Tuesday, December 18, 2012

Blake Gopnik Laid Off at Newsweek

Former WaPo art critic Blake Gopnik, who escaped the sinking ship known as the WaPo's Style Section for Tina Brown's nearly submerged Newsweek, has been fired ; according to NY Magazine:
Also leaving Newsweek/The Daily Beast amid substantial layoffs is art and design critic Blake Gopnik, he confirmed to Daily Intel. Gopnik joined Tina Brown's magazine from the Washington Post in 2010, along with Robin Givhan, the first and only fashion writer to win a Pulitzer Prize. Givhan was let go in the downsizing as the company kills its print edition. "It's been a wild ride, and a strange one," Gopnik said.
Before he left, the Blakester had this great article on the coming explosion of the art market bubble... I sorta agree with him. Read that here.

Yoga


In this work, the digital imagery completes the narrative of the visual image. 

We see the woman’s mind begin the effort to clear the mind of all things and achieve the perfect state of a blank mind. 

Her struggles are followed through the digital imagery of food, drinks, candy, space, Mr. Spock and other images before settling on a perfectly blank mind. 

Furthermore, the buyer of this piece has the option to request to have me add some specific “distracting” digital images to the piece, if so desired, and thus become a “contributor” to the work.




Yoga
Charcoal and Conte on Paper with Embedded Electronics
© 2012 F. Lennox Campello
 

Monday, December 17, 2012

Newtown

DCCAHLogoOneline

FROM OUR CHAIR, JUDITH TERRA AND 
EXECUTIVE DIRECTOR, LIONELL THOMAS 
on behalf of the entire staff...
  
As our nation returns to its week of work and plans for the upcoming holidays, the hearts and minds of all of us remain with the community in Newtown, Connecticut.  In the arts, the process of creation, separation and renewal is a continued reminder of the majesty of this life and of its, at times, fleeting and, at other times, uncontrolled nature.  Our songs, images, dances and writings, now and in the future, will have moments of either sadness or joy but will always contain our story and shared history. In this way, the arts will always honor the community that so suffered this past weekend and in this way will so participate in its healing and future.  We join in the shared expression of grief through the United States and will hold the same solemn promise to never forget in the unique and singular way that only the arts can do. 

Sunday, December 16, 2012

Opportunity for Artists


BlackRock Center for the Arts
Call to Artists 2014
BlackRock Center For the Arts is accepting entries for exhibits January - December 2014.

You can download the prospectus by clicking the link to the right or go to www.blackrockcenter.org

Deadline: 
Friday, December 21, 2012
Entry Fee:
$35 check or money order made payable to BlackRock Center for the Arts
Eligibility:
Open to all artists 18 years and over residing in  Maryland, Virginia, and Washington DC. 
Special Consideration:
Artists who are willing to conduct a lecture or workshop for a BlackRock standard fee will receive special consideration during the selection process.    
About the Gallery
BlackRock Center for the Arts gallery is 1500 square feet of gallery space.  Its high white walls and beautiful windows allows in just the right amount of natural light. We take pride in the outstanding artists we have exhibited over the years, which have been reviewed by Claudia Rousseau, Lenny Campello, and other art critics in the area.

Eligibility

The Call to Artists is open to all artists residing in Maryland, Virginia, and Washington, DC over the age of 18 for original artwork only. All work must be ready for sale and to be presented in a professional manner to the public at the time of delivery. (See Terms for Exhibit for details.) Pedestals are available for three-dimensional work.

Selection Process

This call will cover exhibits in the Gallery from January to December 2014. An exhibit may include one applicant or a combination of applicants, based on the judgment of jurors (i.e., 1 or 2 wall artists may be combined with a pedestal artist). A jury will select the artists and create eight exhibits to be included in the exhibit year. This season, the jury panel is comprised of Lenny Campello (artist, writer, blogger), Marsha Staiger (artist, Torpedo Factory), and Tim Tate (artist, Washington Glass School). In addition, the panel will have an alternate juror, Krista Bradley (Executive Director of BlackRock).
 
Gallery Panorama
Send to:
BlackRock Center for the Arts
Call to Artist
12901 Town Commons Drive
Germantown, MD 20874

Questions?

Contact:
Gallery Manager

All correspondance by e-mail, no phone calls please.

Saturday, December 15, 2012

Zero Dark Thirty

As I've noted before, I am not really sure why I continue to get passes to many press previews of movies, but every once in a while, I do have the time and interest to go see one ahead of time and I saw Zero Dark Thirty and came away entertained, but as usual disappointed as to how Hollywood distorts historical events in order to make a film... ahhh... entertaining.

My basic issue with Zero Dark Thirty, and almost every single Hollywood movie allegedly representing a historical event, is that I am a pedantic Virgo, who tends to over notice little "wrong" things about celluloid history... little things such as a military ribbon out of place, an uncovered salute from a sailor, a wrong line.

To start, the very start of the movie is made up and never happened. But even before the start of the movie I have an issue.

"How can you have an issue before the movie starts, Lenster? ", you ask.

The title is wrong.

No one in the military says "Zero Dark Thirty."  The statement used to depict a very early hour in the day is "O Dark Thirty" -- "O" as in the letter; not "Zero" -- and I understand that this may confuse some folks who never served, but if I'm going to be pedantic, then I might as well start with an erroneous title.

Back to the start of the movie.

There were only three people terrorists who were water boarded by the CIA in their effort to gather intelligence from the bad guys (and thousands of US military people as part of the Survival, Evasion, Resistance, Escape (SERE) school - at least when I was in, being water boarded was part of the school curriculum); the dude being water boarded in the movie was not one of them, so why make that up?

That's two strikes already, and we're not even finished the first few minutes of the film, but Hollywood has already seeded suspicion about nearly everything that follows and that bugs the pedantic me.

The vast left wing nut house is going bananas over this film because it thinks that it is too flattering to the CIA, to the US Government, to whatever... they also rightly complain about perceived historical inaccuracies (although I didn't recall any such complaints on equally intellectually dishonest efforts such as Oliver Stone's "W" or Michael Moore's pick any documentary).

As a work of historical fiction, the film was splendid in its entertainment factor... and Hollywood will tell you that it is a "film and not a documentary." The problem is that a lot more people will see this film, and take it for a full, true story, than will ever read the actual facts about the OBL hunt.

Art Purchase Awards

Heading out to hand out some art purchase awards from the Prince George's County Arts and Cultural Heritage Division... congrats to Robert W Kincheloe, Ric Garcia and Celestine Ranney-Howes!

Friday, December 14, 2012