Lest we forget

"Studio View, 9/11"
Oil on Canvas c. 9/11/2001 by David FeBland

DC COMMISSION ON THE ARTS AND HUMANITIES 2014 Annual Meeting

DC COMMISSION ON THE ARTS AND HUMANITIES Cordially invites you to 

The 2014 Annual Meeting

Tuesday, September 23, 2014

6:30pm - 7:00pm | Networking | Gallery @ 200 I St.

7:00pm - 8:00pm | Public Meeting | Multi-Purpose Room

200 I Street, SE, Washington, DC 20003

As members of the creative community your attendance and participation are vital to the success of our agency. We invite you to take part in our Annual Meeting and offer your feedback on how we can best serve the residents and visitors of the District of Columbia.

 Please RSVP here  by Friday, September 19, 2014. 

Free and open to the public.

Light refreshments will be served.

Limited seating, admittance as space is available.

For more information call 202-724-5613.

BODY/BUILDING at Maurine Littleton

The Maurine Littleton Gallery will be presenting BODY/BUILDING.... a group interdisciplinary exhibit of thought, architecture and art.

 

Featuring the work of Erwin Eisch, Nancy Genn, Sergei Isupov, Iliya Isopov, DMV über artist Michael Janis, Richard Jolley, Dorothy Simpson Krause, David Dodge Lewis, Stanislav Libensky, Colin Reid, Ginny Ruffner, Joe Sanders, Holis Sigler, James Tanner and Therman Statom.

BODY/BUILDING... From the press release: "investigates radically different subject matter approached with similar sensibilities. Exploring human and architectural forms through Vitreographs (prints made from glass plates), ceramics and glass sculpture, each artist conveys structure & relationships in literal, figurative and poetic terms.

 

The human form and its relationship to the things we make, has transfixed architect and artist a like for centuries. The ancient Roman architect Vitruvius believed the precise mathematical relationships that exist in the human body should be followed in architecture. Plato opined that by defining a singular human archetype, it was possible to create environments that would be universally appealing and accessible to all. As our identities become more complex and our relationships with each other more interconnected, mankind still seeks to find a harmony where the body and space blurs.

 

Alternately eloquent and visceral, BODY/BUILDING offers a collection of what most fascinates us: our bodies, our buildings and our relationships. The works contained within are inclined to represent just enough so that we, the viewer, are encouraged/obliged to imagine the rest: the rest of the building, the rest of the body, but most importantly, the rest of the story."

 

Maurine Littleton Gallery

1667 Wisconsin Ave. N.E.; Washington, DC

Voyage of Discovery at McLean

Lida Moser's Book

Children, Valley of Matapedia, Quebec by Lida Moser 1950

I've been getting some emails about people asking about Lida Moser and the curious fact that although she was the author of multiple books on photography, there are no books about her photography.

There is one book about Lida Moser. It was published in 1982 and it is titled Quebec a l'ete. These days you can only find it in rare book dealers, where it sells for over $1,000.

Lida wanted to publish another book, and she applied multiple times to the Bader Fund to try to get the funds needed to catalog her photographs and publish a book,  but she was never funded by them.

I'm gathering the idea to work with Schiffer Books (my publisher) to see if they are interested in doing a book on her photographs.

Feels like 18!

Sandra Ramos at the Katzen

Curator Diane Camber, me, Sandra Ramos and Mayer Fine Arts' Sheila Giolitti at Sandra Ramos' members preview last night at the Katzen Museum at American University.

EXHIBITION OVERVIEW

Curated by Diane Camber, this exhibition is comprised of prints, video, collage, and installations created by Cuban artist Sandra Ramos. This artist reflects on the conflicting experiences of living in her beloved homeland with all of its many challenges. Her work often takes a narrative form in which she depicts herself as a child-like explorer or modern day Alice in Wonderland. Ramos' prints and mixed media works feature exquisite craftsmanship and use of color and naiveté, tempered by wit and irony. This exhibition reflects the mordant wit for which Cubans are famous, as well as a kind of nostalgia and exuberance particular to the artist.