Wanna be part of a museum show?

Extreme Exhibit Makeover at the Sandy Springs Museum

The Extreme Exhibit Makeover is a process of creating new exhibits in the museum through the collaboration of professionals from different fields – history, art, exhibit design, and so on – and a member of the local community.

The process involves identifying experts in various fields who will be placed on one of two teams.  Each team will consist of a historian, an artist – either a visual artist or an exhibit designer – a curator, and a member of the public.  Working collaboratively, each team will come up with an idea for an exhibit that focuses on an aspect of local culture and its historic roots.  The teams will have three months to conduct the background research, select artifacts and photos, create graphics, and design the exhibit.  At the end of three months, the teams will be brought together to install their exhibits on the same day.  The exhibit installation will be open to the public who will vote on the “people’s choice” winner.

The purpose of this project is to reinvigorate the museum with new exhibits; to get new people involved in the museum; to get new perspectives on local history; to make the exhibit process more contemporary by incorporating pop culture (“extreme” reality shows and team competitions) and social media (by posting frequent behind-the-scenes updates); and to incorporate a performance art aspect by allowing the public to watch the installation.

The museum will launch this program in September and plan to have the exhibits ready for installation by January.  A $200 stipend will be paid to each participant. Help fund the Extreme Exhibit Makeover - Click here!

If you are interested in participating, please send the information below by August 25, 2013 to Allison Weiss at aweiss@sandyspringmuseum.org

• A letter explaining why you want to be part of this program and what skills you bring
• An example of something creative that you have done
• Your resume

This week: The Art of The Superhero Opens

The Washington Project for the Arts announces The Art of the Super Hero – Revisited, a group exhibition organized by Lenny Campello exploring our cultural fascination with masked men and caped crusaders. 

The artists included in the exhibition approach their topic with a mix of levity and seriousness, using the figure of the superhero to explore issues of identity, immigration, and the struggles of daily life.  

The Art of the Super Hero - Revisited features photography, painting, and mixed media work by F. Lennox Campello, Carla Goldberg, Jeannette Herrera, Simon Monk, Dulce Pinzon, and Andrew Wodzianski. 

The exhibition opens with a reception in the Capitol Skyline Lounge on Friday, August 2, 2013 from 6-8pm and runs from Friday, August 2 through Sunday, August 25, 2013. 

Friday, August 2 – Sunday, August 25, 2013
Opening Reception: Friday, August 2, 6-8pm
   at the Capitol Skyline Hotel , 10 I (eye) St. SW, Washington, DC

Participating Artists: F. Lennox Campello, Carla Goldberg, Jeannette Herrera, Simon Monk, Dulce Pinzón, and Andrew Wodzianski

ABOUT HOTHOUSE
Hothouse is a new series of exhibitions, installations, and events organized by Washington Project for the Arts and taking place in the Capitol Skyline Hotel Lounge. Created as a way to provide new opportunities for WPA member artists and forge new connections within DC’s creative communities, Hothouse will present member-initiated programming on a regular basis.

ABOUT WPA

Washington Project for the Arts (WPA) is an independent, nonprofit 501 (c)(3) organization whose mission is to serve as a catalyst for contemporary art.  WPA supports artists at all stages of their careers and promotes contemporary art by presenting exhibitions, issues, and ideas that stimulate public dialogue on art and culture.www.wpadc.org.

New Acquisitions at the NGA

The National Gallery of Art has acquired dozens of new paintings, sculptures and drawings, including its first paintings by 17th-century Dutch Golden Age painter Cornelis Bega and 19th-century French artist Jean-Léon Gérôme. The works were approved by the National Gallery of Art’s board of trustees in May and acquired with private money and donations. Among the other acquisitions were two sculptures by Robert Smithson, ambrotype self-portraits by the photographer Sally Mann, and a Florentine wax relief attributed to 18th-century sculptor Massimiliano Soldani-Benzi.

Details here.

Art traded for smiles

Bren Bataclan watched from behind a tree as a young couple approached the fountain in Dupont Circle and studied a small square object leaning against the base of the monument. From his hiding spot, he could see the woman reach down with empty hands, then stand back up clasping a canvas. The duo held a brief conference, their mouths moving but their words too faint for Bataclan to hear. Finally, they reached an agreement that pleased Bataclan: The woman walked off with the artwork, grinning broadly.

The painting was Bataclan’s eighth giveaway of the day and the 114th since he set out this summer on a cross-country expedition supporting his SmileyB project. More important, with this canvas, he released two more smiles into the world.

“I like to help others, and in my own small way, I’m doing that,” said the 44-year-old Boston-based artist.

Read the whole article by  Andrea Sachs in the WaPo here.

Swiss Freeports Are Home for a Growing Treasury of Art

They come for the security and stay for the tax treatment. For as long as goods are stored here, owners pay no import taxes or duties, in the range of 5 to 15 percent in many countries. If the work is sold at the Freeport, the owner pays no transaction tax, either.

(Via) Read this cool article in the NYT - the interesting thing is that I believe that there are several "off-the-grid" such locations around the world, including a massive one just outside of Boston... cough, cough.

Job in the Arts

 Deadline: August 10, 2013

 

The Brentwood Arts Exchange is in need of experienced instructors to teach comic book making for teens, painting and drawing classes for teens and adults and are requesting proposals from individuals interested in teaching those subjects.  Classes should run for 4 or 6 weeks, and be held in the afternoon (for teens) or evening hours (for adults).  Include a class outline and a materials list in your proposal.

 

They're always interested in hearing good ideas.  If you would like to send a proposal on other art related classes and have experience teaching, they will accept those as well.

 

Send to Frannie Payne, Brentwood Arts Exchange, 3901 Rhode Island Avenue, Brentwood, MD 20722 or send to FrannieD.Payne@pgparks.com

Art and Labor in the US

How are artists who have been systematically denied fair wages and access to basic services like healthcare and unemployment protections gaining access to those things today?

Even after reading this article by Alexis Clement, I'm not sure who the systemic denier is/are, but I suspect that (like everything else) it is Bush's fault (not Bush The First, he's now a good guy, but Dubya)... Details here.

Alexis Clement will be facilitating a class on this subject (cough, cough), titled Rights, Demands, and Radical Reimaginings: Art and Labor in the US at the Hyperallergic offices starting August 27. Registration info is here. Hyperallergic readers can get $15 off with the code HYPER.