Courage Unmasked This Wednesday

On September 12th the second Courage Unmasked auction will take place at American University's Katzen Arts Center. For that event, together with several other artists from around the nation, I was invited to create a mask for the fundraising auction, and for quite a while I have been refining a three dimensional version of my embedded video drawings to make them jump into the fourth dimension with a mask.

In essence, more than 50 artists from all over the country created fine art by transforming radiation masks formally worn by HNC patients to position and immobilize their heads during treatment. These unique masterpieces will be auctioned at the Gala on the 12th. Money from mask sales and admissions will fund 9114 HNC, dedicated to helping those in financial need during and after treatment.

 911 4 HNC means “Help for Head and Neck Cancer.” This is a unique fund dedicated to granting financial aid directly to patients who have or had head and neck cancer (HNC). Unlike many other foundations, theirs does not give dollars to research.They support only individuals and their families in the locations where money is raised.

Improving the quality of life for those with head and neck cancer is the foremost goal of this endeavor. The 9114HNC fund receives money from the auction of fine art sculpture by artists who transform radiation masks worn by head and neck cancer patients. The money raised goes directly to individual patients who are struggling to make ends meet, whether it’s for taxi fare to the hospital or groceries.

Date: September 12, 2012at AU's gorgeous Katzen Art Museum.

Start Time: 6:30 pm
End Time: 9:30 pm
Buy your tickets here.

Below is my piece that you will see at the Katzen. This is titled "Eyes of  Frida Kahlo" and consists of an assembly of two small LCD screens embedded within the mask and each playing two separate Powerpoint presentations; each has 68 embedded images of Kahlo's self portraits.

The focus of the piece is to envision triumph over pain, as the brave people who have to undergo radiation therapy for head and neck cancer (HNC) have to do.

Eyes of Frida Kahlo (front view)

Eyes of Frida Kahlo, left view

Eyes of Frida Kahlo, right view

Eyes of Frida Kahlo, seen in a dim light

Eyes of Frida Kahlo, seen in the dark

Opening This Friday

Pencil this in and if you want to know the history, oddity and meaning of the terms "Hispanic" and "Latino", then come to the lecture as well...

Congrats!

The Trawick Prize: Bethesda Contemporary Art Awards is a visual art prize produced by the Bethesda Arts & Entertainment District through the amazing generosity of Mrs. Carol Trawick. The prize honors artists from Maryland, Washington, D.C. and Virginia. 

 

A couple of nights ago, the annual juried competition awarded $14,000 in prize monies to selected artists and features the work of the finalists in a group exhibition.

Winners 

Best in Show, $10,000 - Lillian Bayley Hoover, Baltimore, MD
2nd Place, $2,000 - David D'Orio, Mt. Rainier, MD
3rd Place, $1,000 - Dean Kessmann, Washington, D.C.
Young Artist Award, $1,000 - Hannah Walsh, Richmond, VA 

 

Can I pick them or what? I think this is now 4 out of the last five years that I've predicted the top prizewinner! That's Carol Trawick in the photo with the 2012 Best in Show winner Lillian Bayley Hoover and Catherine Leggett.

Congrats to all the prizewinners!
   

The 2012 exhibition will run through September 29 at Gallery B, located at 7700 Wisconsin Ave., Suite E, Bethesda, MD 20814.

Chicomms Censor Shanghai

This is what happens when old Communists are still in charge:

Censorship of political content has long been a feature of the Chinese art world under Communist Party rule, but gallery owners and artists at SH Contemporary were told on Thursday that city officials were being extra careful ahead of a once-a-decade leadership transition set to take place in Beijing next month.
“It’s especially sensitive this year because the 18th Party Congress will start soon,” said a fair organizer after trying to convince another booth to remove a painting that censors didn’t like because it appeared to include images of Mao Zedong.

The last-minute removal of art works, some of which had passed initial vetting for the fair, underscores the party’s reach and the pressures building in the political system ahead of the secretive conclave that will anoint new leaders.

Pictures of Mao? Oh No! God forbid that an artist actually show the image of one of history's greatest mass murderers... Read the whole article here.

A week from now...

Pencil this in and if you want to know the history, oddity and meaning of the terms "Hispanic" and "Latino", then come to the lecture as well...

DC to host photography fair

My good friend Kathleen Ewing, whose iconic photography gallery has been the standard bearer for fine art photography in the DMV (and the nation in general) for decades, is launching a satellite photography fair to coincide with Connersmith's (e)merge art fair.

This is good for the DMV art scene... the more art fairs the better... and if (e)merge can continue to spawn satellites, that is a sign of success... now all that we need to do is to have the region with one of the world's highest concentration of wealth (I'd guess 25% of the 1% lives around here) start buying some original art to hang on their walls instead of framed [fill in the hoity toity college of your choice] posters or vintage movie French or Italian movie posters of old Cary Grant movies.

