Two will be heading for Miami

The Bombay Sapphire Artisan Series has teamed up with Russell Simmons’ Rush Philanthropic Arts Foundation to search for a new generation of cutting-edge visual artists and the show now at International Visions Gallery, showcases winning work by Washington semi-finalists.

Across all markets, a total of twenty artists will advance to the Bombay Sapphire Artisan Series Finale Competition exhibition, held during Art Basel Miami Beach in December 2011. From that group, two finalists will be invited to exhibit at Rush Arts Gallery in New York City in February 2012.

Artists in this DC exhibition include Michael Anthony Brown, Zoma Wallace, Shaunté Gates, Julian Lytle, Farah Ahmed, Rob Chester, Edward Savwoir, Miles Burrell, Osereime J. Aimua, David Allen Harris, Cheryl Edwards, Jay Coleman, S. Ross Brown, Al Burts, Nicole Marshall, Ann Marie Williams, Victor Ekpuk, George Kochev, Eusebio Choque, Cedric Baker, Jesi Pace-Berkeley, Larry Cook, Michael Singletary, Jamea Richmond-Edwards, Leonard Harris, Lawrence Charity, Helina Metaferia, Stephen Evans, Keah Fryar, Richard Thompson, Donivan York, W. James Taylor, and Tanekeya Word.

The cool thing for me is that I'm only familiar with the work of 3-4 of those named above. For information, visit the gallery’s Web site.

Percy Martin coming to Parish Gallery

Georgetown's Parish Gallery will showcase one of the DMV's most venerable and influential printmakers, Percy Martin, whose exhibition entitled “Bushmen Dreams” will open with a reception from 6:00 – 8:00 pm on Friday, October 21st and will run through November 15, 2011.

Percy Martin is a printmaker and teacher of art who has lived in the Washington, DC area since 1947. For over 25 years, he has been quietly working on a series of lush and technically complex prints detailing the daily lives and rituals of the Bushmen, a mythological people and culture born of Martin’s imagination. He studied printmaking and graphic design at the Corcoran Gallery of Art where he received a Ford Foundation Fellowship in 1966. In 1975 the National Endowment for the Arts awarded him with an Artist-in-Residence.

Mr. Martin taught private classes in etching and has been the Director of the W.D. Printmaking Workshop in Washington, DC, since 1947. He taught at the New Thing Art and Architecture Center, University of Maryland, Corcoran School of Art, printmaking to inmates at Lorton Prison, the Duke Ellington School of the Arts and finally the Sidwell Friends School, from which he is now retired.

Mr. Martin has shown his work widely in the U.S., Russia, the Ukraine, and Africa. His works have been in traveling exhibitions of the Smithsonian Institution and are found in numerous private collections and the collections of the Washington Post, University of Maryland, and the National Collection of American Art.

There are a lot of DMV area artists, mostly those who were schooled around here, who received the spark of creativity from this talented artist, and I know that no art collection with any sort of focus on DMV artists, is complete without a Percy Martin in the collection.

Don't miss this show.

Heard on Univision

There are as many Americans from Latin American ancestry who despise the term "Hispanic" (my Dad is one of them) or "Latino" (he doesn't even know what that means and neither do I) as those who like that Nixonian label.

I think that Univision newscasters have begun a semantic revenge upon Non Hispanic Americans of European ancestry; lately I've noticed that they refer to this group as "Anglo-Saxons".

That ought to piss off Scots, Italians, Spaniards, French, Russians, Bulgarians, Greeks, Welsh, Irish, Swedes, Norwegians, Estonians, Finns, Laplanders, Andorrans, Belgians, Poles, Danes, and all the other folks who live from Portugal to Russia, etc. as much as being labeled under one label pisses me (and a lot of other gente) off...

You describe a Scot as an Anglo-anything; you better be ready to fight...

Heh, heh... makes my head hurt.

Airborne

Heading back home today, and almost finished with the almost 1,000 page-long A Dance with Dragons: A Song of Ice and Fire: Book Five by the "American Tolkien" George R.R. Martin.

