Monday, April 04, 2011

In the current issue...

American Craft magazine's current issue has a gorgeous multi-page piece on DC artist Tim Tate and his recent collaborations with Marc Petrovic:

Ask Tim Tate about the origin of his recent collaborations with Marc Petrovic - if you can beat him to the punch. The friendly, boisterous artist has a habit of plunging into stories, leaping ahead and around, as if his brain were a rocket fueled by honesty.
Read the article online here.

Tate's solo show at Chicago's Catherine Edelman Gallery opens next May 6; check out the new work here.

Sunday, April 03, 2011

The curious case of Gov. LePage and the labor mural

For the most part I try really hard to keep politics out of this blog, and being a very proud independent able to discern the usual double standards of both the vast left wing nuttery and the even vaster right wing conspiracy, I think that I do a pretty good job of that task.

Except when politics cross over into art.


The above image is a 36-foot-long mural depicting Maine's labor history. The mural used to hang in the lobby of that state's Department of Labor.

Last weekend, Maine Governor Paul LePage ordered the mural removed from the Labor building. According to LePage spokesman Dan Demeritt, the administration felt that the mural depicted "one-sided decor" not in keeping with the department's pro-business goals.

"The message from state agencies needs to be balanced," said Demeritt, adding that the mural had sparked complaints from "some business owners" who complained that it was hostile to business.

The mural (which apparently will be relocated to the Portland City Hall) was created in 2008 by Maine artist Judy Taylor via a $60,000 Maine Arts Commission grant. There are excellent details of the mural in the artists' website here.

Politicians (and locally some museum executives) just don't seem to learn the lesson that every time they try to mix politics with art censorship, they lose.

And this ability to make these boneheaded decisions is not just restricted to local government, as both the Clinton and Bush administration found out when they both covered up the 1934 WPA murals on the 5th floor of the Ariel Rios building here in Washington, DC.

The Taliban tears down and destroys art; the brutal Castro dictatorship censors art and punishes artists; the ChiCom government censors art; the nut with the Elvis hairdo in North Korea decides what art is and artists there better toe his Soviet-realism line... What do all of these regimes have in common? They are all dictators.

But in our society, anytime that a politician enters into this arena, he or she is bound to lose. We don't suffer dictator-like behavior around here.

And hopefully Maine's governor and self appointed chief interior decorator now realizes that not only did he make a stupid (and needless) decision here, but also managed to paint himself (pun intended) in a really negative light to all of us, who will never accept art censorship, no matter from which nutty wing of the right or left it comes.

Next Saturday

Saturday, April 02, 2011

TV Drawings

Being one of those persons who can often do two things at once, I used to always have a pad of paper and drawing instruments around me whenever I used to watch TV.

That sort of went away a few years ago, and then just as sudden, this process began a come back a few days ago. The below drawings are ink pen and then smeared on the paper with wet fingertips.

Original pen and ink drawing by F. Lennox Campello


Woman Dancing with Pig
(Inspired by one of those commercials that no one has any idea what's being adverstised)

Original pen and ink drawing by F. Lennox Campello
Homage to Goya (Los Caprichos)
(Done while watching a film on Goya)

Original pen and ink drawing by F. Lennox Campello
Homage to Goya (Los Caprichos)
(Done while watching a film on Goya)

Original pen and ink drawing by F. Lennox Campello
Leda and the Swan
(Inspired by an Aflack commercial)

Original pen and ink drawing by F. Lennox Campello
The Policeman's Wife
(Inspired by watching a documentary on Paula Rego)

Original pen and ink drawing by F. Lennox Campello
Woman with Hooves
(Inspired by a shoe commercial)

Original pen and ink drawing by F. Lennox Campello
Woman Dancing with the Devil
(Inspired by a cheap Science Fiction movie on SyFy channel)

Original pen and ink drawing by F. Lennox Campello
Dwarf Painting
(Inspired by the Paula Rego documentary)

For all you early lookers...

My pick for Best of Show? Easy: Ben Tolman.

Friday, April 01, 2011

Opportunity for Artists

Deadline: June 9, 2011

s.h.e. gallery in New Jersey is now accepting submissions for future shows. All media is being considered. Please submit jpegs of your work along with artists resume to tracy@shegallery.com. Accepting submissions by emerging and established artists. Send jpegs to tracy@shegallery.com.

Looking for studio space

Flux Studios is now accepting applications for two studio spaces:

Available May 1, 2011- 10 x 16 ft- $400 a month

Available June 1, 2011- 14 x 17 ft- $595 a month

Flux Studios is a 3000 square foot arts space in the Gateway Arts District that houses the studios of six professional artists. Each individual studio has ten-foot ceilings, concrete floors and walls of finished drywall over plywood.

They offer a friendly and collaborative atmosphere, 24 hour access, free on-site parking, a large flexible common area available to all members for projects, installations or teaching, an exhibition area with gallery lighting, a computer controlled studio kiln available for rent and a loading dock with garage doors.

If interested in applying, please contact Novie Trump at novie@novietrump.com