The fair will feature more than fifteen established fine art photography galleries from across the United States, with representative samples from their gallery inventories. An extraordinary range of photographic images—from 19th-Century Images to cutting-edge contemporary visions—will be on display and available for purchase.

LOCATION
2801 Sixteenth Street, NW (former residence of the Ambassador of Spain) Columbia Heights neighborhood, accessible by Metro and major bus routes

 

HOURS
Friday, October 5: Opening Night Preview (by invitation only)
Saturday, October 6: Noon to 7pm
Sunday, October 7: 11am to 5pm

A Saturday morning panel discussion, "On Collecting Photography" will be held from 11am to 12 noon. All weekend events are FREE and open to the public.

Seen on Univision

A few minutes ago I was dumbfounded when, while viewing an interview on Univision's national news show with a nice lady from the Puente Movement, in the background I noticed a large framed photo of Ernesto Guevara de la Serna Lynch, the man known to most of the world as Che and to most Cubans as El Chacal de La Cabaña.

The Puente Movement:  "Puente Arizona is part of the global movement for migrant justice and human rights. As a grassroots community-based group Puente promotes justice, non-violence, interdependence and human dignity. Puente Arizona works to empower the community and build bridges by working collaboratively with various organizations and individuals."

So I decided to write this organization with such good goals, a note about the psychopath who adorns their walls: 

As an artist and writer I've spent years researching and creating work, both written (I've written an online bio of Che as a young man) and visual arts about this complex man. I have read all his diaries and writings and speeches and interviews, and from his own words comes out a RACIST psychopathic personality which I've discovered that most people are not aware of.

Don't listen to me if you are the types of people who are easily seduced by dogma and what Hollywood and ignorant Latin American and European icon-makers have made of the myth of Che. I ask that you listen to Che from his own diaries and memories - if after reading what Che has written, said or done, you still believe that any decent human being who is struggling for the rights of others should have a poster of Che as a positive image, then you are way beyond logic - Read on:

On Mexicans: "Mexicans are a band of illiterate Indians."

On Blacks: "The black is indolent and a dreamer; spending his meager wage on frivolity or drink; the European has a tradition of work and saving, which has pursued him as far as this corner of America and drives him to advance himself, even independently of his own individual aspirations."

On Black Cubans: "We're going to do for blacks exactly what blacks did for the revolution. By which I mean: nothing."

On Homosexuals: Che played a principal role in setting up Cuba's first labor camp in the Guanahacabibes region in western Cuba in 1960-1961, to confine people who had committed no crime punishable by law, revolutionary or otherwise. This "crimes" involved homosexuality, drinking, vagrancy, disrespect for authorities, laziness and playing loud music. Che defended that initiative in his own words: “We only send to Guanahacabibes those doubtful cases where we are not sure people should go to jail… people who have committed crimes against revolutionary morals, to a lesser or greater degree.... It is hard labor, not brute labor, rather the working conditions there are hard.” Che's homophobia is expressed in the poster placed at the entrance to the forced labor camp, where homosexuals were confined, which read:  “The work will make you men”', replica of the slogan “The work will make you free” used in the Nazi concentration camps. It was intended to correct the homosexual behavior applying rigorous punishments with the intention of modifying this social deviation, which does not constitute a crime punishable by law.

On the thousands of executions that took place in 1959: In an appearance on Channel 6 of Cuban TV in February 1959, Che declared that "at La Cabaña all executions are carried out under my express orders.” He adds: “It is necessary to work at night, the man offers less resistance at night than during the day. In the nocturnal calm the moral resistance is weakened. Do the interrogations at night. It is not necessary to make many inquiries to shoot somebody. What one need to know is if it is necessary to shoot him. Nothing more. You should always give the accused the possibility to do his discharge before executing him. And this means, understand me well, that the accused should always be executed, without mattering which has been his discharge. Make no mistake about this. Our mission doesn’t consist in giving procedural guarantees to anyone, but to make the revolution, and we must begin by the same procedural guarantees.”

On the right of workers to strike: In a TV speech June 26, 1961, when he was Minister of Industries Che said: “The Cuban workers have to start being used to live in a collectivism regimen and by no means can they go on strike.”

I support what you are trying to accomplish - but I am sickened to see that you do it under the image of a murdering psychopath - I blame it on ignorance on your part, and hope that you can do your own research and then put that image of Che where it belongs, the garbage bin.

Un abrazo,

Lenny Campello

 Five gets you ten that they ignore this email and go on trying to do good things under the banner of a murdering racist whose image has been redone by 60 years of lies. I hope that I am wrong.