Saturday, May 04, 2013

An Open Letter from Arts on the Block

Dear Fellow Artist:
 
Both of us have rarely asked fellow artists for a contribution to any the various arts organizations we‘ve been involved with over the years, unless the artist is rolling in money (an all too rare state), but we’re making an exception now. We’re both on the board of directors of a non-profit organization called Arts on the Block (AOB), and it could use a little help financing a very important part of its mission, which as an artist we think you’ll appreciate.
 
AOB's signature program involves high school students, many of whom are  economically disadvantaged, but all of whom identify themselves as creative types and lovers of art.  Mosaics are what the students (called apprentices at AOB) focus on, and over the years they have created a number of great public and private murals in the DC area. As a team the apprentices work with a public or private client to design a mosaic, and then they build it. Through this program AOB does a truly remarkable job of fostering art, life, and business skills. (You can see some to our apprentices’ work by going to the AOB website www.artsontheblock.org and clicking on Buy & Commission Art.)
 
A unique cornerstone of the program described above has been paying the apprentices a stipend while participating in the AOB program. This stipend is a important teaching tool as it adds concrete value and incentive to their creative work. The appentices have historically been paid $30 a day for their participation in the program. 
 
So why are we asking you for money now? Arts on the Block, like the vast majority of non-profit art organizations, is trying to weather the current economic woes. Unlike most non-profit art organizations AOB consistently stays out of debt;.This, however, can lead to budget cuts. Thus, we’re hoping you will contribute $30 for one of our apprentices for one day in the AOB program. We will not stop you if you’d like to finance 2 days for $60, or even a  whole week for $150. But, again, We’re hoping you will at least  consider financing an outstanding young artist for one day’s participation in the of Arts on the Block program.
 
 
Or you can mail a check to:
 
  Arts on the Block
  11501 Georgia Ave.,  Ste 104
  Wheaton, MD   20902-1952
 
Whatever you can give will be greatly appreciated.
 
 Best,

Richard Dana and June Linowitz

Friday, May 03, 2013

MCA announces Curate Maryland

Sponsored by Maryland Citizens for the Arts, Curate Maryland is a new series of "on-the-ground" experiences designed to highlight and promote the arts in cities and towns from across the state of Maryland. 
 
Each Curate Maryland event will spotlight a selection of one town's local arts organizations while fostering dialogue about issues that concern arts advocates at all levels of governance. The series is a site-specific celebration, one city or town at a time, for art lovers from around the state.

The first Curate Maryland event is May 18 in Hagerstown, and features visits to The Washington County Arts Council, The Maryland Theatre, Maryland Symphony Orchestra, Washington County Museum of Fine Arts, with performances, tours, refreshments and workshop discussions throughout.  

The event is free with RSVP to Brian Francoise at 410.467.6700 or at brian@mdarts.org.

Thursday, May 02, 2013

Potomac Vallery Watercolorists


A little while ago I had the pleasure of selecting the prizewinners for the Potomac Vallery Watercolorists at the beautiful Green Spring Gardens, and although over the years I’ve had the honor and pleasure (and luck) of judging my fellow artists many, many times (by my last count almost 300 times now!), one fact is always a constant and solid, never-changing, ever-present, add some more metaphors for “you can count on this” fact: It is never easy!

A second constant is that I am always refreshed and surprised by the spectacular diversity and pluralism of visual ideas that artists can deliver. This is the main reason that I really, really like putting together, organizing and jurying art shows.

And even after all these years and all these shows, I was still astounded by the quality and wide ranging of sources used by the artists who gave me the honor to review their work for this beautiful show at Green Spring Gardens. And in case you don't already know this: the most difficult (technically) of all visual arts media is watercolor. The difference between a great watercolor painter and the rest of us is that a great watercolor painter knows how to incorporate their mistakes into the final painting.

And I can honestly say that this was not only one of the most difficult (and most fun) shows to whittle down to a select few prizewinners, but also one which truly puts together a remarkable sampling of the evolving capacity of the artistic mind to educate, entertain, baffle, lead, record, interpret, upset, delight and make us proud to be part of the visual arts component of the human race. 

The exhibition also underscores a mostly overlooked fact in this age of post-modernism: the wondrous ability of the visual arts to be both beautiful and yet remain contemporary.

This show also surprised me by how far the artists went to explore contemporary issues of all flavors as they related to the focus of the subject matter (generally speaking... flowers) and driven by the gorgeous garden settings – in some cases by delighting the viewer with a fresh and delightful take on traditional subjects such as Toni Bragg's "Bulb of a Different Sort" which delivered the visual beauty of one of my all-time favorite things on this planet (garlic) and in others by cheering the gargantuan power of color married to enviable technical skill as in Kate Niner's "Pasta for Dinner" (which won the Best of Show)... memo to Kate: You need a website!

When you come and see this show, you will walk away (as with any group show) with a variety of thoughts all fighting to control your private reaction to it. You may have come with a pre-conceived idea of seeing "flower" art and trying to understand what people mean by adding that adjective in front of the word "art." 

