Friday, August 24, 2012

Job in the Arts

The Smithsonian is looking to fill the position of Staff Assistant for the Smithsonian Latino Center.  
This is a rare opportunity to join the team that works hard at ensuring that Latino culture, achievement and contributions are celebrated and recognized nationwide.  
They are looking for an individual to assist the Director and can serve as the point of contact to the public, the Smithsonian National Latino Board, and Hispanic-serving organizations; provide administrative support to the staff, and help advance the Center’s initiatives and educational/public programs.      
 
**NOTE:  Applicants must have the ability to speak and write in English and Spanish in order to assist with translation of materials.
 
GS 0301 05 or 07 DEU (open to all U.S Citizens or U.S Nationals):     
 
GS 0301 05 or 07 MPA (open to current or former Federal employees, peoples with disabilities, former Peace Corps volunteers, certain military spouses, veterans):

Thursday, August 23, 2012

History's worst restoration of a work of art... EVER!

Newsweek covers

The power of the visual arts, specifically representational visual art, is a powerful known quantity.

For decades now, artists have been marrying shock with representational art to gather attention to their work, and thus it is no surprise that a floundering dead tree media publication like Newsweek, which has perfected the art of the magazine cover over the decades, is now pulling all stops when it comes to a scary blend of photography, nuanced text and composition - all married to shock-producing stories - to pump up sales. I don't know if Tina Brown's strategy will work, but it is a fascinating study nonetheless.

Witness the recent Newsweek covers, all dealing with controversial subjects. In the first one,  an attack piece on Republican Presidential candidate (and if he wins, the first "technically" Hispanic President), the font size of the word WIMP overwhelms the cover - and yet Romney is still presented in what I would describe as a positive image (dude's got some Osmond-sized chompers though...). The remaining text ("What triggers mass murderers" and "I was duped by...") also add a bit of subliminal vinegar to the cover.

Newsweek's portrait of Pres. Obama as "The First Gay President" is a brilliant graphic design coup. It is a modern icon with modernized ties to early Christian iconography. This is an interesting marriage (pun intended), as one could make the case that dogmatic Christians are essentially against gay marriage. Not to pick on Christians, most Muslim and orthodox Jews are also against gay marriage, perhaps reflecting the common root of all three major religions and a sad 6th century mentality when it comes to acceptance of the social realities of the 21st century. Thus, Newsweek has taken the battle to the heart of the iconography of the Christian religion and succeeded brilliantly. The surrounding text couldn't be any more vacuous ("Are you ready to eat jellyfish?") - all the focus is on the Christian icon.


Some have argued that the current issue of Newsweek is Tina Brown's response to all the criticism that Newsweek gathered from the vast right wing conspiracy from the Romney attack piece. What is the response? An equally caustic (and surprising) attack piece on the President. I say surprising because as it is clearly obvious to the most casual observer, Newsweek is easily generally described as a liberal magazine and part of the media arsenal of the even vaster leftwing nuthouse. But let's get back to the visual arts and away from politics before I start getting firebombed in the comments from both the nuts on the right and the nuts on the left.

The image of the President (just like in the Romney WIMP issue) is pleasant-enough (dude's got some big fucking ears!). He is walking away from the camera, which fits the theme of the attack article ("Hit the Road, Barack"). The positioning of the President's head (covering part of the Newsweek banner and leaving "Neek") has even resulted in charges of racism from people who read that as a codeword for the N-word (see what I mean by leftwing nuthouse?).

The text above the President's head shouts [for him] to "END THE SYRIA SLAUGHTER NOW!" clearly tying the image of the President to the USA's failure to intervene in Syria for the same reasons that we did in Libya (never mind that the vast right wing conspiracy howled over that). Even the yellow sticker text box by his watch has a subliminal message dealing with Wall Street... harsh.

Behold the power of the image married to text in three examples of a magazine desperately seeking readers. I betcha that this issue will set new sales records for Newsweek, and I am sure that by now the author of the piece (Niall Ferguson) is hiding securely in his panic room at Harvard University (where he teaches), that well-known bastion of right wing thought.

But before I let go of this visual art exploration of these covers, let me destroy the theory from the "throw the race card no matter what" idiots from the nuthouse by giving the compositional example from perhaps the most unflattering Newsweek portrait ever:

Maybe the "Queen of Rage" is also a "Neeek"? Makes my head hurt...

In other important news: the Mitt Romney Cockroach Beats Barack Obama Bug In Presidential Cockroach Derby! See the video here!

Wednesday, August 22, 2012

Just down the street from me...



The Amazing Spidergirl

I am almost finished with this piece from the new trompe l'oeil comic book superheroes series; to review:
  1. Phase One: A series of duplicate watercolor panels from the comic books
  2. Phse Two: Change the dialogue text in the text balloons to reflect something more interesting appropriate to the scene.
  3. Phase Three: Insert an electronic component into the dialogue balloons, with a Powerpoint based "back and forth" dialogue between the characters.
Fallout: Leaving Roy Lichtenstein's formulaic and gorgeous 1960s pop art of the same genre in the dust-bin of art history. These, along with other artists working the Superhero theme, will be at a special curated exhibition (curated by me) at the Aqua Art Fair in Miami Beach in December.


Update: Here's the finished piece
The Amazing Spidergirl. Trompe l'oeil watercolors and charcoal on paper. Circa 2012.
"The Amazing Spidergirl." Trompe l'oeil watercolors and charcoal on paper. 4x6 inches. Circa 2012.

