Sunday, February 13, 2011

Opportunity for Artists with a disability

Deadline: March 11, 2011

VSA
, the international organization on arts and disability, announces Shift, an international call for art. Artists ages 18 and older who have a physical, cognitive, or mental disability are invited to apply. Artists are asked to submit up to four artworks of any media that address the theme of Shift – an investigation of a moment of change in one’s life that alters the direction of a person’s path. For more information about how to apply, visit www.vsarts.org/shift. The online application be found on CaFE, www.callforentry.org. Please contact Sonja Cendak, visual arts manager, scendak@vsarts.org with any questions. Selected artwork will be exhibited at the John F. Kennedy Center in Washington DC in June 2011.

Opportunities for Artists

Deadline: Before February 23, 2011

The new Touchstone Gallery has announced membership opportunities as they launch 2011 solos and member exhibitions in their new modern gallery at 901 New York Ave. NW. It's an attractive street-level space in the heart of Washington, DC. They are seeking "excellent artists with a contemporary vision who work in fiber, book as art, video, glass, interactive art and other media."

New Members Benefits: a biennial solo show, one or more pieces on exhibit in each monthly member show, artist bins and gallery website artist pages.

To be considered for one of the limited membership’s available, contact Ksenia Grishkova, Gallery Director, now at info@touchstonegallery.com or 202 347-2787. She'll answer questions and explain their jury process. The next jury of actual works will take place on February 23, 2011.

Touchstone Gallery
901 New York Ave NW
Washington DC 20001
Tel: 202-347-2787
E-mail: info@touchstonegallery.com

Saturday, February 12, 2011

Modernizing Picasso

The Virginia Museum of Fine Arts and The Martin Agency announced yesterday a joint social media effort that brings to life the upcoming exhibition of 176 works from Picasso’s personal collection, Picasso: Masterpieces from the Musée National Picasso, Paris.

The only east coast venue for the exhibition’s seven-city international tour, VMFA partnered with The Martin Agency to develop a marketing campaign that Picasso fans can see from anywhere, using Facebook, QR codes and Layar applications to drive information about the exclusive exhibition.

The print and out-of-home elements use a portrait of Picasso made entirely of QR codes. When a phone scans the QR image, it is re-directed to a landing page featuring Picasso’s work and an invitation to buy tickets to the exhibition.

“To honor the progressive nature of Picasso’s work, we created art out of modern technology,” said Keith Cartwright, SVP/group creative director at Martin. “Just as Picasso once took found objects – bicycle handlebars, etc. — and brought them together to create works of art, we were able to take something technologically functional, QR codes, and use them as building blocks to create something arresting and beautiful.”

Social media supports the campaign by extending the marketing reach all along the east coast, where multiple out-of-home elements will raise awareness of the exhibition. On the corner of Grand and Wooster streets in New York City, a QR code portrait of Picasso will be painted on the side of a building. In a SoHo neighborhood, as well as in Richmond and Washington, D.C., 22 geo-coordinates will be activated for detection by Layar phone applications. When the Layar application detects the geo-coordinates, augmented reality images from Picasso’s collection will appear on surrounding buildings.

In Philadelphia, an entire storefront and empty store space have been designated as a virtual exhibit, using augmented reality. When scanned using a phone, the QR code on the storefront enables the device to display Picasso’s artwork on the walls inside the space, as if it were the museum itself.

Throughout Richmond, all 33 Starbucks locations will partner with VMFA to promote the exhibition. Each store will display the Picasso QR code on the storefront, and once inside the store, works of art will appear on the walls of Starbucks in a similar fashion to the Philadelphia virtual exhibit. Facebook.com/myVMFA goes live this week with a “Picasso” tab to serve as a home base for the social media technology. Here, art enthusiasts can view Picasso’s works, as well as a Google Map guide to the geo-coordinates laid out in New York, Richmond and D.C.

“The Virginia Museum’s Picasso exhibition is the most ambitious show in the 75-year history of our museum,” VMFA Director Alex Nyerges said. “The occasion of this landmark exhibition is an ideal time to deepen our presence throughout social media. The innovation of the Picasso QR campaign and augmented reality is in keeping with the innovative genius of this master artist and our quest to be on the leading edge of technology for art museums.”

Picasso: Masterpieces from the Musée National Picasso, Paris, will be on view from February 19 through May 15, 2011 and is co-organized by the Musée National Picasso, Paris and VMFA.

