(e)merge is back!

The (e)merge art fair is back for its second iteration.

The dates are October 4-7, 2012.

Last years's inaugural edition of (e)merge featured 80 vetted exhibitors with works by artists from 21 countries. Over 5500 attendees visited the gallery and artist exhibitions, performances, panel discussions, curatorial museum walk-throughs, and private collection tours.

Online applications are now being accepted and the application deadline is April 27, 2012 and notifications willsent via email by June 2012.

GALLERIES + NON-PROFIT SPACES (to apply Click here)

- Exhibitors may present 1-3 artists in each room
- Art being presented may include works in all media: installation, painting, photography, new media, performance, sculpture, works on paper, and video
- The artists presented should not have had any solo museum or Kunsthalle exhibitions

ARTISTS (to apply click here)

Artists whose proposals are accepted by the selection committee will be provided with exhibition space at the Fair free of charge.

To be eligible for artist exhibition space artist applicants must:
- Be currently without gallery representation
- May have had solo gallery shows, but may not have had solo museum or Kunsthalle exhibitions
- Whereas work in all media will be carefully considered, projects involving experimental works in non-traditional formats are especially encouraged . Such work may include installation, conceptual art, performance, new media, or the inventive use of materials to express challenging concepts.

On this date...

In 1854, founded by anti-slavery expansion activists, the modern Republican Party of the United States was organized in Ripon, Wisconsin.

Art Scam Alert!

Ignore this dirtbag... I will take care of him in my own way; see below - all the grammatical errors are his:

Date: Mon, 27 Feb 2012 13:21:12 -0800
From: philipeckhardt@yahoo.com
Subject: i am interested in your artwork
To:

Hello,

It was great reading and seeing your ads artwork on http://www.theartsmap.com. i would like to make a purchase as i'm really interested in it.

Let me know the last price and if it still available for sale and it's present condition let me know if you are the real owner, and send me pics as for the Shipping i will take care of that through a pick up.

Hope to hear from you

Regards
Philip Eckhardt

Opportunity for Artists

Deadline: Friday, March 9, 2012

The Bethesda Urban Partnership and Bethesda Arts & Entertainment District has announced “Tunnel Vision,” a public art exhibition to be hung in the Metro Tunnel that runs under Wisconsin Avenue in downtown Bethesda.

“Tunnel Vision” will showcase the work of 12 selected artists inside the Metro Tunnel. Interested artists are invited to submit up to 5 images of their work for review. Each artist will be paid $500 for the license to use their image. If selected, artists will need to provide a high resolution file for the image of their artwork to be printed on a poly metal material, size 4' high x 8' wide. Artists are encouraged to submit artwork that can easily be sized to 4’ x 8’.

Artists must be residents of Maryland, Virginia or Washington, D.C. to be eligible for consideration. There is a category for young artists, age 14-17, to apply. The deadline for submitting images for review is Friday, March 9, 2012. Interested artists should visit this website for more information and the application for consideration.

Wilmer Wilson IV at Conner

One of the young artists whom I've been advising all of you to keep an eye on, Wilmer Wilson IV will be making his debut at Conner/*gogo art projects this coming May (I know that this is a long way away, but I want to make sure that you all start planning it now); the show is titled “Domestic Exchange:”

In this new work, the artist engages issues of identity and race by appropriating the brown paper bag as a cultural symbol identified with bag lunches, alcohol and skin color. Wilson amassed dozens of inflated bags to construct a monumental sculpture with undulating, fleshy forms. On the opening day of the exhibition, from 5 to 8pm, Wilson will present a durational performance: “From My Paper Bag Colored Heart.” Exploring the history of the paper bag as an indicator of racial color, Wilson enacts a liminal struggle between freedom and self-destruction.

There will be an opening night reception, Saturday, May 17h from 6 to 8pm. Artists in attendance.

Wilmer Wilson’s performance will begin at 5pm on Saturday, March 17th and culminate during the opening reception (6-8pm).

Coincidence or one great artist borrowing from another?

I know that I am a pedantic Virgo.

But I also know that seldom there are coincidences when things look a little "too close."

Below is the new video (and megahit) by American uberstar (of Cuban ancestry) Gloria Estefan... check out what happens around 20-23 seconds into the video...