Opportunity for Prince George's Artists


Call for Entries
 
Under The Influence:
The 24th Annual Prince George's County Juried Exhibition
Arts/Harmony Hall Regional Center
10701 Livingston Rd.
Fort Washington, MD 20744
Under The Influence
is a juried exhibition of works that show all kinds of influences, including, but not limited, historic, aesthetic and cultural. The exhibition is sponsored by The Maryland-National Capital Park and Planning Commission (M-NCPPC), Department of Parks and Recreation, Prince George's County, Arts and Cultural Heritage Division. The exhibition will be on display from November 5 through December 28, 2012.

Juror
Mr. F. Lennox Campello is an internationally accomplished artist, author, published art critic, teacher and one of the internet's leading art bloggers. His local, national and international knowledge of and experience with the pulse of the art scene is an invaluable contribution to this year's juried exhibition.
Exhibition Dates:
November 5 - December 28, 2012
Public Reception:
Saturday, November 17, 3-5pm
Artist Talk and Refreshments:
Saturday, November 24, 12noon-2pm 
Eligibility & Submission Criteria
This call for entries is open to all artists 18 years and older who live, work, attend school or have studios in Prince George's County, MD. Artists may submit a maximum of 3 artworks for consideration. All works must be original (no reproductions). Proposals for installations or performance works should include sample images, video or audio of the type of work being proposed as well as a brief description of the proposed art work.  

What to Send
  • A CD/DVD containing images and/or segments of audio/video, each no longer than five minutes in duration.
  • A bio, artist statement with contact info and a list of the works submitted with titles, media, and dimensions in MS Word.
  • If you would like your materials returned, please include a SASE.
 
Where to Send It
Materials can be submitted by mail or delivered in person to the arts office at Arts/Harmony Hall Regional Center, 10701 Livingston Rd., Fort Washington, MD 20744 or emailed to: Stuart.Diekmeyer@pgparks.com
Submission Deadline:
Monday, October 1, 2012
All submissions, in the form of digital images, must be received by 5pm on Monday, October 1.
Notification of selected works:
Friday, October 12, 2012
All selected artists will be notified via email
Delivery of artwork to AHHRC:
Friday, October 26, 9am-5pm
All artists are responsible for the delivery of their artwork to AHHRC
Exhibition closes:
Friday, December 28
Artwork pick-up:
Wednesday, January 2, 9am-5pm
Guidelines for Digital Files
Efforts will be made to review all submissions, regardless of format. However, please be aware that incompatible files may cause submissions to be rejected. Applicants are encouraged to format files as described below.
  • Name each file according to the following format: "last name" underscore "document". Example: jones_statement.pdf.
  • Please number each image file corresponding to the work sample list. Example: 01_jones_untitled.jpg
  • Image files should not be larger than 1MB, and should be formatted as jpeg, tiff or png.
  • Video and audio submissions may be submitted as a DVD or on a CD and formatted as Quicktime, Windows Media, .wave or .mpeg.

Purchase Awards
On the recommendation of the juror, the Arts and Cultural Heritage Division will purchase select works of art for the inclusion in the Parks and Recreation art collection.

Delivery & Installation
Artists are responsible for transporting work to and from the gallery. Art work must be delivered ready to hang and appropriately presented. For works that require projection, sound or other electronic equipment, those materials must be provided by the artist. Art works that differ significantly from the images submitted for judging, or are not ready for gallery installation, may be rejected. If you need to ship the work, please call us to let us know what arrangements you have made. The exhibition will be installed and dismantled by M-NCPPC staff unless the nature of the work requires special assistance. All work accepted for exhibition will remain for the duration of the exhibition.

Sales & Insurance
The M-NCPPC will retain a 25% commission on all art works sold during the exhibition. The M-NCPPC will insure all consigned artwork in the custody of Arts/Harmony Hall for 75% of it's sale value, from the time they are received by delivery, until the pick up date only.

Additional Information
If you have any questions or would like additional information, please contact: Stuart Diekmeyer, Assistant Director, Arts/Harmony Hall Regional Center, 10701 Livingston Rd., Fort Washington, MD 20744 or email Stuart.Diekmeyer@pgparks.com. Participation implies agreement with all aforementioned conditions.

Tuesday, August 21, 2012

New Rockville Outdoor Art Show Opportunity

WHERE: Rockville Town Square in Rockville, MD 
WHAT: Juried Fine Art and Fine Crafts Festival 
WHEN:  May 4 - 5, 2013   
            Saturday: 11 a.m. - 7 p.m.; Sunday: 10 a.m. - 5 p.m. 
           
NOTEWORTHY:

*Organized and managed by the Bethesda Row Arts Festival team
  
*Limited to 175 artists and crafters
  
*Estimated Attendance:  30,000
  
*Jury/Booth Fees:  $25/$325
  
*Ample Parking - Metro access
  
*Artist amenities include hospitality for artists open entire show, ample free parking, overnight police security.
  
Rockville Town Square - is a sensory delight. A popular dining and gathering place, Rockville Town Square covers four city blocks and features more than 30 fine shops, upscale boutiques, unique restaurants. Low-rise retail and modern residential buildings create a very pleasing, human-scale, town-center feel. The architecture is eclectic, ranging from art deco to southwest to postmodern in style.  Attractive brick sidewalks, wooden and wrought-iron benches, trees and shrubbery round out the welcoming atmosphere.

Cultural events are an important dynamic in this affluent community on the Rockville Pike corridor, which has the nation's highest per square foot retail sales.

Marketing through newspapers, magazines, television, radio, web and transit is directed to these individuals with high disposable income and interest in art.    

APPLICATIONS  WILL OPEN AUGUST 27TH 


Deadline: January 20, 2013

Notification: February 8, 2013 via e-mail

Accepted Artist fees due: March 1, 2013

Email inquires to: Robin@A-RTS.org

You may also contact by telephone:
Robin Markowitz, Festival Director
301-637-5684