Go to this opening tonight

I'll be at Old Town Alexandria's Gallery West for its 14th Annual National Show, which was juried by yours truly.

The prizes will be presented to the winners at the Artists Reception and Awards Presentation, which is tonight, Saturday, February 12 from 5-8pm. Please join me there for a bite, a glass of wine and some excellent artwork from around the nation.

The prizewinners are:

1st Place - Eric Standley, "Poseidon"

2nd Place - Amy Swartele, "Breath"

3rd Place - Margaret Dowell, "Joseph and Naked Aggression"

Honorable Mentions:

Kimberley Bush, “Squatty Copperhead”

Francesca Creo, “Washed Up”

Annie Evans, “Masque”

Daniel Filippone, “American Kestrel”

Robert Madden, "Twisted Vision"

Drew Parris, "Tempest"

Nicole Santiago, "Anniversary Cake"

Fierce Sonia, "Material Things"

Tore Terrasi, "Grid Study (Gradient)"

See ya there!

Friday, February 11, 2011

For the lazy curator...

Click here.

By the way, the above "Click here" reminds me of why English dominates all other languages in adopting, evolving and infiltrating other tongues. When one travels Spanish language websites, the above would have been written as:

Haga click aqui.

Tomorrow at artdc

Come join me

A while back I spent a long but fun four hours jurying 555 works of art submitted to Old Town Alexandria's Gallery West call for artists for its 14th Annual National Show.

I had juried an earlier version of this show, maybe around a dozen years ago, and so it was fun to return and see the state of the nation from this unique perspective.

The quality of the entries was superb, and I've already eyed a couple of artists whose work I'm going to recommend to some local gallerists.

A few days ago I dropped in to see the actual work and picked the prize-winners. This was a very tough job, but let me tell you that Eric Standley, the First Prize winner has some of the most obsessive and technically perfect work that I have ever seen, especially in the rather odd media of cut paper. But even as good as he is (and I doubt that there's anyone else on the planet who is better, maybe just as good, but his degree of technical prowess just can't be any better), I would have some good advice for this artist, and suggest a new subject focus for his astonishing and obsessive facility with cutting paper.

Amy SwarteleSecond Prize winner Amy Swartele could have easily won the top prize, had I not been so hypnotized by the intricacy of Standley's obsession with cutting paper and also by seeing something that one doesn't see everyday in an art show in his work. But Swartele also has a deep mastery of the her technique, and she also pushes it into a modern dialogue with her unusual subject matter pairings and associations. This is a painter with a mission! There is a little bit of nightmare blended into her primary, secondary, and tertiary colors, and her color harmony has a little of Goya and Stephen King hiding behind the brush strokes.

Margaret Dowell won third prize, thus "representing" for the local artists, as the other two are from outside the DMV. I am a big fan of her work and once wrote that "Dowell is an enviably talented painter. Her paintings show not only extraordinary technical skills, but also a hungry sense of desire and an intelligent understanding of her subjects..."

What else can I say after that? I can tell you that McDowell continues to impress me with the courage and depth of her subject matter.

So without having a preconceived idea of what my agenda for this show would be (I didn't have one), I ended up awarding the top three prizes to artists who have spent the thousands of hours needed to master anything - in one case cutting paper and in two others painting - of the three, two won because their artistic vision and subject matter impressed me, and they had the technical facility to deliver their idea with enviable ease. One won because I had honestly never seen such a degree of skill applied to a singular genre with such ferocity and control.

The prizes will be presented to the winners at the Artists Reception and Awards Presentation, which is this coming Saturday, February 12 from 5-8pm. Please join me there for a bite, a glass of wine and some excellent artwork from around the nation.

The prizewinners are:

1st Place - Eric Standley, "Poseidon"

2nd Place - Amy Swartele, "Breath"

3rd Place - Margaret Dowell, "Joseph and Naked Aggression"

Honorable Mentions:

Kimberley Bush, “Squatty Copperhead”

Francesca Creo, “Washed Up”

Annie Evans, “Masque”

Daniel Filippone, “American Kestrel”

Robert Madden, "Twisted Vision"

Drew Parris, "Tempest"

Nicole Santiago, "Anniversary Cake"

Fierce Sonia, "Material Things"

Tore Terrasi, "Grid Study (Gradient)"

See ya there!