But you will walk away also with multiple new reactions, hopefully including a realization that art, regardless of the label, should and must always stand as art, first and foremost. And you will also walk away with the refreshing and never-ending breath of fresh air that good art injects into our daily lives.

Come see this show and join me in applauding the always-evolving skill and intelligence of contemporary artists who wield brushes, pencils, charcoal sticks, palette knives, computers, metal, stone, found objects and ideas to punch the solar plexus of our minds with ideas and reactions.

 Green Spring Gardens
4603 Green Spring Road
Alexandria, VA
April 29 - June 24, 2013

Reception: Sunday, May 5
1 - 3 p.m., Horticulture Center

Wednesday, May 01, 2013

Tuesday, April 30, 2013

The Doc gets good news...

Dr. Alida Anderson and Little Junes at National Airport - April 2013
Congrats to my amazing wife, Dr. Alida Anderson, who just got tenured at American University!

Monday, April 29, 2013

Art Fair dynamics

From a post almost a decade ago:

One of the more eye-opening things in attending an art fair is seeing the dynamics that go onto the decision to buy a piece of art.

Put together a few thousand people, paying an entry fee to enter the fair, an assortment of dealers, and a huge diverse variety of offerings and it's an education in people watching.

The married couple:
"Do you like it?"
"Yeah, I like it- it's just what we've been looking for."
"Where would we put it?"
"We have a couple of spots that it'd fit."
"Do you really like it."
"Yeah, how about you?"
"Yeah, I kinda of like it."
"Should we get it?"
"If you want it."

(five minutes later)
"Let's think about it."
"OK"
[To me] "Do you have a business card?"

The couple (not married):
Her: "Do you like it?"
Him: "Sssoright"
Her: "Where would we put it?"
Him: "Dunno."
Her: "Do you really like it."
Him: "So'OK.. Yeah, how about you?"
Her: "Yeah, I kinda, sorta, really like it."
Him: "Dunno though"
Her: "What? You don't like it?"
Him: "If you want it."
(five minutes later)
Him: "Let's think about it."
Her or Him: "OK" [To me] "Do you have a business card?"

The Single Woman (SW) with a Woman Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... it's nice"
SW: "It's exactly what I've been looking for!"
Friend: "I have a friend who does work just like this..."
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "Yeah... it's OK"
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "There's a few more booths we haven't seen."
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"

The Single Woman (SW) with a Man Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... Cool"
SW: "It's exactly what I've been looking for!"
Friend: "I think it's a lithograph" [it's actually a charcoal]
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "I have something like it... I got it cheaper though..."
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "You like lithographs?"
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"

The Single Focus Dream Buyer:
[Walks straight up to one piece, never looks at the rest of the work in your booth]
"I'll take this"
[Me] "Thank you... it's a very striking charcoal drawing - will be that be a check or charge?"
"Charge"
[Me] "I can send you more information on this artist..."
"That will be great - I love this work - it's exactly what I'm interested in!"
[Me] "I have a few more pieces here, would you like to see them?"
"No, thanks..."

The "I'm glad you're here guy (IGYHG)":
IGYHG: "Hey! I've been looking for you!"
[Me]: "Hi, how are you?"
IGYHG: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
IGYHG: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
IGYHG: "Well, let me look at what you've got!"
[three minutes later]
IGYHG: "Well... I'm glad you're here... see ya next year!"


The "I Shudda Bought It Last Year Guy (Shudda)":
Shudda: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
Shudda: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
Shudda: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
Shudda: "Well, let me look at what you've got!"
[three minutes later]
Shudda: "Where's that really good watercolor of the fill-in-the-blank?"
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
Shudda: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
Shudda: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
Shudda: "I shudda bought it last year"
[Walks away]
Shudda: "You gonna be here next year?"

The "Where's That Piece Guy (WTP)":
WTP: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
WTP: "... been walking this whole fair specifically looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
WTP: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
WTP: "OK... last year I saw this piece... it was a fill-in-the-bank and I should have bought it then! "
[Me]: "Yeah... that is a nice piece."
WTP: "I've been thinking about it for a whole year"
[Looks around the booth and doesn't see it]
WTP: "Do you still have it?"
[From here there are two paths...]
Path One -
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
WTP: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
WTP: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
WTP: "I shudda bought it last year"
[Walks away]
WTP: "You gonna be here next year?"
Path Two
[Me]: "Let me get it for you... I have it in the back!"
WTP: "Great"
[I bring it out and give to WTP]
WTP: "Yeah this is it! It's great!"
[Me]: "This artist has done really well this last year and ---"
WTP: [Handing it back] "Excellent! I'm glad you still have it... until what time are you going to be here?"

Sunday, April 28, 2013

SF morning

Little Junes having his morning constitutional at Cafe Bellini in San Francisco while mom was presenting two papers at a conference.