Wanna go to a Georgetown Opening this week

"Kinetics" is the latest solo show by the DC area's superbly talented artist Amy Lin.

The opening reception is on Saturday, March 13, 5-7pm at Addison/Ripley Fine Art, 1670 Wisconsin Avenue, NW Washington, DC 20007. The exhibition dates: March 13-April 24, 2010.

Buy Amy Lin now.

Cream at the Katzen

Last night's Cream auction on at the Katzen Museum appeared to be a resounding success and the place was once again packed by the DMV's top notch art collectors and assorted A-listers of the art scene.

My piece in the auction did quite well, with many bids and finally going for three bids over the high estimate (I think). Check out the artwork here and check out some images below.

Pink Line Project's Philippa P.B. Hughes and Little June's Mom

Mera Rubell (in the Warhol wig) and artist m. gert barkovic

That's me and Mera Rubell

Artists Victoria F. Gaitán and Judy Byron

Artist Andrew Wodzianski, Curator's Office Andrea Pollan and artist Jeff Spaulding

Artists' Interview: Amy Lin

For a couple of years now I've been advising readers who are art collectors to buy Amy Lin. Coming from a dude who gets paid to advise three major art collectors on what to buy, that should count for something. Lin is a very talented and exceptional young artist; but there are loads of those around. So what makes this young DC area artist so special? She has received tremendous critical accolades from the press in nearly all her shows and her past exhibitions have almost all sold out. In that spirit we asked her a few of our standard questions:

DC: Who or what has been your biggest influence as an artist?

The drawings for my upcoming show "Kinetics" [at Addison/Ripley in Georgetown] have connections to scientific concepts including energy, motion, and genetics. But on another level they have a human quality and can be seen as people or societies.

DC: What are some of the challenges or mistakes that you have experienced as an artist and what did you learn from it?

One of the challenges I’ve had was that I didn’t go to art school so I didn’t have any formal training or know very many people in the art world to ask for advice. I’ve been trying to learn as much as possible along the way and am very thankful to everyone who has curated me into a show, written about my work, or come to see a show!

DC: What key event, or person, if any, has attributed the most to your success or progress as an artist so far?

My first solo show was a big milestone. I had been in several group shows before, but this was the first time I had created a cohesive body of work and concept for the drawings.

DC: What advice would you give to emerging artists?

I would tell other emerging artists to believe in their art and stay true to it regardless of whether other people like it or not. It’s normal to get lots of rejections.

DC: Who is your favorite DC area artist?

Mary Coble is one of my favorites. When I first moved to the DC area she was one of the first artists I learned about...Her work is smart and interesting.

DC: Anything coming up in the near future for you?

My next solo show “Kinetics” opens on Saturday March 13, 5-7pm at Addison/Ripley Fine Art. And I’m in a group show “On/Off the Grid” that is at Irvine Contemporary through March 20.

Amy Lin Synthesis

You can visit Amy's website here or become one of her fans on Facebook here.

Wanna go to an opening in Alexandria tomorrow?

During her tenure as a figure model for The Art League School, Fierce Sonia quietly acquired a top-notch visual arts education. Motivated by the artwork she saw, she became eager to create her own work. She cabled her camera to her TV and released the shutter with an infrared remote. Sonia used herself as her own model, learning more about composition and technique based on what she saw on the screen.

Her figurative photography has evolved to a new and exciting place. The focus is on process. In Sonia’s latest series “Paper Dolls,” the same images reoccur with confident changes to the surface. Her work is no longer straight photography. With the integration of painting and collage into her images, Sonia’s work has reached a new level.

The black and white images of herself are often printed on paper that has been painted white, which creates a rich texture. Each piece is created in a unique way. Previous prints may be collaged to create depth. Multiple runs of the same print may be made on the same piece. More painting, layering might be necessary to create the desired effect. These alterations to the surface blur the identity of the original image, and make the series of work about the medium and the process, and not about the subject matter.

Sonia’s work has been exhibited and won accolades nationally. She is a professional art model and muse for artists and photographers and has worked with nationally and internationally known artists.

“Paper Dolls” will be at The Art League Gallery in Old Town Alexandria from April 8 – May 3, 2010.

The Opening Reception and Meet the Artist function is Thursday, April 8, 6:30-8:00 pm. Joe Chiocca, Old Town’s favorite band, will play during the Opening Reception and reunite with special guest singer Kim Kenny. Free and open to the public.

