Wednesday, May 23, 2012

Mexico at the Katzen

When you think of Mexico, what images pop up in your mind’s eye? The AU press release says that "You may think of stereotypical icons such as the Mexican flag or a sombrero, or news stories about Mexico such as those focused on tourism, immigration policy, poverty, or violent drug cartel crime. The stereotypes may also inform your thoughts about Mexican art: you may have prescribed ideas of what Mexican art would or would not look like." 

I also think of some of the paradoxes of this gorgeous country, such as their demands for an open US immigration policy towards Mexicans while Mexico has one of the toughest and most brutal anti-immigrant set of laws on the planet (Mexico has its own illegal immigration problem from its southern borders); or the justified Mexican pride on the influence of its indigenous Native American population on Mexico's ample cultural fottprint, while at the same time being a very repressive government towards its own Native American nations. It is with these paradoxes in mind that I am really looking forward to this exhibition at the Katzen.
MEXICO: EXPECTED/UNEXPECTED— an exhibition that will make its East Coast debut at the American University Museum at the Katzen Arts Center on Saturday, June 9— defies commonly held stereotypes about Mexico and its art, exposing unexpected images and perspectives created and communicated by some of Mexico’s most influential contemporary artists. The goal?  To encourage new thoughts about Mexico and its place in the international, contemporary art scene.
 
The exhibition, the largest one of contemporary Mexican art to show in Washington, D.C., comprises works selected from the Isabel and Agustín Coppel Collection, one of Mexico’s most comprehensive contemporary art collections.  Works by leading contemporary Mexican artists such as Francis Alÿs, Jorge Méndez Blake, Gabriel Orozco, and Pedro Reyes, are presented beside works by artists from other Latin American countries, Europe, and the United States, including Gordon Matta-Clark, Ana Mendieta, Ed Ruscha, and John Baldessari.
MEXICO: EXPECTED/UNEXPECTED at the American University Museum is sponsored by the Mexican Embassy and the Mexican Cultural Institute. As part of the collaboration with the Mexican Cultural Institute, Mexican artists will visit D.C. for a few months while creating installations for the exhibition.
Gallery Talk: Mexico: Expected/Unexpected
Saturday, June 9, at 5 p.m.
Featuring Exhibition Curators Carlos Basualdo and Mónica Amor

Artists' Reception
Saturday, June 9, from 6–9 p.m.

Tuesday, May 22, 2012

John Anderson's AOM Top 10 (sort of...)

The WCP's John Anderson pops in with his top 10 Artomatic picks - read it here.

One always wonders...

Just noticed that one of my drawings from about a decade ago just showed up on Ebay being sold by a British dealer. 

The piece, titled Daphne (see it here), represents the nymph Daphne, the daughter of the river god Peneus. 
Through the malice of Eros, Apollo the god was seized with love for the maiden. But she abhorred the thought of loving men. Her delight was in woodland sports and the spoils of the chase. Many lovers sought her, but she spurned them all. Apollo chased her into a ravine and was about to ravish her. She called for help and a great Earth magic reached from under and turned her into a laurel tree, which subsequently became the tree of lovers and of victory. 
The drawing was done in 2000, and if my memory serves me right, it was sold to a lawyer in Charlottesville, Virginia. Thus I find it curious that it is now somewhere in Britain being offered on Ebay at a great price.

Monday, May 21, 2012

Mussels, Russians, Pigs and a Blue Crab

The story: We're at the Blue Crab Restaurant in Bethany Beach, waiting for two big plates of mussels to be delivered and a crab cake for Little Junes, when the Russian waitress brings over a box of crayons for the little guy.

Two things flash through my mind: We're told that jobs are very difficult to find, especially for young people, so how come it seems that throughout the Mid Atlantic, all beach season jobs are filled by hard working, good looking young Russian girls and boys?

They travel a million miles from their frozen tundras to bust their buts in the Eastern seaboard's beach shops, restaurants and pools; where are our local good looking boys and girls? Not that I blame the Russians, I mean, would you rather be freezing your tuchis in Siberia or dishing out mussels in Bethany Beach?

But you get my point...

But let's get back on track with this post... ahem... so the other thing that crossed my mind was to kidnap some of Little Junes' crayons and start my own art project while we wait for our food.

At some point the pretty Russian waitress noticed and she brought over a second box of crayons and then I really went to town.

 Below is "Two Pigs Looking at a Red Crab", crayons on tablecloth kraft paper, circa 2012.

Food stains were accidentally added while the delicious mussels were being eaten...

CBS on Artomatic

Check out their photo gallery here.

Sunday, May 20, 2012

WTOP on Artomatic

WTOP has a photo spread on AOM; check it out here.

James Renwick Alliance 
Recognition of Excellence 
ARTOMATIC 2012 
Artist 
Work 
Type 
Floor 
Location 
Brad Taylor 
Chaise 
Wood and Metal Furniture 
8 
305 
David D’Orio 
Installation 
Mixed Media (Glass) 
8 
147 
Donna McCullough 
Body of Work 
Metal Sculpture 
1 
152 
Helen Baribeau 
Body of Work 
Fiber Sculpture 
4 
121 
Julia Bloom 
Installation 
Wood Sculpture 
7 
208 
Matt MacIntire 
Body of Work 
Mixed Media 
9 
160 
Michael Janis 
Body of Work 
Glass 
2 
173 
Pierre Davis 
Body of Work 
Wood Sculpture 
10 
152 
Sean Hennessey 
Body of Work 
Glass 
9 
141 
Zofie Lang 
Installation 
Mixed Media 
9 
112