Manon Cleary

I first met Manon Cleary's artwork sometime around 1993 or 1994. It was at an exhibition at Addison Ripley's old space behind the Phillips Collection. Back then there were several galleries in that space and I was making the rounds for some art magazine long since gone, and literally walked into the show without knowing anything about Manon Cleary.

I was hypnotized by what I saw. It was clear to the most casual observer that here was an artist who not only had the most enviable set of technical skills that I had ever seen, but also an equally enviable ability to grab a slice of energy out of her subject matter and deposit it into the artwork itself.

I was so envious of this belligerent dual skill, so powerfully individual in a DC art scene back them that eschewed any sort of confrontational realism and loved acre after acre of abstraction of all hues and shapes.

Some time after that I met her for the first time, and soon after I co-opened the first Fraser Gallery in Georgetown in 1996, and then I became good friends with her and spent many a good time in her splendid apartment in Adams Morgan, including a quite memorable New Year's in either 1996 or 1997.

My next memory comes when she had an exhibition of her ex-boyfriend's penis. Multiple paintings of that particular gent's penis were the talk of Washington in those days, and for quite a long time, there always seemed to be a Manon Cleary penis in every MOCA group show.

Then I recall the disturbing scenes in her rape paintings, which I think were first exhibited at MAP's old space in Baltimore. Here was the artist at her most powerful: taking the ultimate assault on a person and disseminating it to a powerful and beautifully painted series of images on canvas. Here was Cleary exerting the power of realism over all the other "isms" in a manner and form which only years of concentrated and meticulous work can deliver - the same span of years which eventually delivered the death prescription to this master.

Over the years that followed, we saw the quality of her spirit, as she continued to be a key part of the DC art scene, even as her health deteriorated.

I last saw her at the book release party for 100 Artists of Washington, DC, in which she is - of course - included. She thanked me for including her in the book and I told her how honored I was that she was part of it.

I used to call her "Manoncita" or Little Manon, and it is a bit unsettling, as I spent some time last night looking at the digital footprint of old emails between Manon and I, to see that term of endearment applied to such a giant of an artist.

I will miss you Manoncita.

Capps on Cleary

Kriston Capps has a good piece in the CP on Manon Cleary - read it here.

Bad boy, bad boy...

Manon Cleary (1942-2011)

Just heard a few hours ago that my good friend Manon Cleary, by far one of the DMV's top artists, passed away today. More on this amazing artist later; meanwhile that's her last August, in a great photo by Rebecca D'Angelo.

Manon Cleary

The Nude in DC Book

The Nude in DC: The Figurative Art Scene in the Greater Washington Metropolitan Area is a new book and it features:

Over 50 institutions that deal with the nude in art - not just names and address, but descriptions, including history of some, website, logo - a full 28 pages on this feature alone.

Full text of The Art of Modeling, used for Model Training Program for Figure Models Guild.

A narrative on the nude in art, as well as society in general. Insightful information presented as an argument to counter conservative bias against nudity in general.

Includes a DVD with photos covering the Figure Models Guild since its inception in 2002 as well as many art exhibits and special events.

Also includes over 20 articles in Washington Post, Washington City Paper, Montgomery Advocate and other print media. Also video by Reuters News Service and numerous online publications including The Greatnude.tv, New York Arts Magazine, Artists-Perspectives, Artdc.org and too many to name. Includes several video clips, including Richard Takeuchi painting nude model in July 2004 exhibit - well over 2,000 images - worth the price alone.

The package is $20, including book and disc; or $15 individually. Payment may be by check made out to David R. Quammen, or PayPal - account mocadc01@comcast.net. Free Delivery - or pick up at gallery with prior notification. Proceeds will go to help fund MOCA DC.

Allow 10 days for delivery

David R. Quammen
MOCA DC
1054 31st St NW
Washington, DC 20007
202.342.6230

In Eff-el-Lay

In Miami, getting ready to do some family-visiting before heading out to Miami Beach to check out the Aqua Hotel and tomorrow begin the unloading and set up for the fair.

Artnet has a good preview of the fairs here.

Airborne

Heading to Miami in the evening to participate in a couple of art fairs, but the one where I will be is the Aqua Art Fair in Miami Beach - almost right across the street from ABMB.

Anybody who will be in Miami for the art fairs and wants a free pass to Aqua, please drop me an email.