D.C. Commission on the Arts and Humanities' FY 2014 grant guidelines

FY 2014 grants are now live!

The D.C. Commission on the Arts and Humanities' FY 2014 grant guidelines and applications are now live! Browse grant opportunities for individual artists and arts organizations, set up an account on our new online grant application portal and begin the process of applying for funding.   Click on the grant program(s) that you are interested in to review the new guidelines. Artist Fellowship Program Arts Education Program City Arts Projects  Cultural Facilities Projects East of the River Grants-In-Aid Public Art Building Communities UPSTART GRANT WRITING WORKSHOPS  Need more information on the changes to our grant programs? Well, don't miss our grant writing workshops. For a schedule of our upcoming workshops, click here.

FY 2014 GRANTS KICKOFF

For those that were able to attend our FY 2014 Grants Kickoff at the Historic Lincoln Theatre, we would like your feedback. 

CLICK HERE to take our short survey.

 

If you were unable to attend the FY 2014 Grants Kickoff, don't worry; 

here's the presentation. 

Call for Manuscripts and Portfolio Proposals

From the VASA Journal on Images and Culture:

The advent of the Internet and digitization of the image has brought about what appears to be a debatable democratization of the medium of photography. The 'WWW' has expanded what images we experience and the way we experience them. It changed the avenues for the embodiment, dissemination and consumption of images, opening new channels for expression, participation and exchange.

The form and function of more traditional photography gatekeepers such as curators, book editors and publishers, museums and galleries, has been challenged by websites/galleries, blogs, and online publications as open platforms. As a result a serious viewer is now required to look harder and broader through the maze of images online.

1. The editors of VJIC are accepting proposals manuscript, for Issue #4 (September 2013) that address, but is not limited to, the following topics:

- The challenge to traditional institutions – what role for galleries and museums;
- The democratization of the medium of photography: implications for practice and access;
- The movement of marginalized or ghettoized voices towards visibility;
- Curators of / in the Internet era;
- Bloggers – voice or chaos;
- Erik Kessels – case study;
- Online communities – case studies: e.g. Flickr, Instagram, FlakPhoto;
- Snapshot as Art;
- Image search engines as gatekeepers; (ie: Taryn Simon and Aaron Swartz 'Image Atlas')

For proposal information refer to VJIC submissions or email issue editors, please include ' Your name + Issue #4 theme issue proposal manuscript' [see bellow].

2. The editors of VJIC are accepting Portfolio proposals for Issue #4 (to be published September 2013) that are:

- inspired by the Internet (e.g. found photography, gifs, video, online archives, Internet cameras, Google and other search engines, social media, etc.)
or
- created to be exhibited exclusively on the Internet

The proposal has to include:

- a 100 word description of the project
- a link to where it is accessible online (a blog, website, social media, tumblr, flickr etc.). Do not send attachments (no pdfs or jpegs).
- address on the email 'Subject' line 'Issue #4 PORTFOLIO PROPOSAL' followed by your name

Send the proposal to the issue editors:

Katarzyna Majak: majak.katarzyna [at] vasa-project.com
Rui G. Cepeda: cepeda.rui [at] vasa-project.com

GWU's Resident Artist/Scholar Program

The George Washington University Resident Artist/Scholar Program

September 1, 2013 - June 30, 2014, Washington, DC

 

Columbian College of Arts and Sciences at The George Washington University (GW) offers three Arts Fellowships available to support mid-career artists and/or scholars who live in the Washington, DC region.  The residencies will take place from September 1, 2013 to June 30, 2014.  GW recognizes that the Washington, DC metropolitan area is home to many accomplished artists and scholars; therefore, through the GW Resident Artist/Scholar Program GW will celebrate and support the three top proposals.  Fields may include, but are not limited to the following: visual arts, performance art, musical composition or performance, filmmaking, creative writing, theatre, dance, and scholars in the arts.

There will be no predetermined concept or theme in which applicants must adhere, nor will it be necessary that individual applicant’s creative and research projects intersect with other proposals in order to be accepted; instead, each proposal will be judged on its own merit.  The primary goal is to foster an interdisciplinary approach to creative research and scholarship over an intensive ten-month period, a physical and intellectual space for the development of meaningful artistic and scholarly linkages across the arts and other disciplines, both on and off campus.  The GW Resident Artists and Scholars will not be required to teach any courses; instead, they will be expected to produce new work and/or scholarship, present at least one public lecture, regularly interact with graduate and undergraduate students, and fully participate in activities with full-time GW faculty in the Incubator Studio Fellowship Program. 

The GW Resident Artists and Scholars will be provided with a generous stipend of $10,000.00 ($1,000.00 per month from September 2013 to June 2014), a modest studio/office, as well as a creative project/research fund (up to $5,000.00) to cover expenses directly related to the realization of the work done while in residence.  As an incentive to involve GW students in the research projects by the artists and scholars in residence, GW will provide one studio/research assistant per artist or scholar during the fall and spring semesters to be hired through the federal work/study program.  The GW Resident Artists and Scholars are expected to be in residence at GW for a minimum of 10 hours a week during the term of the fellowship.

The selection criteria will take into account the strength of the proposal, past achievements as demonstrated through work samples and CV/Resume, and the potential impact the creative project/research would have on the GW community.  The selection committee will only review materials that correspond to the guidelines below that are submitted through the online process.  Deadline for receipt of application materials for the Resident Artist/Scholar Fellowships is June 28, 2013.    

To apply please go to the following link: http://go.gwu.edu/resart

Hagia Marilynas

"Hagia Marilynas"

"Hagia Marilynas." Charcoal and Conte with Embedded Appropriated Video, circa 2011 - 34x30 and as of this last weekend now in a private collection in Fairfax, VA

Campello on the ropes...

You gotta see this to believe it... talk about upper body strength for a 105 pound girl!

Artist Overwhelmed by Modern Art

This is "Artist Overwhelmed by Modern Art." It is oil, acrylics and charcoal on gessoed paper with embedded LCD screen playing a presentation of 70+ digital images of contemporary art. 15x27 inches framed to 27 x 39 inches.

Artist Overwhelmed by Modern Art
Oil, acrylics, charcoal on gessoed paper with embedded electronics. 15x27 inches

Detail

The "wake" effect

If you read this blog with any regular emphasis, then you know that in the past, many times I have discussed the worldwide art fairs and the reason why contemporary artists need to be in them and why there are so many positive things that come out of them - other than sales - even after the fair is over.

As a sailor, I compare it to the wake that a ship leaves on the ocean... a wake that most landlubbers don't realize is sometimes noticeable for hundreds of miles after the ship has passed through... if your sensors are good enough.

She first saw my work at the Aqua Art Fair in Miami Beach last December... then again at the Scope Art Fair in New York City, and most recently at the Affordable Art Fair in New York. For three fairs in a row she visited, talked and discussed the work, usually offering hard and intelligent constructive criticism.

The end result? The wake effect from those fairs?

I am proud to announce that I am now represented by Glenn Aber Contemporary in New York. They will next be taking my work to ArtHamptons.

I wonder what the wake effect from that fair will be?