Airborne
Heading back to the DMV today via USAirways; while I was gone Stephen "Thor" Strasburg won another game for the Nats.
Friday, July 23, 2010
The book cover
Now that the 100 Washington Artists book is nearly done and almost shipped to the publisher, I am going to try to convince them to use just one image on the cover, instead of a set of handpicked thumbnails of images, as they'd prefer to do.
My idea is that a super strong, interesting representational image with an eye-catching subject would make the book stand out and attract a little more attention in passing. Layout designers tell me that color is always better than B&W, so sorry to all the grayscale artists. I am also told that titles with numbers in them attract more attention (who knew?) and that the title should be centered on the top of the book cover with the number "100" larger than the "Washington Artists" line underneath the "100."
So I've selected 3-4 images (from the 700+ images that are to be submitted to the layout gurus) which I will send to the publisher to see if I can convince them to pick one of the images for the cover of the book.
And if you think that the list of 100 artists was controversial, imagine now trying to whittle down the 732 images to one.
Selecting the 3-4 images was a difficult process. I started by eliminating all the artists with whom I've had/have a commercial art dealer relationship, now or in the past or future. It is unfair to them, but too bad. Then I eliminated all the abstract artists; this is also unfair, but layout gods tell me that a strong, interesting representational image is what is needed. And let's face it, we're trying to hawk some books here.
Then I nixed all the black and white artists, screwing Ben Tolman's powerful imagery ("sorry, no B&W," said the layout gurus) and several photographers in the process. Then I had to nix all the nudes.
That really pissed me off, but the layout gurus tell me that some bookstores and libraries would not carry the book if it has a nude on the cover; welcome to 21st century America.
That still left a significant number of images, and now I looked for the images that were interesting enough; that had something unusual and eye catching... something that would raise an eye-brow and make a person pick up the book.
That was still hard. In the end I had 3-4 images. Three are by three of the DMV's best-known artists; one is by an emerging artist who is making a lot of waves in the artsphere already. Let's see what the publisher let's me do.
Thursday, July 22, 2010
Wednesday, July 21, 2010
The long, dry summer
The Gazette's Jordan Edwards has an excellent report on the tough times being faced by Bethesda's art galleries. Read it here.
Gallery moves
Morton Fine Art (MFA)'s "a pop up project" had to move from its initial location at the old Numark Gallery space on 7th Street downtown. And Amy Morton has found a new location in DC. MFA’s innovative art lab will serve as part studio, part art consulting space and part gallery. As part of the unveiling, MFA will showcase an inaugural art exhibition, “Small Works on Paper.” The work featured in this exhibit includes watercolor, gouache pieces, wood engravings and mixed media paintings.
Featured Artists:
* Vonn Sumner – An LA based artist whose fanciful and eccentric characters invite the viewer into a parallel world. His work was honored with a solo museum exhibition, ‘The Other Side of Here’, at the Riverside Art Museum in California.
* Rosemary Feit Covey – A local preeminent wood engraver whose prints are held in permanent museum and library collections around the world. Featured work will include pieces from the ‘Strip’ series (including a unique artist’s proof) and the ‘Peep Show’ series.
* Laurel Hausler – A Washington, DC native who is inspired by her love for literature, antiquity and the absurd. Working in a subtractive process, she first covers the surface of her paper with multiple layers of paint, and then removes the layers to reveal the subject.
WHAT: MFA debuts new art lab with grand opening exhibit, “Small Works on Paper”
WHEN: Friday, July 30th 2010, 6-9 PM
WHERE: MFA’s Innovative Curators’ Studio, 1781 Florida Avenue NW (at 18th and U St.), Washington D.C., 20009