Saturday, July 23, 2011

Book Release Party Pics

Artists Alexa Meade, Victoria F. Gaitán, Alberto Gaitán and gallerist Andrea Pollan


Artsee's Elizabeth Grazioli, and artists Judy Byron anj J.J. McCracken with ubercollector Steven Krensky in the distant background


Artists Jeff Spaulding and Ben Tolman


Artists Lisa Montag Brotman and Margarida Kendall-Hull


Artist Amy Lin
Artist Amy Lin (foreground) and photographer Lida Moser, ubercollector Fred Ognibene and photographer Colin Winterbottom in the background


Lida Moser
The amazing photographer Lida Moser


Artists Rosetta deBerardinis and Carolina Mayorga
Artists Rosetta deBerardinis and Carolina Mayorga


Artists Victor Ekpuk and Helen Frederick signing books


Video sculptor Tim Tate and artist Michael Janis (background), artist Helen Frederick signing the book for ubercollectors Gisela and Benjamin Huberman


Conner Contemporary Academy 2011

At the end of the party... a gorgeous piece of art - part of Conner's current Academy 2011 show.

A million thanks to Leigh and Jamie: This is what community is all about and this is what DC is all about!

Release Day

100 Artists of Washington, DCThe 100 Washington, DC Artists book is officially out today!

Tune in later for pics from the book release opening party at Conner Contemporary.

Friday, July 22, 2011

Irvine's last at 14th Street

Their last press release from this location:

This summer marks the 10th anniversary of Irvine Contemporary and over 5 years at our 14th Street gallery location. We will be moving out of our gallery space at the end of August, and we are concluding our time on 14th Street by celebrating our artists and recognizing the community that has been the life of the gallery at this location (website info; info in pdf).

Artist Tribute 2, opening on July 23, is our concluding exhibition on 14th Street, and will include special events a grand finale celebration on August 27.

Artist Tribute Events

Saturday, July 23: Catalog launch and signing with Melissa Ichiuji.
6pm, gallery, during opening reception. Celebrate the publication of a retrospective catalog of Melissa Ichiuji's work (catalog essays by Martin Irvine and Sidney Lawrence).

Saturday, July 30: Gaia: live mural painting, completion of alley street art project.
1pm, behind gallery.

Saturday, August 6: Akemi Maegawa: performance. 1pm, gallery.

Saturday, August 20: Alexa Meade: live painting performance. 1pm, gallery.

Saturday, August 27: Exhibition Closing and Grand Finale Block Party.
6pm until ? Art and music performances to be announced.

Come to this tonight
Wilmer Wilson
As I've noted before, Susana Raab, Tim Tate and I have been mentoring some exceptional young artists as part of the Fine Artists in Residence program at Strathmore.

I've had a preview of the final exhibition and I can tell you that these four young artists have left me speechless with what they have created for this final show. Come and visit and prepare to be impressed!

The opening is tonight, Friday July 22, 2011 from 7-9PM. I have a brand new video drawing in the exhibition.

See ya there!



Book Release Party: Tomorrow

100 Artists of Washington, DCThe 100 Washington, DC Artists book should be available at most DMV area bookstores very soon and the book release party will be July 23rd at Conner Contemporary in DC.

The book release party is by invitation only, so please RSVP to me at lenny@lennycampello.com if you'd like to be added to the invite list or RSVP on Facebook here. Most of the artists will be there, so this is your chance to get your copy signed by them. You can bring your own copy or a very limited number of books will be available for sale at the party. If you'd like to reserve a book, please email me, as I am only bringing a limited number and a lot of them have been reserved already.

The book is also available online at the usual sites (Amazon, Barnes & Noble, Target, etc.) or directly from the publisher.

If you want to support your local bookstore, you can have them order it for you here.

Location
Conner Contemporary Art
1358 Florida Ave, NE
Washington, DC

Date: Saturday, July 23, from 3-5 PM

Thursday, July 21, 2011

Tomorrow at Strathmore

For the last few months, together with DC area art uberstars Susana Raab and Tim Tate, I have been mentoring emerging Washington, DC area artists Minna Philips, Solomon Slyce, Wilmer Wilson IV and Brittany Sims, as part of the Strathmore Fine AIR program - a very cool program which offers local visual arts talent in the DC area a mentoring hand by pairing emerging artists with established professionals in the community.

