Mark Jenkins times two

The WaPo's Mark Jenkins (not the Mark Jenkins who is the world-famous Washington-based street artist) has been (in my opinion) the person most responsible for slowly, but surely restoring the WaPo's Style section's coverage of the visual arts to just that: coverage of the visual arts in an area-wide sense, rather than the "focus on a handful of galleries" approach of his predecessor.

His latest set of mini reviews is a perfect example of that; read that one here and another great example is this one.

And talking about the "other" Mark Jenkins (the world-trotting street artist), after all these years I remain puzzled why no gutsy DC area museum curator takes the initiative to give this stellar artist a museum show in his own hometown.

The Artist as Applicant

The artist as applicant is an artist who is applying for an award that offers money, a studio residency, or an honor. The artist as applicant may be nominated or may respond to an open grant application call. Sometimes there are restrictions (age, locale, gender, education). The artist as applicant often but not always, has another source of income -- a day job, a part-time job, or the actual sale of their art. Some artist as applicants rely entirely on grants for their income.

What follows are potential scenarios in the life of the artist as applicant.

Read the whole piece by Rachel Mason at The HuffPost here.

Call for Artists

Art Lives Here is a regional visibility campaign for Gateway Arts District that includes participatory public arts projects, performances, installations and temporary commercial activity. All the details are here

Requests for Proposals

CALL FOR ARTISTS

The following RFPs will provide more than $30,000 for artists to implement creative placemaking activities. All mediums and experiences are encourages to apply. If your project idea does not fit within a category, please send a short summary to project staff. Arts education, youth groups, film, poetry and other art forms will be considered based on merit, budget and schedule.

Please contact neena@joesmovement.org if you have any questions.

Artists Business Partnerships:
Soliciting proposals for temporary and long term art installations, pop-up galleries, or programs within active and vacant local businesses.  Projects will enliven spaces and support the business environment. Sponsorship for materials and supplies by Community Forklift.

Art Attacks:

Soliciting dynamic art education projects that seek to engage under served community members where they live. Rather than asking participants to arrive at a specific location at a specific time, Art Attacks hope to engage community members on the spot, providing a valuable in-the-moment experience that may become the gateway into additional art education opportunities provided in the Gateway Arts District.

Performance:

Soliciting performances and performance concepts by artists living and working in the Gateway Arts District.

All proposals can be submitted to:

Neena Narayanan
Art Lives Here Project Coordinator, Joe’s Movement Emporium
3309 Bunker Hill Road
Mount Rainier, MD 20712
301-699-1819
neena@joesmovement.org

Frida Kahlo's Personal Items on Display

Trawick Prize Call for Artists

The Trawick Prize: Bethesda Contemporary Art Awards is now accepting applications for the annual juried art exhibition and awards. $14,000 in prize money is awarded annually to the top four artists and a group exhibition of the finalists’ work will take place in September 2013 at Gallery B in downtown Bethesda. With a top prize of $10,000, The Trawick Prize is one of the largest and most prestigious contemporary art awards in the region.

The 2013 competition will be juried by Cynthia Connelly, Visual Arts Curator at Artisphere in Arlington, VA; Alexander Heilner, Associate Dean of Design and Media Studies at Maryland Institute College of Art in Baltimore; and Vesela Sretenović, Senior Curator of Modern and Contemporary Art at The Phillips Collection in Washington, D.C.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C.  Original painting, drawing, photography, sculpture, fiber art, digital, mixed media and video are accepted.  The maximum dimension should not exceed 96 inches in any direction. No reproductions. Selected artists must deliver artwork to the exhibit site in Bethesda, MD. All works on paper must be framed to full conservation standards. Each artist must submit five images (10 for 3-D work), application and a non-refundable entry fee of $25.

Artists may apply online or download an application at http://www.bethesda.org/bethesda/trawick-application. I have also attached a PDF version of the application.

The deadline for applications is April 1, 2013. Notifications will be mailed April 26, 2013.

Delusions of Grandeur

 “You have to be delusional to want to be an artist,” says Amber Robles-Gordon, who, with Shaunte Gates and Jamea Richmond-Edwards, debuted as the art collective Delusions of Grandeur with two back-to-back exhibitions in the summer of 2011. Originally funded by a grant from the D.C. Commission on the Arts and Humanities, the group has expanded to five members with the addition of Wesley Clark and Stanley Squirewell.

Check out an excellent review and discussion on this group by the WaPo's Michael O'Sullivan here.

39th Street Gallery

3901 Rhode Island Ave.
Brentwood, MD

301-864-3860

This panel is today!

MIAMI ART FAIRS – REAL DEAL OR HYPE? 

FIRST‐HAND PERSPECTIVES FROM EXPERTS AND NEWCOMERS

Date: Monday, January 14th, 2013, 6:30 – 7:30 pm

Catalyst Projects will moderate this discussion, generously hosted by Arch Development and The Hive 2.0. The panel is going to feature Lenny Campello, distinguished art dealer and artist at Aqua; Adah Rose Bitterbaum, owner of the Adah Rose Gallery and exhibitor at Pulse; Tim Tate, established glass artist at Art Miami; Sean Hennessey, glass artist and newcomer to Aqua; and Shaunte Gates, exhibiting artist at Select.

This panel discussion will offer the DC arts community a look at the increasingly important world of art fairs from diverse perspectives.

This event is free of charge and open to the public.

Location:
The Hive 2.0
1231‐B Good Hope Rd SE
Washington, DC 20020