Airborne

The kid is heading to the Left Coast for a week in San Diego... more later!

Airborne

Heading back home today from Montreal and then heading back out tomorrow morning, this time heading out to the Left Coast (San Diego)...

In Atlanta Airport's cool tunnel of colors between terminals...

Bad taste or offensive?

Ad column in Montreal

I think both...but free countries are free countries for a good set of reasons, some good and some not so easy to understand.

From American Airlines

And airlines wonder why people have low opinions of them... this recently received from American Airlines:

In order to streamline our program, we are announcing a change to AAdvantage miles earned before July 1, 1989, also called Miles With No Expiration.

Starting November 1, 2012, these miles will automatically be converted to Miles Subject to Expiration...

(e)merge announces...

News release from the (e)merge art fair:

(e)merge art fair, created to advance emerging art, returns to Washington, DC this fall. (e)merge welcomes back galleries from across the US and Europe including: BROTkunsthalle, Vienna, Austria; Amstel Gallery, Amsterdam, The Netherlands; Aureus Contemporary, Basel, Switzerland and Providence, USA; G Fine Art, Washington, DC, USA; Goya Contemporary, Baltimore, USA; and NOMAD, Brussels, Belgium. Among the galleries newly joining the fair are: Bäckerstrasse 4, Vienna, Austria; Flying Rooster Contemporary Projects, Montreal, Canada; Galería Servando, Havana, Cuba; Trailer Park Proyects, Guyanabo, Puerto Rico; Contemporary Wing, Washington, DC, Mixed Greens, New York, USA; LYNCHTHAM, New York; and Project 4 Gallery, Washington, DC, USA. A complete list of gallery and artist exhibitors will be available soon.

(e)merge is honored to have the support of the members of its inaugural Host Committee: Jane and Calvin Cafritz, Carol Feld and David Levy, Izette and Neal Folger, Janice Kim and Tony Otten, Alexia and Roderick Von Lipsey, Kim and Patrick Nettles, Rose Nosseir and Paul Carter, Frederick Ognibene, Lorie Peters, Robert Shapiro, Sid Stoltz and David Hatfield, and Daren Thomas.

“DC is one of the fastest-growing and most prosperous areas in the country, and Washington’s business, tech and collecting communities have rallied to support (e)merge and its exhibitors. With its entrepreneurial spirit and creative energy, this fair can become a model for promoting emerging art and artists everywhere."
- Robert Shapiro, Chairman of Sonecon, LLC
(e)merge is proud to partner with UBS and excited by the support of our sponsors: ESL Group, LivingSocial, HapstackDemetriou, Kaze Design, Vivid Solutions, the DC Commission on the Arts and Humanities, Exhibit-E, Industry Gallery DC, and Whiteford, Taylor, & Preston; and media sponsors: The Art Dossier, The Art Newspaper, BrightestYoungThings, DC Modern Luxury, Gallerist, and the Pinkline Project.

“As our culture evolves, moment by moment, the emergence of new ideas about architecture, design and art are changing and enhancing our daily lives. Giving an experience to this evolution is what our partnership with (e)merge is all about.”
- Peter Hapstak & Olvia Demetriou, Principals, HapstakDemetriou
This year the fair looks forward to another series of educational events in October with our cultural partners – The Corcoran Gallery of Art, the Hirshhorn Museum and Sculpture Garden, the National Gallery of Art, the Phillips Collection, and the National Museum of Women in the Arts.

(e)merge art fair
Thursday, October 4 through Sunday, October 7, 2012
Washington, DC
www.emergeartfair.com

I used to say neigh

Stories like this one used to spin me up... now I just say: Hey! What the heck... there's plenty of room for all of us in the art world.

After Artomatic

The most common criticism levied upon Artomatic, is that because it is lacking the dictatorial. yet benevolent hand of the curator, it is a jumbled universe of so much art and so many artists, that art critics and other art world symbiots soon run out of brain storage and processing power and all they see is kitsch and trash and dreck.

For the past several years, some enterprising independent commercial art galleries from the region have staged their "after" AOM shows, where they have usually showcased the gallery owner's selection of what artists he or she were the top picks of that particular AOM. That's how PostSecret's Frank Warren and WGS' Tim Tate got their first commercial gallery shows.

Some galleries have also taken my AOM selections and organized post-AOM shows based on my picks, the most recent of which you can read here.

And I can tell you that in that post AOM tradition, next month I will be curating a post AOM exhibition at The Edison Place Art Gallery in Washington, DC.  Then the critics can take their critical pot shots at me, the vastly experienced, highly respected, immensely virile and good looking curator, rather than shoot empty, lazy negative word bullets at a show in general.

More news later as I ramp up for putting this show together in record time.