Blake Gopnik leaving the Washington Post

Just heard from a source a couple of hours ago (who has a source, who has a friend who works at the WaPo)... but couldn't get to Blogger, that it was announced at around 5PM (at 5:02 pm actually, with an email with the odd subject of "milestones") that their chief art critic, Blake Gopnik is leaving the paper and "is now taking on a new opportunity in New York, the place he has long understood and explained but will now fully inhabit." From the WaPo memo:

Blake Gopnik has also informed us of his intention to try something new elsewhere. Blake has given ten years of his insight and his intellect to the readers of the Washington Post, and is now taking on a new opportunity in New York, the place he has long understood and explained but will now fully inhabit. We are sorry to lose his voice on the matters of aesthetics and politics that he has interpreted in Washington's fine arts centers, though he leaves us with one of his greatest journalistic moments, leading a team in Style who have reported on and challenged the Smithsonian's decision to remove a provocative work of art from a provocative exhibit. His columns decrying the removal of "A Fire in My Belly," the video piece by David Wojnarowicz, have earned national attention, and stand with the many adventurous uses of his platform, whether profiling Washington's homegrown enigmatic sculptor Jim Sanborn, championing the electric blue splash of Yves Klein, or challenging Facebook to give its 500 million users more of a visual eyeful. He has set the bar high for his successor and leaves Washington a different cultural place than when he arrived.

O yeah... Robin Givhan is also leaving.

So the WaPo will be looking for a new chief art critic:

The Style section wishes the best to both of these exceptional colleagues as they leave the fourth floor. We will begin looking for new voices to join the collective of cultural critics who make Style a forum for breakthrough reporting and who will challenge the way we think, in the tradition that Robin, Blake and the entire team exemplify.

Next I will tell you what happened the last time that this happened (when Blake was hired).

Kinesthesia II

Click on image for details.

WPA 2011 Artist Directory

Deadline: February 1, 2011

The Washington Project for the Arts has announced a call for submissions for its 2011 Artist Directory.

Published bi-annually, this four-color, 8.5 x 5.5 inch directory is the definitive listing of established and emerging contemporary artists throughout the Washington region. It is seen by more than 2,000 galleries, curators, art consultants, and interested art patrons. Copies are distributed to selected art critics and other members of the press, and to museums both in the region and outside the area. The 2011 Artist Directory will also be available for sale on the WPA website and at select area retail locations at the price of $9.95.

Each participating artist will be featured on a full page (8.5 x 5.5 inches). The page will include the artist's name, a color digital image of their work, their studio address and phone number, email address, web address, and their gallery affiliation.

All current WPA members are eligible for publication in the Artist Directory. There is an additional registration fee that includes a copy of the Artist Directory. At this time, the registration fee is $75. The final registration deadline is February 1, 2011. No submissions will be accepted after this date.

All submissions will be handled through an online registration form on the WPA's website.

Each participating artist can upload one image to be featured on their page. Images must be submitted as .eps or .tif files in CMYK format. They must be 300dpi and as close as possible to, but no smaller than 6 inches on the longest side.

If you have any questions regarding the 2011 Artist Directory, please contact Blair Murphy, Membership Directory at bmurphy@wpadc.org or 202-234-7103 x 1.

American Contemporary Art magazine

The current issue has a couple of DC area reviews covering Scott G. Brooks' recent show at Longview and Alexa Meade's solo debut at Irvine.

Read the magazine online here.

Jury Duty

Yesterday I spent a long but four fun hours jurying 555 works of art submitted to Old Town Alexandria's Gallery West call for artists for its 14th Annual National Show.

I had juried an earlier version of this show, maybe around a dozen years ago, and so it was fun to return and see the state of the nation from this unique perspective.

The quality of the entries was superb, and I've already eyed a couple of artists whose work I'm going to recommend to some local gallerists. Next month I will be awarding the prizes, as soon as the selected pieces arrive and I can award the prizes based on the actual work.

DCist Exposed!


DCist.com sez (and I believe them) that they're pleased to open their fifth annual DCist Exposed Photography Contest. They tell me:

We can't wait to see your best images featuring local arts, music, food, sports and the unique culture of Washington, D.C. See the full rules here, then enter three photos for just a $5 application fee. Deadline is January 12, 2011.

We also want to celebrate five awesome years of Exposed photography by creating a special edition magazine featuring the winners from the last four years, along with our soon-to-be announced 2011 winners. Read all about the project on DCist.

We need some help to get this project off the ground, so head over to Kickstarter -- we're offering tons of rewards for your support. You can essentially 'pre-order' your copy for $25, or for a few additional bucks, get an awesome 8x10 print of an Exposed winning photo, credit in the magazine, and more! We know a few people who've donated and are giving their copy and print as a holiday gift to family or friends -- we approve!

This event is one of the best things that has developed (pun intended) to the DMV art scene over the last few years, so I hope that you join me in ordering one of these books and also in checking out the show!

Does your dog bite?

Is this not the funniest 90 seconds in the history of film?