Thursday, May 23, 2013
Wednesday, May 22, 2013
Campello on the ropes...
You gotta see this to believe it... talk about upper body strength for a 105 pound girl!
Artist Overwhelmed by Modern Art
This is "Artist Overwhelmed by Modern Art." It is oil, acrylics and charcoal on gessoed paper with embedded LCD screen playing a presentation of 70+ digital images of contemporary art. 15x27 inches framed to 27 x 39 inches.
Artist Overwhelmed by Modern Art Oil, acrylics, charcoal on gessoed paper with embedded electronics. 15x27 inches |
Detail |
Tuesday, May 21, 2013
The "wake" effect
If you read this blog with any regular emphasis, then you know that in the past, many times I have discussed the worldwide art fairs and the reason why contemporary artists need to be in them and why there are so many positive things that come out of them - other than sales - even after the fair is over.
As a sailor, I compare it to the wake that a ship leaves on the ocean... a wake that most landlubbers don't realize is sometimes noticeable for hundreds of miles after the ship has passed through... if your sensors are good enough.
She first saw my work at the Aqua Art Fair in Miami Beach last December... then again at the Scope Art Fair in New York City, and most recently at the Affordable Art Fair in New York. For three fairs in a row she visited, talked and discussed the work, usually offering hard and intelligent constructive criticism.
The end result? The wake effect from those fairs?
I am proud to announce that I am now represented by Glenn Aber Contemporary in New York. They will next be taking my work to ArtHamptons.
I wonder what the wake effect from that fair will be?
As a sailor, I compare it to the wake that a ship leaves on the ocean... a wake that most landlubbers don't realize is sometimes noticeable for hundreds of miles after the ship has passed through... if your sensors are good enough.
She first saw my work at the Aqua Art Fair in Miami Beach last December... then again at the Scope Art Fair in New York City, and most recently at the Affordable Art Fair in New York. For three fairs in a row she visited, talked and discussed the work, usually offering hard and intelligent constructive criticism.
The end result? The wake effect from those fairs?
I am proud to announce that I am now represented by Glenn Aber Contemporary in New York. They will next be taking my work to ArtHamptons.
I wonder what the wake effect from that fair will be?
Glenstone Guided Tour
GUIDED TOUR: GLENSTONE, POTOMAC MD
Saturday, September 28, 2012
10:00 am - 11:00 am
Glenstone
is a blending of avant-garde art, modernist architecture and a
beautiful 200-acre landscape from a former foxhunting estate. Glenstone
founders, Mitchell and Emily Rales, have assembled a collection of
works with an eye toward charting the most significant historical shifts
in how art has been seen and understood since World War II.
Representing artistic innovation all over the world, the collection has
unique concentrations of work, which, in many cases, exemplify an
artist's career at its height. WSG Board member and Glenstone docent,
Elsabe Dixon will guide our tour.
12002 Glen Road
Potomac, Maryland 20854
Driving Directions: http://glenstone.org/driving-directions
Limited to 20 participants (maximum of 10 cars)
Car-pooling will be necessary & attendees must arrive promptly.
RSVP: programs@washingtonsculptors.org
Monday, May 20, 2013
Opportunity for Sculptors
CALL FOR ENTRIES: This Is Labor
Deadline May 27, 2013
Presented by Washington Sculptors Group
at VisArts Rockville
www.visartsatrockville.org
Exhibition Dates: September 18 - October 20, 2013
Jurors: Anne Reeve & Claire D'Alba
Application Deadline: May 27, 2013 (midnight)
Click here to view the complete Call for Entries.
Apply through Slideroom: www.washingtonsculptors.slideroom.com
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