I was absolutely blown away by the talent of these four young artists, and after all the meetings, discussions, reviews and talks, they conclude their residency experience by unveiling new works in the Strathmore Fine Artists in Residence Exhibition, which opens tomorrow and runs through August 20 at the gorgeous Strathmore Mansion on Rockville Pike.

According to the Strathmore release, in describing the four artists, we learn that Minna Philips “plays with perception by recontextualizing paradoxical objects, challenging the viewer to create original and unfettered interpretations of her work. She furthers this exploration by presenting an obscure and little-known Strathmore artifact, the grotto, in an equally obscure way. Minna distances the grotto from being identifiable by photographing it from a variety of angles and perspectives, scanning the images and, finally, meticulously sketching them on velum using pencil to recreate the look of black and white photography. The images are randomly mounted in a giant, gridded window in the Mansion, alluding to the exterior campus which inspired for the work. The final assemblage appears fragmented and abstract, further veiling the identity of a structure which is already out of context with the current use of the Mansion. Strathmore’s grotto was formerly a place of worship for the nuns of St. Mary’s Academy, who used the Mansion as a convent and school under the name St. Angela Hall. Minna will also present mixed media pieces that include glass prisms installed in shadow boxes. Using special lighting and mirrors, the glass prisms will reflect and distort drawn images.

Solomon SlyceSolomon Slyce creates a dialogue about sensitive and emotionally-charged social issues through satirical photography. Seemingly benign and disarming, even comical, upon further inspection Solomon’s work incorporates nuanced themes such as interracial marriage, immigration, financial corruption in religious institutions and other themes germane to his identity as an African American male, city dweller and urban schoolteacher. He exercises supreme artistic control over his photographs to create carefully-staged environments, overseeing every detail, from costume, props and actor selection to set design. The Fine Artists in Residence Exhibition will feature existing work from his portfolio, as well as new pieces in which he addresses social issues and stereotypes by creating digital photographs in the likeness of distinctive techniques by iconic artists such as Andy Warhol, Irving Sinclair and Grant Wood.

Installation artist Wilmer Wilson IV creates site-specific sculptural works using accessible consumer goods. By making use of everyday materials in his work, he transforms everyday experiences into aesthetic ones. In the Mansion he will use more than 1,000 inflated paper bags to create a room-filling organic form. The installation will explore the implications that one oft-overlooked and mundane object can have when amassed in one place. Also included in the exhibition are photographs of his previous works, depicting paper bags pervading all aspects of his life. The images serve as documents of his non-permanent installations and also as contemplative compositions in themselves.

Environmental catastrophes inform Brittany Sims’ ominous paintings. A student at Tulane University in New Orleans when Hurricane Katrina decimated the city, Brittany felt a connectedness to the devastating tornado that ravaged Joplin, Missouri in May. She appropriates photographs from newspapers and from personal Flickr pages, recreating them with acrylic paint on shower curtains, an extension of her experimental painting on different canvas materials and shapes.”

Since I had been deeply involved with these artists for a few months, I thought that I knew what was coming to the exhibition, and yet I was completely blown away when I actually got a peek sneak at the show – while delivering my own work – did I mention that the show also features work by the three mentors?

Wilmer Wilson IVWhat Wilson delivered by the intelligent use of the air from his lungs is beyond visual belief – this young man is a genius and you should all start following his work now. His marriage of the always slippery world of the great conceptual idea and the actual delivery of that idea is as close to perfection as I have ever seen in these minimalist artists who find their materials where the rest of us fail to see art – remember this name.

Slyce is a modern version of the photographer who sets up his scenes; he’s a marriage of the genius of Hollywood with the genius of such photog-stars as Cindy Sherman, etc. His images come in sets of two – his look at gambling looks at cool cheaters paired with symbols of gambling – humor, a sorely missing part of contemporary art, is part of his work, and it is Slyce’s brilliance which comes through in this difficult handshake.

Both Phillips and Sims surprise the viewer by taking the art out of the expected context – Phillips does it by her dexterous handling of vellum to almost make it seem like a photographic installation. Sims does it with an understated elegance that push what Sam Gilliam did decades ago to a new contemporary dialogue.

My kudos to both this great new program and to these four rising new stars. The opening is tomorrow from 7-9 PM.

Al vaiven de mi carreta

Classic Cuban "country music" or a "son guajiro" about the hard work involved in being a "carretero" - Interesting how the version made famous by Eliades Ochoa through the Buena Vista megahit is slightly different from the original version from the 30s.

The original is first...