The Irascible 18

A few days ago, when discussing the Mera Rubell talk at the Katzen, and her selection of 16 DC area artists being dubbed by the Washington Post as the "Sweet 16", I suggested that it would be a good idea for a DC glossy, like DC Modern Luxury for example, to hire a sharp photographer to assemble us 16 and re-do a modern version of the pose in Life Magazine's famous "Irascibles" photograph.


The photograph was taken by Nina Leen (January 15, 1951), and appeared in Life magazine. This very famous photo, known as the photo of "The Irascibles " shows 15 of the 18 Abstract Expressionist painters:

Jackson Pollock (1912-1956)
Barnett Newman (1905-1970)
Willem De Kooning (1904-1997)
Clyfford Still ( 1904-1980)
Adolph Gottlieb (1903-1974)
Ad Reinhardt (1913-1967)
Robert Motherwell (1915-1991)
Mark Rothko ( 1903-1970)
William Baziotes (1912-1963)
James Brooks (1906-1992)
Jimmy Ernst (1920-1984)
Theodoros Stamos (1922-1997)
Bradley Walker Tomlin (1899-1953)
Richard Poussette-Dart (1916-1992)
Hedda Sterne (1910)

The photograph caption reads:

IRASCIBLE GROUP OF ADVANCED ARTISTS LED FIGHT AGAINST SHOW

The solemn people above, along with three others, made up the group of “irascible” artists who raised the biggest fuss about the Metropolitan’s competition (following pages). All representatives of advanced art, they paint in styles which vary from the dribblings of Pollock (LIFE, Aug. 8, 1949) to the Cyclopean phantoms of Baziotes, and all have distrusted the museum since its director likened them to “flat-chested” pelicans “strutting upon the intellectual wastelands.” From left, rear, they are: Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; (next row) Richard Pousette-Dart, William Baziotes, Jimmy Ernst (with bow tie), Jackson Pollock (in striped jacket), James Brooks, Clyfford Still (leaning on knee), Robert Motherwell, Bradley Walker Tomlin; (in foreground) Theodoros Stamos (on bench), Barnett Newman (on stool), Mark Rothko (with glasses). Their revolt and subsequent boycott of the show was in keeping with an old tradition among avant-garde artists. French painters in 1874 rebelled against their official juries and held the first impressionist exhibition. U.S. artists in 1908 broke with the National Academy jury to launch the famous Ashcan School. The effect of the revolt of the “irascible” remains to be seen, but it did appear to have needled the Metropolitan’s juries into turning more than half the show into a free-for-all of modern art.

Someone once told me that originally there were only men in the group, and the photographer (I think) insisted on having a woman as well, and Hedda Sterne, who throughout her career maintained a stubborn independence from styles and trends, was brought in for the photo shoot, even though she wasn't one of the signers of the letter to the Met.

Thus my brilliant marketing idea of the "Sweet 16" recreating the above photo for a DC magazine. I got dibs on Richard Pousette-Dart's cool pose on the second row from the back.

Gopnik on the Whitney Biennial

"I see hints, at least, that we're a country that just spent something like a trillion dollars and more than 3,000 lives so that a foreign nation's sects can once again be free to bash each other. And I see a country that is still hemorrhaging blood and funds in the fond hope that another foreign nation, dysfunctional and misogynist, can be kept from fully imploding.

Here at home, I see the richest nation in history being so obsessed with getting back to still more growth -- so that the rich among us can have a yet bigger house or plasma screen -- that it won't spend money to rescue a neighbor's health, a crumbling bridge or our children's planet. Most important -- if not in the details of this biennial, then in the overriding spirit of so much of its art -- I also see a country that recognizes that all this is some kind of a problem but feels as though it's powerless to do anything about it -- except take solace in that bigger home or screen."

Not all of it sounds like a Keith Olberman rant; read the rest of the review by the Washington Post's Chief Art Critic here.

DCist Exposed is tonight!


This year's opening reception for this top photography show will be bigger and better than ever, and will be held on Saturday, March 6, 2010 from 6 to 10 p.m. At the bar, mixologist Scott Palmer from Dino will have a special punch, Leopold Brothers will host a liquor tasting, Downey Selections has some wine for attendees, and Pabst Blue Ribbon will hold down the fort with plenty of beer. Nage will provide hor'dourves, while DJs v:shal kanwar and Sequoia spin tunes. Reception is $5 per guest at the door.

Long View Gallery is located at 1234 9th St. NW, just a few blocks from the Mt. Vernon/Convention Center Metro.