RSVP Opens Friday!

Although over the years I’ve had the honor and pleasure of judging, organizing, curating, etc. my fellow artists many, many times (by my last count almost 300 times now!), one fact is always a constant and solid, never-changing, ever-present, add some more of your own metaphors for “you can count on this” fact: It is never easy!

OK, two facts: the second constant is that I am always refreshed and surprised by the spectacular diversity and pluralism of visual ideas that artists can deliver. This is the main reason that I really, really like putting together, organizing and jurying art shows.

And even after all these years and all these shows, I was still astounded by the quality and wide ranging sources used by the artists who gave me the honor to review their work for RSVP, a show that I had the honor to jury for the New Wilmington Art Association in Delaware.

And I can honestly say that this was not only one of the most difficult (and most fun) shows to whittle down to a select few, but also one which truly puts together a remarkable sampling of the revolving capacity of the artistic mind to educate, entertain, baffle, lead, record, interpret, upset, delight and make us proud to be part of the visual arts component of the human race.

RSVP surprised me by how far artists went to explore contemporary issues – in some cases by delighting the viewer with a new take on a 70-year-old British slogan; or by a performance that humanizes one of the simplest and most popular of childhood toys; or a painting that manages to inject us with the same lust that it so adeptly visualizes.

If you can, go and see this show; you will walk away (as with any group show) with a variety of reactions all fighting to control your reaction to it. But you will walk away also with multiple reactions, and you will walk away with the refreshing and never-ending breath of fresh air that good art injects into our daily lives.

Come see this show and join me in applauding the always-evolving skill and intelligence of contemporary artists who wield brushes, pencils, charcoal sticks, palette knives, computers, metal, stone, found objects and their own bodies to punch the solar plexus of our minds with ideas and reactions.

The opening reception is this Friday, and it includes a performance at 7:30pm titled “Dress Me” by Kara Dunne. 
“As a living paper doll, the audience may dress me however they choose with a wide selection of paper garments adjusted to my size.  Included in the wardrobe are vests, skirts, dresses, lederhosen, bellboy jacket, a tuxedo, hot pants and lingerie.”

A second opening (sans performance) will take place October 5th.

Participating Artists
Terry Anderson
Paul Andreas
Leslie Boyd
Nancy Breslin
Breck Omar Brunson
Tibi Chelcea
Hunter Clarke
Suzanne Comer
Kathryn Cook
Christina Day
Elyssa Duckett
Kara Dunne
Alicia Eggert
Francine Fox
Patricia Goslee
Kevin Gross
Atom Gunn
Stacey Gruver
Jeannette Herrera
Daniel Johnson
Kim Knauer
Patrick Koziol
Larry Lairson
April Loveday
Meagan Mika
Bert Pasquale
John Reef
Dan Rios
Chuck Schultz
Alexandra Silverthorne
Fierce Sonia

Page 4 of the Daniel Smith 11th Annual Customer Contest... is it me or is this agreement asking a wee bit too much?

Each entrant irrevocably grants Sponsor and its affiliates, legal representatives, assigns, agents and licensees, the unconditional and perpetual right and permission to reproduce, encode, store, copy, transmit, publish, post, broadcast, display, publicly perform, adapt, exhibit and/or otherwise use or reuse (without limitation as to when or to the number of times used), each element of the entrant's Entry, and to use of the entrant's name, likeness, photograph (collectively, "Likeness"), and/or statements regarding his/her participation in this Contest (with or without using the entrant's name) in any and all media without limitation as to time or territory, and without additional compensation or approval from the entrant/Finalist or any other party. Entrant waives intellectual property rights, privacy/publicity rights or other legal or moral rights that might preclude the Sponsor's use of any element of the Entry, and agrees not to sue or assert any claim against the Sponsor for the use of any element of the Entry or entrant's Likeness or statements. Entrant further grants all end users of Sponsor’s Web Site (a) the ability to rate, vote, review, comment on and tag the Entry; (b) the ability to send and distribute the Entry via e‐mail, instant messenger, and via social media or other electronic means.

