Saturday, May 12, 2012

Opportunity for Printmakers

Deadline: May 19, 2012. 

Washington Printmakers Gallery seeks entries for a juried printmaking exhibition, August 1-26, 2012 in Silver Spring, MD. 

First Prize: Solo Show, August 2013. Other prizes awarded. Juror: Brian Garner, Founder and Master Printer, Litho Shop, Inc. Open to printmakers age 18+ nationwide creating hand-pulled prints (no digital or photographic processes) under 170 square inches.  Fee: $30/4 images. 

Visit website for prospectus at: http://washingtonprintmakers.com/programs/small-works-exhibition, or send a SASE to: WPG, attn NSW, 8230 Georgia Ave, Silver Spring, MD 20910. Questions? Contact Annie Newman at info@washingtonprintmakers.com or 301.273.3660.

Friday, May 11, 2012

Tim Tate Re-invents His Art

Ever since his debut at the old Fraser Gallery in Georgetown, for years we have been following Tim Tate’s work, its extremely distinctive and unique look: Victorian bell jars hiding mysterious videos…each one very thoughtful and complex and full of clues, meanings and arcane paths.  

Then suddenly this year, Tate’s work veered.  

Fewer domes, larger works, almost "sweet" in theme.  There were certainly commercially successful, but so different in feel to the older, edgier work.  When asked about his new work, Tate would change the topic or say “I have a soft side too, ya know.” 

Perhaps the DMV's best-known artist claimed to be working on "secret projects"...  And he would not talk about them. 

Well, maybe he does have a "soft side", but I've never hidden the fact that I love and admire those deeply thoughtful and complex pieces that he has become so well-known for; that was my favorite Tate and several of those pieces hang in my home.

Well….this week Tate will unveil what he has been working on under wraps for the last six months…..and it was worth the wait!  Expanding on his video fascination and leaving the domes behind, Tate offers an innovative and revolutionary new format to showcase his video work.  The first of these new pieces, the first of many to come, will be shown at the upcoming Artomatic show to give it a test run. 

Here is what's coming: Tate takes a 42” flat screen TV, and then frames it with an ornate Empire frame….and then, as if that wasn't enough, he paints the frame with a Charles Rennie Mackintosh satin black. This gives the TV a slightly Gothic / Steampunk look, while at the same time also making it look as fresh and contemporary as any shown at ArtBasel. 

Tate’s video work has also been refined completely. Now working in high definition (HD), and in color, his richly textured and multi-layered video has morphed more into the vein of a surrealist dialogue of contemporary realism than his older work; but abstract enough to be compelling and mysterious.

The title of the first seminal piece is “Reforged Each Morning, My Fate My Own.” It is a collaborative work with Tate’s long time photographer (and a very gifted one at that) and friend Pete Duvall. This initial piece highlights the skills of both artist and technician. As it unfolds, seduces and hypnotizes the viewer, you can’t take your eyes off of it. 

Why? It references early Maxfield Parrish in a way….with the deep rolling clouds that deliver the ever shifting texture. Add inverted glass objects coming into the frame; smashing and reconfiguring over and over: You cant take your eyes off of it!
Still from “Reforged Each Morning, My Fate My Own" by Tim Tate and Pete Duvall
This video has all the look of a spectacular painting, but instead of a three-dimensional object, Tate takes the viewer into the 4th dimension... sliding the view through the painting over the next minute or so. Think of it as a painting that is 24" x 48" x 60 seconds. 

Let me repeat: Height by Length by Time: Welcome to the 21st century of art.

This piece, and those that will surely follow, show Tate entering his mature artist phase. For those of us less than subjective fans who have followed his career for this last decade, it couldn’t be more fresh and exciting.

Because it was Artomatic a decade ago who gave Tate his artistic wings, Tate is using Artomatic as a test audience for his newer style, complete with a comment book on the pedestal in front. A "test run" before releasing the new works in the broader contemporary art world.   

Let him know how you feel about it…..I think that this may be his best and most sophisticated work yet.

Artomatic opens  on Friday, May 18 at 6PM with a massive art party.

Bethesda Fine Arts Festival is this weekend...

 The ninth annual Bethesda Fine Arts Festival, a two-day event highlighting 140 contemporary artists who will sell their original fine art and fine craft, is this weekend.

The festival is scheduled for Saturday, May 12 from 10 a.m. – 6 p.m. and Sunday, May 13, from 10 a.m. – 5 p.m. It is free to the public.

