Congrats!

In recognition of its Georgia O’Keeffe: Abstraction exhibition, The Phillips Collection recently honored six women for their leadership in advancing the arts.

See who they are here. Hint: One of them became a game-changer for me last year.

Juxtapositions


With around 100 or so folks at the opening and more than half the work already sold, Ellen Cornett's Juxtapositions at Studio His already a hit show. There will be a happy hour event on June 10; go check out this show!

Wanna a real good deal on an original drawing?

Not from me, but from whoever is selling this original drawing on Craigslist for only $45!

"A Woman from another World"
by F. Lennox Campello (c. 2006) 24.5" x 11.5"
The price three years ago was $400. Buy it quickly!

Virus

So far I've scanned about 20 of the 80 or so CDs that I've received (about 20 artists still missing) for my 100 DC Area Artists book project, coming to all bookstores in the Spring of 2011 from Schiffer Publishing.

And so far I've found one particularly evil virus which was a Trojan buried in her Word software and which was auto dialing the artist's C drive contents and probably sending it to a destination in either a particularly large East Asian nation or to an even larger Asian nation.

Artist notified and properly horrified. She then bought a virus software package, scanned her computer and cleaned it and promptly delivered a new CD.

2010 Bethesda Painting Awards Finalists

Deborah Addison Coburn, Rockville, MD
Sheila Blake, Takoma Park, MD
Deborah Ellis, Alexandria, VA
James Halloran, Arlington, VA
Katherine Mann, Washington, D.C.
Lindsay McCulloch, Chevy Chase, MD
Michele Montalbano, Burke, VA
Carol Phifer, Fredericksburg, VA
Nora Sturges, Baltimore, MD

The selected finalists will display their work from June 1-26 2010 in downtown Bethesda at the Fraser Gallery. The opening exhibition of the Bethesda Painting Awards winners is on Friday, June 11th from 6-9pm held in conjunction with the Bethesda Art Walk. Many of the finalists and winners will be on hand to discuss their work.

Congrats to all the finalists!

Mid City Artists Open Studios Tomorrow

Twice yearly, the artists in the neighborhood between Dupont and Logan Circles invite visitors into their studios. Next one is this weekend: May 22nd and 23rd.

Plan your visits in advance by flipping through the artists' pages online to see what you like, who is new, and who is participating. You can also download a map to plan your route in advance and guide you along.

Some of the artists participating are: Sondra N. Arkin, Chuck Baxter, Jane Cave, Groover Cleveland, Robert Dodge, Thomas Drymon, Gary Fisher, Glenn Fry, Charlie Gaynor, Betsy Karasik, Hannah Naomi Kim, Joren Lindholm, Regina M. Miele, Lucinda F. Murphy, Mark Parascandola, Rebecca Perez, Dave Peterson, Brian Petro, Peter Alexander Romero, Nicolas F. Shi, Richard Siegman, George H. Smith-Shomari, Isabelle Spicer, Bill Warrell, Mike Weber, Robert Wiener, Colin Winterbottom and others.

Real Art DC Finalist Number 1

Jessica Dawson picks Joel D'Orazio as her first finalist for the Washington Post's Real Art DC contest:

So how come D'Orazio doesn't have a gallery? When I asked him for a conceptual read on his artworks -- What's the thinking behind them? What are they about? -- I got an inkling of the problem. For D'Orazio, making chairs and making paintings (which he turns out in droves) is instinctual stuff; he considers them open-ended experiments in form and color. There's no big idea here.

Joel, you can't be serious! To be relevant, art has got to have a conceptual underpinning, some reason why it exists. In particular, abstract painting is a minefield -- it can't be attempted in the 21st century without a plan of attack that positions the work against all that came before.

As Joel toured me around his home, basement studio and garage, I saw legions of his abstract paintings on panel, each with pigment pooled on their surfaces in chance patterns. The works were lined up one against the next, almost all without gallery interest or a collector awaiting them.

Read the whole piece here.

Questions for the masses: Does art have to have a conceptual underpinning? Or is that a fabricated aftershock of postmodernism or its predecessors? Or even worse, something that art critics and curators all believe in, but many artists choose to ignore?

Or is Joel right in essentially doing art for art sake's and enjoying creating droves of experiments in color and form?

I submit that only time, the only true art critic who wins all art debates, can tell. The most recent evidence of this is the spectacular sudden success of Carmen Herrera, who sold her first painting at age 89 and is now the new darling of the painting world at age 94.

I figure Joel has about 30-35 more years to go...