ellen Kessler, Sangram Majumdar, Rob Matthews, Beverly Ress, James Stroud, Lynn Sures, Bill Thompson, Alice Whealin, John Wilson, Janine Wong

MERA RUBELL, Co-founder, Rubell Family Collection, Miami, FL

m. gert barkovic, Holly Bass, Judy Byron, F. Lennox Campello, Rafael Cañizares-Yunez, Adam de Boer, Mary Early, Victoria F. Gaitán, Carol Brown Goldberg, Pat Goslee, Jason Horowitz, Barbara Liotta, Patrick McDonough, Brandon Morse, Dan Steinhilber, Lisa Marie Thalhammer

N. ELIZABETH SCHLATTER, Deputy Director and Curator of Exhibitions, University of Richmond Museums, Richmond, VA

Hsin-Hsi Chen, Irene Clouthier, Joelle Meredith Francht, Ron Johnson, Sue Johnson, Kirsten Kindler, Martin McFadden, Susan Noyes, Erling Sjovold, Jessica Van Brakle, Barbara Weissberger, Andrew Wodzianski, Amy Glengary Yang, Shannon Young

Additional works on view in the exhibition this year include a new series of glass sculptures created by Joe Corcoran, David D'Orio, Steve Jones, and Megan Van Wagoner, members of DC GlassWorks, a public access glass blowing and sculpture facility located in Hyattsville, MD. These pieces will be featured in the museum exhibition and on the dining tables during the auction event, also available for bid.

The Cream exhibition is open for viewing, Tuesday - Sunday, 11am - 4pm at the Katzen Arts Center, 4400 Massachusetts Ave. NW. Admission is Free. More information on the exhibition is available at www.wpadc.org. Preview the works at auction.wpadc.org.

About the Art Auction Gala
Now in its 29th year, the WPA Art Auction Gala will be held at the Katzen Arts Center on the campus of American University and is the organization's most important fund raising event. Guests include more than 400 artists, collectors, and business leaders vying to bid on the works included in the Cream exhibition, as included above. The event supports WPA mission's to promote emerging and established artists in the greater DC metropolitan region. The gala dinner is sold out but information on purchasing party tickets will be available at auction.wpadc.org.

Best deal in the auction block (in my clearly biased opinion)? This gorgeous piece.

Artist Interview: Victoria F. Gaitán


I must admit that I've only come across the really intelligent and impressive work of Victoria F. Gaitán in the last year or so, but in that short period of time I've seen this talented artist mature and quickly ascend in the DC area art scene, including being one of the "Sweet 16" artists picked by ubercollector Mera Rubell for the upcoming WPA "Cream" auction at the Katzen Museum. DC Art News asked Victoria a few questions:

DC: Who or what has been your biggest influence as an artist?

I tend to draw a lot from my own head, so I guess just trusting my own process. That said, I still swoon over 16th-18th Century painting and am an avid movie watcher and book reader. For some reason I tend to get hit with a lot of images and ideas while watching crappy TV shows late at night with the cats or while I'm in the shower.

DC: What are some of the challenges or mistakes that you have experienced as an artist and what did you learn from it?

The biggest mistake that I've made was allowing myself to be shamed and swayed into producing work that just wasn't 'me' in the interests of 'commercial viability'. Never again. From this I learned that your soul doesn't have a price, and if someone is telling you that what you make is total shit and that you and it are worthless, it may be time for you and your inner Elvis to leave the building.

My biggest challenge is the ever present old chestnut that everyone has to deal with, of not having enough money to produce the work from concept through completion (e.g. exhibition). From this I've learned that being an artist ain't for sissies.


DC: What key event, or person, if any, has attributed the most to your success or progress as an artist so far?

I'd like to thank a fucked up past and a willful neglect of reason. I had an incredibly supportive art theory lecturer (hi Jim!) at art school whose friendship and faith in me were invaluable, and for which I am eternally appreciative. My husband Alberto is my marrow, and a saint, allowing me to bring a seemingly endless stream of people along with all manner of crap and evisera into the apartment and regularly turning it into a blackened-out hell hole with hot lights. But, my biggest touchstone will always be my Father.

DC: Do you use a method for pricing your artwork?

This is something that I have a lot of trouble with. I think I've got a shaky skeleton guide; a certain pricing system for gallery work and another for commissions.

DC: Have you done any of the art fairs? If so, does your work do better at the fairs or at the gallery shows?

Nope.

DC: What advise would you give to emerging artists?

Listen to yourself first and foremost, your gut won't lie.


DC: Who is your favorite DC area artist?

Alberto, of course! I also really love the work of James Rieck, Brandon Morse, Sarah Knobel and Mary Coble.


DC: Anything coming up in the near future for you?

I have two photographs, (Hole No.1 and Hole No.2 from my Hole series) that were selected by Mera Rubell for the WPA's auction "Cream" at the American University Museum at the Katzen Arts Center that runs until March 7th.

I also have a photograph (Untitled) in the show 'Empty Time' curated by Trevor Young at the Fridge DC gallery that runs until March 3rd. As well as about 5-6 photographs (from my series Sweet Meat) in the show 'Beautiful: Virginia Women Artists and the Body' curated by Joanne Bauer at the Greater Reston Arts Center (GRACE) that opens on May 1st. Also at Jeffry Cudlin's show By Request at Flashpoint in June 2010.

There are plenty artists still to photograph, and the ceaseless boat load of filthy-dirty, grubby-grimey and oozy shoots.

Anaïs Nin

Today is the birthday of Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell, the Cuban sex virago who is perhaps best remembered as a diarist and as a writer of erotic tales and seducer of nearly everyone who came across her incandescent life.

Other than her famous diaries, Little Birds and Delta of Venus are my favorite books of erotica.

Visiting Artist Program at the Torpedo Factory Art Center

Deadline: February 28, 2010.

The Torpedo Factory Art Center in Alexandria Virginia has opportunities for
one, two, or three-month residencies between June 1 and August 31, 201.

Visiting Artists will be provided with studio workspace, and will be able to
display and sell original work to the public.

Download the prospectus and application form from this website.

There is no application fee. The deadline for application is February 28,
2010.

Juror: Jack Rasmussen, Director and Curator of the American University
Museum at the Katzen Art Center.

Send questions to: vap@torpedofactory.org. No telephone calls please.