Now see below the artwork of Cuban artist Aimee Garcia Marrero... well-known to Cuban art collectors (and she should be, as she's one of the really talented, young multiple-threat artists); and the Estefans are Cuban art collectors... but judge for yourself:




Probably a coincidence from one brilliant mind... and yet, I have a rule about coincidences...

New Worst Ever

I have this hobby of trying to read as many books as possible (all genres) dealing with Cuba. And I've just finished reading Stephen Hunter's Havana, a fictional account set in Havana in 1953.

This is possibly the worst ever book with a Cuban setting that I've ever read; Especially surprising coming from such a decent fiction writer.

I was also surprised to find that Newt Gingrich reviewed this book in Amazon about eight years ago. Newt writes:

Stephen Hunter has a great knack for country attitudes, good shooting, complex stories and politics.

In "Havana" Hunter captures a moment in time when Castro is just emerging (the Yankees having failed to offer him a $500 signing bonus) and Batista is back in power with the help of the American mob.

Just as in "Hot Springs" where Hunter resurrected the great pre-Las Vegas center of gambling and prostitution (matched in that era only by Youngstown), here he reminds us that Havana in the early 1950s was a city of power seekers, tourist pleasures and American and Cuban mobster domination and corruption.

He weaves together a brilliant Soviet agent, Earl Swagger (hated by the Soviet system for his individuality and protagonist of almost half Hunter's novels), the CIA, the American mob, Fidel Castro and the Cuban secret police into a wonderfully complex and constantly intriguing story.

His characterizations of a young Castro are worth the entire book: "Speshnev looked hard at him and, try as he could, only saw a familiar type, thrown up by revolutions and wars the world over. An opportunist with a lazy streak, and also a violent one... No vision beyond the self, but a willingness to use the vernacular of the struggle for his own private careerism." (p. 101)

"He does carry on don't he? He reminds me of a movie star. They get famous too young and they never recover. They always think they're important." Earl Swagger on young Fidel (p 319)

Whether for fun or learning or both, this is a worthwhile novel.

What Hunter blows in this shoot-em-up story is the background setting of the city itself, plus he takes spectacular license with Cuban history to bend the story to depict a somewhat idiotic young Castro.

Young Castro was a killer and a student mobster in the violent daily activities of Havana University and the city in general, but no one can ever or should ever accuse this murdering dictator of ever being dumb. Castro has the feral intelligence of power-seekers, and he's always had it, especially in the violent days preceding his failed attack on the Moncada Barracks.

Strangely enough, in this key part of the beginning of the Cuban Revolution is where Hunter really torques my pedantic side. In the real course of events, Castro (who is very nearsighted and requires thick glasses for distant vision), was driving one of the leading two cars carrying the rebels attacking the Moncada Army Barracks in Santiago de Cuba.

In the book, Hunter depicts Castro having to rush and drive his car onto the sidewalk to run down three unexpected soldiers - he kills two of them, grabs their machine guns and in a heroic display fights against hundreds of soldiers as the hapless rebels, pinned outside the barracks are mowed down by soldier fire. Eventually, the heroic guerrilla is pulled away from the melee by a Soviet agent in a most unlikely escape.

In reality, what happened was that the rebels had essentially the element of surprise, and were driving into the Moncada compound; however, the brilliant and fearless leader's vanity got the best of him, and he removed his thick, black glasses in order to appear more manly. Not being able to see squat, he quickly drove his car off the street and onto the sidewalk, effectively attracting the attention of the guards, who then sounded the alarm and proceeded to wipe out the attackers.

Fidel, and his brother Raul quickly hi-tailed it out of there - they were about the only attackers who got away - and many witnesses claim that the Castro brothers got the hell out of Dodge as soon as the bullets started flying, leaving their fellow rebels to die on the streets or to be captured and tortured later on by Batista's murderous henchmen.

Perhaps this could be an entertaining read for someone not familiar with the sense of what Havana truly was in the 1950s; a complex, international city where dozens of languages were heard on the streets, with a huge Chinatown and a significant European immigrant population, all that in addition to the casinos and the mobsters and the whorehouses and the brutal police depicted as a single dimension in this book.

But to a pedantic Virgo, it is an offense to the senses; sorry Newt.