Thursday, March 18, 2010

Genetics in clothing design

Via

Gateway Arts Center at Brentwood Grand Opening Tomorrow

A former warehouse space along U.S. Route 1 has been transformed into the Gateway Arts Center at Brentwood. On March 19, 2010, starting at 3PM, the Gateway Arts Center at Brentwood (GAC@B) will be dedicated with a celebration following to mark the arrival of this new visual arts center in the Gateway Arts District.

The Gateway Arts Center at Brentwood (GAC@B) is a multi-faceted facility dedicated to the production, exhibition and programming of visual art. The GAC@B serves as a dynamic resource for artists and a vibrant, creative social experience reflecting and engaging a diverse community.

GAC@B houses:a dozen art studios; the 39th Street Gallery, a gallery operated by Gateway CDC; the visual arts programs of the Maryland National Capital Park and Planning Commission (including a gallery, a contemporary craft showcase, and classroom); and the temporary exhibition space of the Prince George's County African American Museum and Cultural Center (PGAAMCC) at North Brentwood.
Speakers at the dedication will include: Anthony Brown, Lieutenant Governor, State of Maryland; Raymond Skinner, Secretary, Maryland Department of Housing and Community Development; Samuel J. Parker, Jr., AICP, Chairman Prince George's County Planning Board; Xzavier Montgomery-Wright, Mayor of Brentwood; Lillian Beverly, Chair of Prince George's County African American Museum and Cultural Center; Ani Kasten, resident artist; Brad Frome, Office of Will Campos, Prince George's County Council District 2 and Floyd Wilson, Office of the County Executive. Senator David Harrington and Delegates Jolene Ivey, Doyle Niemann and Victor Ramirez of the 47th District, State of Maryland are also slated to attend.

The GAC@B will throw open its doors to the public following a ribbon cutting ceremony, allowing the visitors to view three distinct galleries and peruse the artist studios. The 39th Street Gallery, owned and operated by Gateway CDC has an exhibition of GAC@B resident artists curated by Claire Huschle, Executive Director of Arlington Arts Center.

MNCPPC's Brentwood Arts Exchange features works curated by yours truly and quilts by African American artists are on display in Gallery 110, the exhibition space of the Prince George's County African American Museum and Cultural Center (PGAAMCC).

The Gateway Arts Center is located at 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Free Seminar for Artists

On April 10, 2010 from 1-5pm, Gateway CDC in partnership with MNCPPC will be hosting my well-known “Bootcamp for Artists” seminar at no cost to the artists.

This seminar is suitable for all visual artists interested in taking their careers to the next level.

Ever wondered how to maximize the attention your work gets from the press, galleries, and museum curators? How to present your work in a professional manner and save money in the process? How to tap into grants, awards and residencies?

Then this is the seminar for you! This program is free, but space is limited so please email John@Gateway-cdc.org or call 301-864-3860 ext. 3 if you would like to attend.

This program will be held in MNCPPC’s Brentwood Arts Exchange on the 1st Floor of the Gateway Arts Center, 3901 Rhode Island Avenue, Brentwood, MD 20722, just over the District line on Rhode Island Avenue.

Of interest to the general public: a closing reception for the Gateway Arts District Show, which I juried a while back will immediately follow the “Bootcamp for Artists Seminar” from 5-8pm. All are welcome!

Wednesday, March 17, 2010

Washington Post Art Critic Honored

On Monday, March 22, the WaPo's Weekend art critic Michael O’Sullivan will receive a special Mayor’s Award for Outstanding Service to the Arts. This will take place at a press conference with Mayor Fenty at the old City Museum.

Space there will be at a premium and extremely limited, and thus very hard to attend for those who wish to congratulate Michael.

Thus, for all those artists, collectors, writers and other folks whose life and artistic careers have been influenced and or benefited from the writing of Michael O’Sullivan, there will be a special gathering right after the press conference.

This will be a very rare opportunity for the Greater DC arts community to give back a little to one of the most understanding, observant, savvy and supportive persons of the complex tapestry that is the Washington area's cultural scene.

What: Tribute Gathering For Michael O’Sullivan

Where: Rear of the Warehouse across 7th Street from the Convention Center.
Enter through The Passenger Bar
1021 7th St NW
(between N Mount Vernon Pl & N New York Ave)
Washington, DC 20001

When: Monday, March 22 , 7:30 to 8:30 pm FREE

If you want a cocktail, grab one at the Passenger on the way in.

Amy Lin at Addison Ripley

I used to have a friend who, if she found a perfect parking spot right away and right in front of wherever she was going, she'd describe it as "Doris Day parking."

"Have you noticed," she explained, "How in all the Doris Day movies she always manages to find a parking spot right in front of wherever it is that she is going?"