Artists from throughout the country representing 25 states and Canada will showcase painting, drawing, photography, furniture, jewelry, mixed media, wood and ceramics. 

The bible of outdoor arts festivals, Sunshine Artist Magazine, ranked the Bethesda Fine Arts Festival as one of the top 100 Arts Festivals in the U.S. and Best Show in Maryland and Washington, D.C. The festival will be held in downtown Bethesda’s Woodmont Triangle along Norfolk, Auburn, Del Ray and Cordell Avenues, and will feature live entertainment, children’s activities and Bethesda restaurants including Haagen Dazs, BlackFinn American Saloon, Mamma Lucia, Hard Times Cafe and Yamas Mediterranean Grill.

Admission to the Bethesda Fine Arts Festival is free. The festival is located six blocks from the Bethesda Metro station and free parking is available close to the event in the parking garage located on Auburn Avenue.

Annual Spring Open Studio at Flux Studios Tomorrow

Flux Studios Annual Spring Open Studios
Saturday, may 12, 2012
12 - 5 pm

3708 Wells Avenue
Mt. Rainier, MD 20712
(directly behind the Washington Glass School)


Artists: 
jessica beels
bianka groves
jeffery herrity
tamara laird
laurel lukaszewski
brittany petersen
novie trump
elizabeth vorlicek

Thursday, May 10, 2012

Tom Green

Curator's Office has announced the release of two new prints by Tom Green from his acclaimed Of This World body of work recently exhibited in April at Curator's Office. The two works were printed by the renowned master printer David Adamson of Adamson Editions.  


















TOM GREEN
Of This World 8  (left)
Of This World 6  (right)
archival pigment print on natural watercolor paper, 330 gsm
28" x 20"  paper size 
edition of 25 
2012

For further information on these two prints, please contact Curator's Office at 202.387.1008 or info@curatorsoffice.com.

Of This World includes 8 of the last works on paper that the artist made in 2011, prior to being diagnosed with ALS (Lou Gehrig's disease). The suite is a lyrical compendium of the glyphic work the artist is so well-known for. A horizon line unites the entire body of work, but his continued preoccupation with the semiotics of symbolic form is lucid, restrained, and powerful.  
  
Tom Green began working with the glyph forms in the late sixties, while he was taking Pre-Columbian courses. He says, "Studying the Mayan culture, I was struck by the glyphic carvings and drawings that seemed so inventive yet puzzling. So I began writing notes in a glyphic script to my friends, not copying the Mayan forms but trying to create my own forms that would resonate in a contemporary mind. Around 1987, casting about for a new direction, I tried painting a canvas covered with glyphs. The glyphs are not a language. (I try not to repeat forms) but rather a series of discreet forms that are to be interpreted individually. Most are not abstract but derive from the sensory experiences of daily life."

J.W.Mahoney writes, "The most obviously recognizable element in Tom Green's eight paper pieces is something that another master abstractionist, Mark Rothko, couldn't avoid: the horizon. Tom Green's facing a horizon we all will, that of leaving our circumstantial world for that beyond our personal life. Tom's working both sides of this line, so far, as his work reflects. But these pieces are still of this world, as Tom is." 

Opportunity for Artists

Deadline: Sunday, May 22, 2012, 12 midnight. 
 
An opportunity to hang as much artwork as possible in a space 10ft x 4ft for the month of August at Touchstone Gallery a contemporary gallery in the heart of Washington, DC. Digital images of all artwork required with application. 
 
There will be room for only 38 artists; each space about 10ft high x 4ft and 1 floor space for sculptor 5ft x 5ft. $240 hanging fee; work to be hung by their hanging committee. No entry fee is required. Must submit filled out application form that can be downloaded at www.touchstonegallery.com and e-mail it to images.touchstone@gmail.com along with images of the works you intend to show. 
 
Full Prospectus, Application form and other information are available for download on Touchstone’s website: www.touchstonegallery.com

Wednesday, May 09, 2012

The Ultimate Toilet Paper

At least for Cubans!

Fidel CastroFinally you can now make your Cuban or Cuban-American's dreams come true! Cuba's brutal dictator and for over 50 years the suffocater [[Verb] To stifle; to destroy; to extinguish; as, to suffocate] of the Cuban people, deserves to be in the mierda tanks of history.

Full roll of toilet paper with Fidel Castro's face on every sheet. Ideal for parties, reunions or for plain personal pleasure. Order more than one. The ideal gift for your Cuban friend.

Send me some... por favor!