I told you before that I could never stomach Tolkien, but absolutely devour this guy's writing and that in my eyes Tolkien is the British G.R.R. Martin. Part of his genius is how his made-up world and characters are so human while being fantastical... and how he traps you into rooting for a character which he then kills -- because in the "real world" of savagery where they live, they would be killed.

Opportunity for Artists

Deadline: November 15, 2011

The College of Southern Maryland is seeking proposals for exhibition opportunities at the Tony Hungerford Memorial Art Gallery. All proposals received by November 15, 2011, will be placed into consideration for the 2012 / 2013 exhibition season. They welcome proposals for solo, group, and small curated exhibitions, and encourage submissions in all media.

More information is available, and current exhibits may be previewed, at the gallery’s website here.

To submit a proposal, please send a CD containing 20 images in a single PDF format; an identifying list with titles, sizes, and media; a CV; and artist’s statement to:

Dr. H.Christian Carr
College of Southern Maryland
PO Box 810
8730 Mitchell Rd.
La Plata, MD, 20646

Applicants wishing return of their submission may include a SASE with their materials. For further information, contact ccarr@csmd.edu.

Kennicott on 30 Americans

I've been digesting Philip Kennicott's ‘30 Americans’: A challenging study of identity, currently on exhibit at the Corcoran.

As Kennicott is not the easiest writer to read, this digesting process has taken me a few days and at least one trip to the dictionary, an odd thing, I think, for someone with three degrees and a MENSA-qualifying perfect SAT score many years ago.

My thoughts on the article start with the issue that I think that because nearly every writer in this town, including art writers, are somehow cast in the shadow of Woodward and Bernstein, almost every writer in this town approaches nearly every story in this town as a possible Watergate. I like the way that I managed to sneak "in this town" multiple times in that sentence.

Because the DMV is a "town" in the smallish sense of that word; no Gotham or Metropolis like word will be used ever to describe the DMV, where everybody and everyone knows your name... right? Cheers...

But I meander.

It was sooooo predictable to see the mouth-watering effect upon art writers such as Kennicott (and others to come), to try to find a less than ethical reason for this exhibition.

And thus we get:

And that raises the issue of the second problem with “30 Americans,” the appearance of a conflict of interest in presenting a private collection at a prominent museum, especially when a financial transaction has happened between the parties. Is this a quid pro quo between the Corcoran and the Rubells that serves to boost the value of a private collection?

Never mind that:

The Rubells have categorically denied any quid pro quo, and Kristin Guiter, spokeswoman for the Corcoran, says “the two are completely unrelated.” Discussion of the “30 Americans” show began well before any plans to sell the Randall School, she says.

But Lenny, some of you are probably saying, he also admits that

A few things militate against a cynical view of the question. First, the work on display is important and needs to be seen. Second, the Rubells probably bring more prestige to the relationship than the Corcoran, which has been damaged by financial and institutional mismanagement over the past decade. Third, museums would hardly exist without courting the favor of private collectors.

Militate? ahem...

This is such a challenge for so many people around here: to write an art review about the art or artists, without a need for militation (ahem, ahem) of any sort. And if one militates (ahem, ahem, ahem) against this particular writer's cynicism, what else is there?

Envy, elitism, rancor?

See where this led? Now I need to militate my own nastiness, which is the result of a visceral reaction that screams: Not everything has a hidden, unethical root! (Note to PK: Observe how I avoided the temptation to use "Raison d'être" - in other words, I militated the temptation to sound like a cultural egghead.

Not every story is a potential Watergate.

Read PK's article here.

Airborne

Heading to the Left Coast today, and armed with the almost 1,000 page-long A Dance with Dragons: A Song of Ice and Fire: Book Five by the "American Tolkien" George R.R. Martin.

Funny thing is that I could never stomach Tolkien, but absolutely devour this guy's writing. In my eyes Tolkien is the British G.R.R. Martin.