I knew that things had started on the right foot when last Saturday, as we drove to Addison Ripley (for the Amy Lin opening) in parking-poor Georgetown, we found a huge parking space right in front of the gallery's door.

After double checking all the parking signs to make sure that it wasn't some kind of new DC trick to give out more parking tickets (such as the trick they pulled a few years ago in G'town, when they extended the parking meters' coverage time from 6PM to 10PM without any warning, and for weeks they were in a ticket-giving orgy because people were used to the 6PM meter time and didn't realize they'd been extended to 10PM.

But I digress.

Readers of this blog know that I avoid being a detached, passionless writer and critic as much as I can. And for years now I have been very enthusiastic about the work and progress of this artist. And this opinion has been echoed by most other art critics in the region, as past Lin solo shows have both (a) received extensive and mostly positive critical attention and (b) have sold extremely well.

The one artistic danger that I once mused about in Lin's case was what I describe as the "Mondrian effect."

Picasso once said "God is really only another artist. He invented the giraffe, the elephant, and the ant. He has no real style. He just goes on trying other things."

As an art student and years afterwards I was always very attracted to the geometrical minimalism of Piet Mondrian. Then, a handful of years ago, I recall the massive Mondrian exhibition at the National Gallery, and what happened when I walked into gallery after gallery full of works so similar that they were almost indistinguishable from each other.

Mondrian had found a formula and stuck to it. He never went on "trying other things."

And in this current Amy Lin solo at Addison Ripley, I am happy to report that Amy Lin is not only trying "other things" from her signature minimalist works of individual groupings of small dots and small circles, but also that the new explorations are perhaps her best work to date.
Amy Lin - Cellular - 25 inch x 39 inch colored pencil 2010


Amy Lin. Cellular. 25 inch x 39 inch. Colored pencil 2010.

They explore new Lin interests that sometimes owe a lot to her training as a Chemical Engineer. They seem to trick the vision into reading formulas and charts and maps of color forms. The larger ellipses in some of the works almost assume figurative forms hidden inside deceptively complex drawings.

Hydrolysis by Amy Lin - 24 inch x 24 inch colored pencil

Amy Lin. Hydrolysis - 24 inch x 24 inch. Colored pencil.

The gallery was packed, and I am happy to report that Lin's past excellent sales record continues, as there were many red dots on the walls and several key DC area art collectors present and adding Lins to their collections.

The exhibition goes through April 24, 2010. Below are some images from the show.

Isabel Manalao, Amy Lin, Annie Adjchavanich and Dr. Fred Ognibene

Isabel Manalao, Amy Lin, Annie Adjchavanich and Dr. Fred Ognibene

Pat Goslee and Philippa Hughes

Pat Goslee and Pink Line Project's Philippa P.B. Hughes

Little June's Mom and Amy Lin

Little Junes' Mom and artist Amy Lin

Tuesday, March 16, 2010

Redding takes issue with Gopnik review

Robert "Rob" Redding Jr. is an artist, author, radio host and journalist and he:

...has won an Associated Press award for Internet news and has won numerous awards for his radio show. He has won an ADDY award for his nationally syndicated show. He has has also been called "one of the most respected names in the media" (Upscale magazine), "one of the most intellectual and intriguing radio talk show hosts since Tavis Smiley" (Radio Facts) and a "rising star" and one of the "100 Most Important Radio Talk Show Hosts in America" (Talkers magazine).
He also has an issue with last Sunday's review by Washington Post Chief Art critic Blake Gopnik titled National Gallery exhibit challenges traditional view of Rothko's black paintings.

Redding writes that "As an artist and journalist, I was horrified when I read the recent review by Washington Post art critic Blake Gopnik. Gopnik wrote a review of Mark Rothko's rehung black-dominated artworks at the National Gallery of Art."

Later he explains that "... As a black journalist, I find it disturbing that Gopnik decides to needlessly inject race into his art review. Gopnik points out the race of the 'notably dark' guards after he says that race should be considered when viewing Rothko's works."

Read Redding's case here.

Is the review racist or insensitive? Comments welcome.

Update: Philippa P.B. Hughes has an interesting viewpoint here.

If you wear a Che Guevara T-Shirt


Unless it is like the one on the left, you are wearing the image of a man whose own racist writing and actions are full of negative, racist remarks about Mexicans and Blacks, and Native Americans.

A killing psychopath whose image has been re-invented over the decades so that now he's viewed by a large, ignorant segment of the population as some sort of positive icon.

By the way, "Comemierda" is an almost unique Cuban insult...

The Negro is indolent and lazy, and spends his money on frivolities, whereas the European is forward-looking, organized, and intelligent.
-- Che Guevara

Mexicans are a band of illiterate Indians.
-- Che Guevara
Inform yourself!

You want the image of a real Cuban hero for your T-Shirt? How about Dr. Oscar Elias Biscet?
Dr. Oscar Elias Biscet