Malik M. Lloyd at Asman gallery

NBC's Asman Gallery presents, GOOD MEDICINE - A solo exhibition featuring the art of Malik M. 
 Lloyd. 

Mr. Lloyd is the founder of FIND ART information bank and was one of the artists featured in the 100 Artists of Washington, DC book.

Malik's artwork explores the African–American historical and religious experience. His overarching intent is to "create artwork that examines relationships between history's truth, unearthed by contemporary scholars of African decent, and it's detrimental, but more accepted falsehoods, perpetuated for centuries – this falsification of history is so pervasive, that it remains the dominant historical narrative taught in schools and provided in the media". He uses his artwork to promote awareness of these historical inaccuracies. 

Asman Gallery
4001 Nebraska Ave., NW
Washington, DC. 

Reception: September 8, 12. Time: 5 – 7pm. 
Works on exhibition until September 22. 

Note: NBC's Channel 4 is a secured building. Visitors to the exhibition need to be placed on visitors list in advance of entering building by emailing names to Malik@FINDARTinfobank.com. The gallery is available to visitors, Monday – Friday, from 5pm to 8pm. Saturday and Sunday, 12noon to 5pm.  

The Worst Art Restoration Mistakes of All Time

So now we all know what not to do when restoring great works of art. Don't go into a church in Spain and try to touch up a century-old fresco if all your attempts at art so far have ended with people asking you what you're painting. But it turns out that even professionals can screw up horribly when it comes to art restoration. Here's how art restoration screwups can lead to impromptu nose-jobs, cracked paintings, or sand-blasted sculptures. 

 (Via) Read the whole article here.

On Identity in the Arts: What Does It Mean to be Latino?

Those of you who know me well, and those of you who know me through my writing, know that one of my pet peeves is the usage of "labels" to box people and art, or art and people, into easily distinguishable categories.

One such label is the American invention of the Hispanic (now apparently not a PC term because technically it includes two European nationalities) or Latino label to pass for ethnicity and often and always wrongly for race.

What does that mean in art? And what does it mean to "Latino" artists? Does it mean anything?

If you want to hear my opinion on the subject then start by penciling in October 11, 2012, where starting at 5PM I will be presenting a lecture titled "On Identity in the Arts: What Does It Mean to be Latino?" at Montgomery College in Silver Spring, MD.

Prepare to understand why us "Latinos" are often as confused by the use of this term as the rest of the world.

Directions here.

Collecting Art

The Role of Art Fairs in Building a Contemporary Collection 

Thursday, September 13, 6:30-7:30pm

Location: UBS Financial Services, 1501 K Street, NW, Washington, DC

This event is free but registration is required, email bmurphy@wpadc.org to register

Fernando Silva Pinto, Washington Correspondent for TV Globo, moderates this panel discussion with collector Dani Levinas, curator Joanna Marsh (Smithsonian American Art Museum), and gallerist Amy Raehse (Goya Contemporary). The participants will discuss their experiences with art fairs, tips for negotiating them, and the role they play in building a contemporary collection.

 

Organized by Washington Project for the Arts in partnership with UBS Financial Services, Inc., this forum is part of a series of stimulating conversations on current art concepts and trends, which give artists, curators, and collectors an opportunity to gain insight on new directions in contemporary art.

(e)merge needs volunteers

(e)merge art fair is looking for energetic, efficient volunteers to assist with various aspects of the  fair. No experience is necessary, but knowledge of the art field or experience with art events is preferred. This is a valuable experience for anyone involved with or  interested in contemporary art. 

(e)merge will take place at the Capitol Skyline Hotel October 4-7, 2012. 

Volunteers will be invited to an orientation at the hotel prior to the event. Whether you want to assist for a day, or for the duration of the art fair, dedicated volunteers are essential to the success of the fair and deeply appreciated. 

If interested or have any questions please contact Irene Clouthier at irene@emergeartfair.com